Josh Malerman - Bird Box

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Bird Box: краткое содержание, описание и аннотация

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Something is out there, something terrifying that must not be seen. One glimpse of it, and a person is driven to deadly violence. No one knows what it is or where it came from.
Five years after it began, a handful of scattered survivors remains, including Malorie and her two young children. Living in an abandoned house near the river, she has dreamed of fleeing to a place where they might be safe. Now that the boy and girl are four, it’s time to go, but the journey ahead will be terrifying: twenty miles downriver in a rowboat—blindfolded—with nothing to rely on but her wits and the children’s trained ears. One wrong choice and they will die. Something is following them all the while, but is it man, animal, or monster?
Interweaving past and present,
is a snapshot of a world unraveled that will have you racing to the final page.

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He will he will he will

And if he doesn’t, you’ll have to tell someone else .

Tom’s coming back .

It’s been a week .

HE’S COMING BACK!

You can’t tell Gary. Talk to someone else first .

Don .

No. No. Not him. Felix. Don will kill you .

What??

Don has changed, Malorie. He’s different. Don’t be so naive .

He wouldn’t hurt us .

Yes. He would. He’d take the garden axe to you all .

STOP!!

He doesn’t care about life. He told you to blind your baby, Malorie .

He wouldn’t hurt us .

He would. Talk to Felix .

Felix will tell everyone .

Tell him not to. Talk to Felix. Tom may not come back .

Malorie leaves the foyer. Cheryl and Gary are in the kitchen. Gary is at the table, sitting, scooping pears from a can.

“Good afternoon,” he says, in that way he has of making it sound like he’s responsible for the good afternoon.

Malorie thinks he can tell. She thinks he knows.

He was awake he was awake he was awake .

“Good afternoon,” she says. She walks into the living room, leaving him.

Felix is sitting by the phone in the living room. The map is open on the end table.

“I don’t understand,” he says, confused. Felix does not look well. He hasn’t been eating as much. The assurances he gave Malorie a week ago no longer exist.

“It’s such a long time, Malorie. I know Tom would know what to do out there—but it’s such a long time.”

“You need to think about something else,” Cheryl says, peering her head around the corner. “Seriously, Felix. Think about something else. Or just go outside without a blindfold. Either way you’re driving yourself mad.”

Felix exhales loudly and runs his fingers through his hair.

She can’t tell Felix. He’s losing something. He’s lost something. His eyes are dull. He’s losing sensibility, thought. Strength.

Without a word, Malorie leaves him. She passes Don in the hall. The words, what she’s discovered, come to life within her. She almost speaks.

Don, Gary is no good. He’s dangerous. He has Frank’s notebook in his briefcase .

What, Malorie?

Just what I said .

You were snooping? Going through Gary’s things?

Yes .

Why are you coming to me with this?

Don, I just need to tell someone. You understand that, don’t you?

Why didn’t you just ask Gary? Hey, Gary!

No. She can’t tell Don. Don has lost something, too. He might get violent. Gary could, too.

One shove , she thinks, and you lose the baby .

She imagines Gary at the top of the cellar stairs. Her broken, bleeding body crumpled at the bottom.

You like reading in the cellar, DO YOU?? Then die down there with your child .

Behind her, she hears all the housemates are in the living room. Cheryl is talking to Felix. Gary is talking to Don.

Malorie turns toward their voices and approaches the living room.

She is going to tell them all.

When she enters the room, her body feels like it’s made of ice. Melting. Like pieces of herself fall away and sink under the unbearable pressure of what’s to come.

Cheryl and Olympia are on the couch. Felix waits by the phone. Don is in the easy chair. Gary stands, facing the blanketed windows.

As she opens her mouth, Gary slowly looks over his shoulder and meets her eyes.

“Malorie,” he says sharply, “is something on your mind?”

Suddenly, clearly, Malorie realizes that everyone is staring at her. Waiting for her to speak.

“Yes, Gary,” she says. “There is.”

“What is it?” Don asks.

The words are stuck in her throat. They climb up like the legs of a millipede, reaching for her lips, looking to get out at last.

“Does anyone remember Gary’s—”

She stops. She and the housemates turn toward the blankets.

The birds are cooing.

“It’s Tom,” Felix says desperately. “It must be!”

Gary looks into Malorie’s eyes again. There is a knock at the front door.

The housemates move fast. Felix rushes to the front door. Malorie and Gary remain.

He knows he knows he knows he knows he knows .

When Tom calls out, Malorie is trembling with fear.

He knows .

Then, having heard Tom’s voice, Gary leaves her and heads to the foyer.

Once the questions have been asked and the housemates have their eyes closed, Malorie hears the front door open. The cool air rushes in, and with it the reality of how close Malorie just came to confronting Gary without Tom in the house.

Dogs paws on the foyer tile. Boots. Something smacks against the doorframe. The front door closes quickly. There’s the sound of the broomsticks scratching the walls. Tom speaks. And his voice is deliverance.

“My plan was to call you guys from my house. But the fucking phone was out.”

“Tom,” Felix says, manic but weak. “I knew you guys would do it. I knew it!”

When Malorie opens her eyes, she doesn’t think about Gary. She doesn’t see the perfectly manicured letters that wait in his briefcase.

She sees only that Tom and Jules are home again.

“We raided a grocery store,” Tom says. The words sound impossible. “Someone had been there before. But we got a lot of good stuff.”

He looks tired, but he looks good.

“The dogs worked,” he says. “They led us.” He is proud and happy. “But I got something from my house that I hope will help us even more.”

Felix helps him with his duffel bag. Tom unzips it and removes something. Then he lets it fall to the foyer floor.

It’s a phone book.

“We’re going to call every number in here,” he says. “Every single one. And somebody is going to answer.”

It’s only a phone book, but Tom has turned it into a beacon.

“Now,” Tom says. “Let’s eat.”

The others excitedly prepare the dining room. Olympia gets the utensils. Felix fills glasses with water from the buckets.

Tom is back.

Jules is back.

“Malorie!” Olympia calls. “It’s canned crabmeat!”

Malorie, caught somewhere between two worlds, enters the kitchen and begins helping with dinner.

thirty-six

Someone is following them.

There is no use asking herself how much farther they have to go. She doesn’t know when she will hear the recorded voice that tells her she’s arrived. She doesn’t know if it still exists. Now, she only paddles, she only perseveres.

An hour ago, they passed what sounded like lions engaged in battle. There were roars. Birds of prey screech threats from the sky. Things growl and snort from the woods. The river’s current is moving faster. She remembers the tent Tom and Jules found in the street outside their house. Could there be something like that, so astonishingly out of place, here, on the river? Could they crash into it… now ?

Out here, she knows, anything imagined is possible.

But right now, it is something much more concrete that worries her.

Someone is following them. Yes, the Boy heard it, too.

A phantom echo. A second rowing, in step with her own.

Who would do it? And if they meant to harm her and the children, why didn’t they do it when she was passed out?

Is it someone escaping their home as well?

“Boy,” she says quietly, “tell me what you can about them.”

The Boy is listening.

“I don’t know, Mommy.”

He sounds ashamed.

“Are they still there?”

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