Стивен Кинг - The Institute

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The Institute: краткое содержание, описание и аннотация

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From #1 New York Times bestselling author Stephen King, the most riveting and unforgettable story of kids confronting evil since It—publishing just as the second part of It, the movie, lands in theaters.
In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis’s parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there’s no window. And outside his door are other doors, behind which are other kids with special talents—telekinesis and telepathy—who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and ten-year-old Avery Dixon. They are all in Front Half. Others, Luke learns, graduated to Back Half, “like the roach motel,” Kalisha says. “You check in, but you don’t check out.”
In this most sinister of institutions, the director, Mrs. Sigsby, and her staff are ruthlessly dedicated to extracting from these children the force of their extranormal gifts. There are no scruples here. If you go along, you get tokens for the vending machines. If you don’t, punishment is brutal. As each new victim disappears to Back Half, Luke becomes more and more desperate to get out and get help. But no one has ever escaped from the Institute.
As psychically terrifying as Firestarter, and with the spectacular kid power of It, The Institute is Stephen King’s gut-wrenchingly dramatic story of good vs. evil in a world where the good guys don’t always win.

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Stackhouse approached the schoolbus parked by the flagpole and spoke to his troops for the last time. “Shooters, I want you to concentrate on the driver, all right? The one wearing his hat backward. Then rake the whole damn thing, front to back. Aim high, for the windows, knock out that dark glass, get head shots. Acknowledge.”

They did.

“Start firing when I raise my hand. Repeat, when I raise my hand.”

Stackhouse stood in front of the bus. He put his right hand on its chilly, dew-jeweled surface. With his left he grasped the flagpole. Then he waited.

19

“Drive,” Tim said. He was on the floor behind the driver’s seat. Luke was beneath him.

“Please don’t make me do this,” Mrs. Sigsby said. “If you’d just let me tell you why this place is so important—”

“Drive.”

She drove. The lights drew closer. Now she could see the bus, and the flagpole, and Trevor standing between them.

20

It’s time , Avery said.

He had expected to be afraid, he had been afraid ever since waking up in a room that looked like his room but wasn’t, and then Harry Cross had knocked him down and he had been more afraid than ever. But he wasn’t afraid now. He was exhilarated. There was a song his mom played on the stereo all the time when she was cleaning, and now a line of it recurred to him: I shall be released .

He walked to the Ward A kids, who were already circling. Kalisha, Nicky, George, and Helen followed. Avery held out his hands. Kalisha took one and Iris—poor Iris, who might have been saved if this had happened even a day earlier—took the other.

The woman standing guard outside the door shouted something, a question, but it was lost in the rising hum. The dots came, not dim now but bright and getting brighter. The Stasi Lights filled the center of the circle, spinning and rising like the stripe on a barber pole, coming from some deep seat of power, going back there, then returning, refreshed and stronger than ever.

CLOSE YOUR EYES .

No longer a thought but a THOUGHT , riding the hum.

Avery watched to make sure they were doing it, then closed his. He expected to see his own room at home, or maybe their backyard with the swing set and the aboveground pool his dad inflated every Memorial Day, but he didn’t. What he saw behind his closed eyes—what all of them saw—was the Institute playground. And maybe that shouldn’t have been a surprise. It was true that he had been knocked down there and made to cry, which was a bad beginning to these last weeks of his life, but then he had made friends, good ones. He hadn’t had friends back home. In his school back home they thought he was a weirdo, they even made fun of his name, running up to him and yelling “Hey Avery, do me a favory” in his face. There had been none of that here, because here they’d all been in it together. Here his friends had taken care of him, treated him like a normal person, and now he would take care of them. Kalisha, Nicky, George, and Helen: he would take care of them.

Luke most of all. If he could.

With his eyes closed, he saw the big phone.

It was sitting next to the trampoline, in front of the shallow ditch Luke had squirmed through to get under the fence, an old-fashioned telephone at least fifteen feet high and as black as death. Avery and his friends and the kids from Ward A stood around it in their circle. The Stasi Lights swirled, brighter than ever, now over the phone’s dial, now skating giddily over its gigantic Bakelite handset.

Kalisha, GO. Playground!

There was no protest. Her hand left Avery’s, but before the break in the circle could interrupt the power and destroy the vision, George grasped Avery’s hand. The hum was everywhere now, surely they must hear it in all those faraway places where there were other children like them, standing in circles like this. Those children heard, just as the targets they’d been brought to their various Institutes to kill had heard. And like those targets, the children would obey. The difference was they would obey knowingly, and gladly. The revolt was not just here; the revolt was global.

George, GO. Playground!

George’s hand dropped out and Nicky’s took its place. Nicky who had stood up for him when Harry knocked him over. Nicky who called him the Avester, like it was a special name only friends could use. Avery gave his hand a squeeze and felt Nicky squeeze back. Nicky who was always bruised. Nicky who wouldn’t knuckle under or take their shitty tokens.

Nicky, GO. Playground!

He was gone. Now it was Helen gripping his hand, Helen with her fading punk hair, Helen who had taught him to do forward rolls on the trampoline and spotted him “so you won’t fall off and split your stupid head.”

Helen, GO. Playground!

She went, the last of his friends from down here, but Katie took the hand Helen had been holding, and it was time.

Outside, faint gunfire.

Please don’t let it be too late!

It was his last conscious thought as an individual, as Avery. Then he joined the hum, and the lights.

It was time to make a long-distance call.

21

Through a few remaining trees, Stackhouse saw the Suburban roll forward. The gleam of lights from the admin building slid on its chrome. It was moving very slowly, but it was coming. It occurred to him (too late to do anything about it, but wasn’t that always the way) that the boy might no longer have the flash drive, that he might have left it with the one he called Officer Wendy after all. Or hidden it somewhere between the airport and here, with a last-gasp call from the misguided hero to tell Officer Wendy where it was if things went wrong.

But what could I have done about it? he thought. Nothing. There is only this.

The Suburban appeared at the head of the driveway. Stackhouse remained standing between the bus and the flagpole, arms outstretched like Christ on the cross. The hum had reached a near deafening level, and he wondered if Rosalind was still holding her position or if she had been forced to flee. He thought of Gladys and hoped she was ready to start the mix.

He squinted at the shape behind the Suburban’s wheel. It was impossible to make out much, and he knew Doug and Chad wouldn’t be able to see jackshit through the darkened rear windows until they were blown out, but the windshield was clear glass, and when the Suburban closed the distance to twenty yards—a little closer than he had hoped for—he saw the expansion band of the turned-around cap cutting across the driver’s forehead, and let go of the flagpole. The driver’s head began to shake frantically. One hand left the wheel, pressing a starfish shape against the windshield in a stop gesture, and he realized he’d been deked. The trick was as simple as a kid escaping by crawling under a fence, and just as effective.

It wasn’t the misguided hero behind the wheel. It was Mrs. Sigsby.

The Suburban stopped again, then began to back up. “I’m sorry, Julia, no help for it,” he said, and raised his hand.

The shooting from admin and the trees began. At the rear of Front Half, Gladys Hickson removed the covers from two large buckets of bleach positioned under the HVAC unit which provided heating and cooling to Back Half and the access tunnel. She held her breath, dumped the bottles of toilet bowl cleaner into the buckets of bleach, gave each a quick stir with a mop handle, covered the buckets and the unit with a tarp, then sprinted for Front Half’s East Wing with her eyes burning. As she ran across the roof, she realized it was moving under her feet.

22

“No, Trevor, no!” Mrs. Sigsby screamed. She was shaking her head back and forth. From his position behind her, Tim saw her raise one hand and press it against the windshield. She used her other hand to put the Suburban in reverse.

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