Уилки Коллинз - The Haunted Hotel

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This is a unique collection of strange stories from the cunning pen of Wilkie Collins, author of The Woman in White and The Moonstone. The star attraction is the novella The Haunted Hotel, a clever combination of detective and ghost story set in Venice, a city of grim waterways, dark shadows and death. The action takes place in an ancient palazzo coverted into a modern hotel that houses a grisly secret. The supernatural horror, relentless pace, tight narrative, and a doomed countess characterise and distinguish this powerful tale.

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Agnes folded up the letter; and, feeling the need of composing herself, took refuge for a few minutes in her own room.

Her first natural sensations of surprise and excitement at the prospect of going to Venice were succeeded by impressions of a less agreeable kind. With the recovery of her customary composure came the unwelcome remembrance of the parting words spoken to her by Montbarry's widow:—'We shall meet again—here in England, or there in Venice where my husband died—and meet for the last time.'

It was an odd coincidence, to say the least of it, that the march of events should be unexpectedly taking Agnes to Venice, after those words had been spoken! Was the woman of the mysterious warnings and the wild black eyes still thousands of miles away in America? Or was the march of events taking her unexpectedly, too, on the journey to Venice? Agnes started out of her chair, ashamed of even the momentary concession to superstition which was implied by the mere presence of such questions as these in her mind.

She rang the bell, and sent for her little pupils, and announced their approaching departure to the household. The noisy delight of the children, the inspiriting effort of packing up in a hurry, roused all her energies. She dismissed her own absurd misgivings from consideration, with the contempt that they deserved. She worked as only women can work, when their hearts are in what they do. The travellers reached Dublin that day, in time for the boat to England. Two days later, they were with Lord and Lady Montbarry at Paris.

The Fourth Part

Chapter XVI

It was only the twentieth of September, when Agnes and the children reached Paris. Mrs. Norbury and her brother Francis had then already started on their journey to Italy—at least three weeks before the date at which the new hotel was to open for the reception of travellers.

The person answerable for this premature departure was Francis Westwick.

Like his younger brother Henry, he had increased his pecuniary resources by his own enterprise and ingenuity; with this difference, that his speculations were connected with the Arts. He had made money, in the first instance, by a weekly newspaper; and he had then invested his profits in a London theatre. This latter enterprise, admirably conducted, had been rewarded by the public with steady and liberal encouragement. Pondering over a new form of theatrical attraction for the coming winter season, Francis had determined to revive the languid public taste for the ballet by means of an entertainment of his own invention, combining dramatic interest with dancing. He was now, accordingly, in search of the best dancer (possessed of the indispensable personal attractions) who was to be found in the theatres of the Continent. Hearing from his foreign correspondents of two women who had made successful first appearances, one at Milan and one at Florence, he had arranged to visit those cities, and to judge of the merits of the dancers for himself, before he joined the bride and bridegroom. His widowed sister, having friends at Florence whom she was anxious to see, readily accompanied him. The Montbarrys remained at Paris, until it was time to present themselves at the family meeting in Venice. Henry found them still in the French capital, when he arrived from London on his way to the opening of the new hotel.

Against Lady Montbarry's advice, he took the opportunity of renewing his addresses to Agnes. He could hardly have chosen a more unpropitious time for pleading his cause with her. The gaieties of Paris (quite incomprehensibly to herself as well as to everyone about her) had a depressing effect on her spirits. She had no illness to complain of; she shared willingly in the ever–varying succession of amusements offered to strangers by the ingenuity of the liveliest people in the world—but nothing roused her: she remained persistently dull and weary through it all. In this frame of mind and body, she was in no humour to receive Henry's ill–timed addresses with favour, or even with patience: she plainly and positively refused to listen to him. 'Why do you remind me of what I have suffered?' she asked petulantly. 'Don't you see that it has left its mark on me for life?'

'I thought I knew something of women by this time,' Henry said, appealing privately to Lady Montbarry for consolation. 'But Agnes completely puzzles me. It is a year since Montbarry's death; and she remains as devoted to his memory as if he had died faithful to her—she still feels the loss of him, as none of us feel it!'

'She is the truest woman that ever breathed the breath of life,' Lady Montbarry answered. 'Remember that, and you will understand her. Can such a woman as Agnes give her love or refuse it, according to circumstances? Because the man was unworthy of her, was he less the man of her choice? The truest and best friend to him (little as he deserved it) in his lifetime, she naturally remains the truest and best friend to his memory now. If you really love her, wait; and trust to your two best friends—to time and to me. There is my advice; let your own experience decide whether it is not the best advice that I can offer. Resume your journey to Venice to–morrow; and when you take leave of Agnes, speak to her as cordially as if nothing had happened.'

Henry wisely followed this advice. Thoroughly understanding him, Agnes made the leave–taking friendly and pleasant on her side. When he stopped at the door for a last look at her, she hurriedly turned her head so that her face was hidden from him. Was that a good sign? Lady Montbarry, accompanying Henry down the stairs, said, 'Yes, decidedly! Write when you get to Venice. We shall wait here to receive letters from Arthur and his wife, and we shall time our departure for Italy accordingly.'

A week passed, and no letter came from Henry. Some days later, a telegram was received from him. It was despatched from Milan, instead of from Venice; and it brought this strange message:—'I have left the hotel. Will return on the arrival of Arthur and his wife. Address, meanwhile, Albergo Reale, Milan.'

Preferring Venice before all other cities of Europe, and having arranged to remain there until the family meeting took place, what unexpected event had led Henry to alter his plans? and why did he state the bare fact, without adding a word of explanation? Let the narrative follow him—and find the answer to those questions at Venice.

Chapter XVII

The Palace Hotel, appealing for encouragement mainly to English and American travellers, celebrated the opening of its doors, as a matter of course, by the giving of a grand banquet, and the delivery of a long succession of speeches.

Delayed on his journey, Henry Westwick only reached Venice in time to join the guests over their coffee and cigars. Observing the splendour of the reception rooms, and taking note especially of the artful mixture of comfort and luxury in the bedchambers, he began to share the old nurse's view of the future, and to contemplate seriously the coming dividend of ten per cent. The hotel was beginning well, at all events. So much interest in the enterprise had been aroused, at home and abroad, by profuse advertising, that the whole accommodation of the building had been secured by travellers of all nations for the opening night. Henry only obtained one of the small rooms on the upper floor, by a lucky accident—the absence of the gentleman who had written to engage it. He was quite satisfied, and was on his way to bed, when another accident altered his prospects for the night, and moved him into another and a better room.

Ascending on his way to the higher regions as far as the first floor of the hotel, Henry's attention was attracted by an angry voice protesting, in a strong New England accent, against one of the greatest hardships that can be inflicted on a citizen of the United States—the hardship of sending him to bed without gas in his room.

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