Макс Брукс - Devolution - A Firsthand Account of the Rainier Sasquatch Massacre

Not yet.

I also can’t delude myself into imagining that they’ve moved on. We’re all still choking on their smell. It’s heavy in the air, thick despite the crisp, frosty chill. For whatever reason, they’ve given us about forty-eight hours’ peace, and we’ve used every last second to prepare.

“Hacking the houses,” that’s what Dan calls it. Manipulating the internal alarms, biogas tanks, stoves. That “hacking” part’s hard for Dan. Not the technical, the emotional. It drove him crazy, hunched over his iPad while the rest of us worked with our hands. Physical work. Male pride.

Three times he tried to take a “study break” to help us out. Once he even ran outside to help Effie and Pal carry a big box of stuff. I yelled at him. I didn’t mean to. I just saw him through the hole in Mostar’s garage door and shouted at him to get back to work.

He apologized to me later. He understands. We can’t afford bruised egos any more than we can afford wasted time. “Specialization. Division of labor.”

One of Mostar’s many lessons.

That box I yelled at him about, it was filled with supplies. It’s Effie and Palomino’s job to stock the Common House. Blankets, medicine, what’s left of the food. Everything we need to survive there. I’m glad Effie didn’t argue about the personal effects. Not that I’d expect her to argue about anything. But she did have a point. What about all the photos? The mementos? We can’t just leave them. No, but we can’t waste time on them either. Once everything’s in place, we’ll pack up our treasures.

Effie seemed to get the logic of that argument. So did Carmen, who’s in charge of placing stakes. She and Bobbi have been cutting and sharpening new spikes, as well as “modifying” the ones already made. And by “modifying,” I mean dipping them in our own poo.

Again, Carmen’s idea, in the hopes that it’ll give them an infection. I have my doubts. Who knows how tough their resistance is. But if it works just a little bit, if even one of their wounded wanders off to sicken or die days later… That’s why I haven’t publicly “poo-pooed” Carmen’s idea (sorry, lame joke), and privately, I’m blown away that she’s been able to turn her phobia into a survival skill.

I don’t know how she stands the smell though. I haven’t seen her reach for the hand sanitizer once. She even personally scooped out the bucket of slop from the biogas digester, even after Bobbi offered to do it. Bobbi hasn’t mentioned anything about Carmen clocking her, even though her cheek looks like half a hard-boiled egg. I noticed neither of them talk much about anything.

They’ve been going nonstop, laying stakes in between the houses, on the front lawns, in a semicircle ring around the Common House. “Semi” because the driveway leading up from the road can’t be staked. Same for the actual loop around the house. The asphalt is too hard, the ash too shallow. That’s where the glass comes in.

I took the idea from Mostar’s “minefield.” We’ve swept up all those shards and combined them with every single glass object in the village. I heard Carmen and Bobbi smashing them for hours. Glasses, bottles, picture frames. Shattering them all in the second story bathtub above my head, then carting the buckets downstairs to spread out along the entire circle. Maybe not as effective as bamboo, but maybe just enough to give them pause. That’s what I’m hoping for. That’s what I’ve been working on.

I’m the village “weaponsmith.” That’s what Dan calls me. I’ve been in Mostar’s workshop for two days, trying not to nap, trying to ignore Consort’s body next to me, and Mostar’s one floor above. We placed her on her bed. We’ll bury her later. I know she’d understand. I can picture her yelling at me to get to work. “Stop messing around, Katie!” She probably would have chastised us for carrying her all the way upstairs. “Just toss me on the couch or stuff me in the freezer next to Vincent’s head!”

Knowing Mostar, she’d probably have told us to pump her body full of poison and lay it out for those creatures to eat. I’ve actually thought about it a couple times. I haven’t said anything to anyone though. Morbidity aside, I don’t think the idea’s practical. I can’t afford to waste time trying to find something that might be toxic (of course nobody here has rat poison!) and I wouldn’t even know how to get it into her.

The fact that I’ve even thought about it, that I haven’t cried once since she died… I do think about her though, every waking second. I picture her over my shoulder, barking orders and correcting each mistake. I think she’d be proud of how I’m using her 3-D printer. I hope she’d approve of my creation.

Spearheads. Well, to be specific, javelin points. I’m surprised she didn’t think of it herself. That first weapon she threw at the mountain lion, how she lamented not being able to barb the blade. Well, these have barbs, these new, six-inch-long, half-inch wide, razor-sharp glass blades. And they’re beautiful, if I do say so myself, and so easy to attach. Gift-wrapping ribbon through the pre-printed holes. I’ve got a whole spool of it from Effie. Pink and shiny, it’s just the right width to fit through the ports. I’ve tested the strength, trying to pull it apart. It’ll work once, and that’s fine for disposable weapons.

Not like the real spears. They’re taking a lot of time. In between each javelin, when there’s nothing to do but wait for the printer to finish, I’ve been making spears for each member of the tribe.

Did I just write “tribe”?

Punchy.

There are a lot of personal spears to be made. And while we’re mainly following Mostar’s design, I’ve made one slight modification. A crossbar, or guard, or whatever you want to call it. Five inches long, slightly thinner than a dime. I’ve inserted one horizontally through bored holes just above the second to last connector. A little glue seems to hold them in place, enough, hopefully, to stop the spear from going too deep. I don’t want any of us to risk what happened to Mostar. Who knows if it’ll work. At least the spears themselves have been proven, and fortunately we’ve got enough raw materials. The bamboo and electrical wire were easy but scrounging for high quality, compatibly constructed chef knives took some effort. Dan and I had one, Mostar had two.

The Durants’ knives were great. A couple of solid, eight-inch blades that I’ve crafted into formidable killers. The Boothes, ironically, have the most useless knife set. Maybe it’s not ironic, the whole foodie thing. From a culinary point of view, their high-end Japanese cutters are magnificent. But for our needs: no pins, no holes, just thin, steel cores that look like they’re glued.

“I’m sorry,” that was Bobbi, frowning as I lifted the first naked blade from its smashed wooden grip. “Maybe these will help.” I saw that she’d brought two more items with her. The first was kind of a U-shaped cleaver; the blade extended down and parallel to the handle. A riveted handle!

“Soba kiri.” That’s the official term. Bobbi reminded me of the soba soup she served us that night in another lifetime. This was the tool she’d used to make homemade noodles.

My first thought was “hatchet,” and what an amazing bamboo-chopping, time-saving implement this could have been if I’d only known about it sooner. But I hadn’t, and if it could chop through plants, it could sure chop through meat. It wasn’t hard to picture how I could turn this hatchet into a full-blown axe. I could already see it fixed to a short, sturdy bamboo shaft.

And if that project got my creative juices flowing, Bobbi’s next gift practically took my breath away. Not only was the blade thicker and at least two inches longer than any other knife we had, but the finish! I didn’t know steel could be a work of art. Bobbi calls it a “Damascus blade” after the medieval Arab swordsmiths who invented it. The metal looked like water, and I’m not being lyrical. The wavy lines across the surface looked exactly like moonlight shimmering on the ocean.