Josh Malerman - Bird Box

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Bird Box: краткое содержание, описание и аннотация

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Something is out there, something terrifying that must not be seen. One glimpse of it, and a person is driven to deadly violence. No one knows what it is or where it came from.
Five years after it began, a handful of scattered survivors remains, including Malorie and her two young children. Living in an abandoned house near the river, she has dreamed of fleeing to a place where they might be safe. Now that the boy and girl are four, it’s time to go, but the journey ahead will be terrifying: twenty miles downriver in a rowboat—blindfolded—with nothing to rely on but her wits and the children’s trained ears. One wrong choice and they will die. Something is following them all the while, but is it man, animal, or monster?
Interweaving past and present,
is a snapshot of a world unraveled that will have you racing to the final page.

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“There could be somebody in here,” he whispers.

They wait for a response to the noise they’ve made. There is none. Tom calls out. He tells the house that they are neighbors. That they are looking for animals and can offer shelter in exchange. There is no response. Jules clears the glass and helps Tom through the window.

Inside, they repair the cardboard.

Using their brooms, they check the place. This takes hours to do. Moving with their backs against each other, they swing their brooms in arcs. Tom leads, telling Jules where to go. When they are done, when they’re convinced the house is empty, the windows are covered, and the doors are all locked, Tom declares the house safe.

Both men understand what must come next.

They’re going to remove their helmets and blindfolds and open their eyes. Neither has seen anything but the inside of their house for many months now.

Jules moves first. Tom hears him unfastening his helmet. Then he does the same. After sliding his blindfold up to his hairline, Tom turns, eyes closed, to face Jules.

“Ready?”

“Ready.”

The two men open their eyes.

Once, as a child, Tom and a friend snuck into a neighbor’s house through an unlocked back door. There was no plan, no agenda. They just wanted to see if they could do it. But they got more than they hoped for when, hiding in a pantry, they were forced to wait the entire duration of the family’s dinner. When they were finally outside again, his friend asked him how he felt about it.

“Dirty,” he said then.

His eyes open now, inside a stranger’s home, he feels the same way.

This is not their house. But they’re in it. These are not their things. But they could be. A family lived here. They had a child. Tom recognizes a toy or two. A photo tells him that it was a boy. His fair hair and young smile remind Tom of Robin. In a way, every single thing Tom has encountered since Robin’s death has reminded him of her. And being here, in a stranger’s home, he imagines the way they once lived. The child telling Mom and Dad what he heard about at school. Dad reading the earliest reports in the newspaper. Mom calling the child inside. All of them, together on the couch, watching the news, frightened, as Dad reaches across their son and takes Mom’s hand.

Robin .

There is no evidence of a pet. No forgotten chew toy. No cat’s bed. And no smell of a dog. But it is the absence of people Tom thinks about.

“Tom,” Jules says. “You check upstairs. I’ll continue down here.”

“Okay.”

At the foot of the stairs, Tom looks up. He pulls his blindfold from his pocket and ties it around his eyes again. Despite their having checked the house, Tom can’t bring himself to climb the stairs with his eyes open.

Did they check well enough?

Climbing, he uses the broom to guide him. His shoulder brushes against hanging photos. He thinks of George’s photo, hanging on the wall at home. His boot tip catches a stair and he stumbles forward. There is carpet beneath his hands. He gets back up. More stairs. So many that it feels impossible, like he’s walked through the roof of the house already.

At last, the bristles tell him he’s reached the top. But his mind is behind the broom and he stumbles again, this time into a wall. It is silent up here. He kneels and sets the broomstick beside him. Then he takes the duffel bag and unzips it, searching for the flashlight. He’s got it. Rising again, he uses the broom to guide him. Turning right, his wrist knocks into something cold and hard. He pauses and feels it. It’s glass, he thinks. A vase. There’s a bad smell. He didn’t smell it before. His hand comes to a gathering of crinkly, dead leaves. Slowly feeling along the stalks, he understands they are flowers. Roses perhaps. Long dead. He turns left again. The smell of the dead roses fades as he’s confronted with something much stronger.

He stops in the hall. How could he and Jules have missed this smell?

“Hello?”

There is no response. Tom covers his nose and mouth with his free hand. The stench is awful. He continues down the hall. Coming to a door on his right, Tom enters a room. It’s a bathroom. The bristles echo on the tile. There is a damp, moldy smell of unused plumbing. He pokes at the shower curtain and checks the tub with the broom. Then he finds the medicine cabinet. There are pill bottles. Tom pockets them. He kneels and rifles through the cabinets beneath the sink. He hears something behind him and he turns.

He is facing the bathtub.

You just checked it. There was nothing in there .

One hand is on the counter behind him. The other slowly raises the broom. He holds it out before him, blindfolded.

“Is someone in here with me?”

He inches forward, toward the tub.

He swings the broom once. Then twice.

His stomach is turning. Hot. The smell.

Tom lunges forward and swings the broom wildly about the bathtub. He checks the ceiling above it. Then, stepping back again, he lets the broom fall to the bathroom floor, where it connects with something and makes the same sound he heard while kneeling before the cabinets.

He quickly locates a plastic bottle. It’s empty.

Tom sighs.

He exits the room and continues down the hall. Quickly, he comes to another door. This one is closed. He can hear Jules moving faintly downstairs. Tom breathes deep and opens the door. It is cold in here. The broom tells him there is something in front of him. He feels for it and discovers a mattress. It’s a little bed. Without opening his eyes, he knows this is the boy’s bedroom. He closes the door, searches the room entirely with the broom, then turns on the light.

Then he takes off his blindfold and opens his eyes.

Pennants hang from the wall. Local sports teams. One for the zoo. The bedcover is Formula 1 racing cars. It is stuffy in here. Unused. Because the electricity works, he puts the flashlight back into his pack. A brief search tells him there is nothing of real use in here. He thinks of Robin’s bedroom.

He closes his eyes again and leaves.

Farther down the hall the smell grows more terrible. He can’t leave his mouth uncovered. At the end of the hall, he comes to a wall. As he turns, the broomstick connects with a door behind him. Tom freezes as the door slowly opens.

Did you and Jules check this room? DID YOU?!

“Hello?”

There is no response. Tom enters slowly. He turns on the lights and searches the walls for windows. He finds two. Both heavily fortified with wood. The room is big.

It’s the master bedroom .

He crosses the room. The smell is so strong in here it feels physical, like he can touch it. The broomstick guides him to what feels like a walk-in closet. Clothes. Coats. He thinks of taking them with him. He thinks of the winter they will soon face.

Turning, he discovers another, smaller door. A second bathroom. Again he checks the medicine cabinet and the drawers. More pill bottles. Toothpaste. Toothbrushes. He searches for a window. He finds one. Covered in wood. He uses the broom to guide him out of the bathroom. He closes the door behind him.

Believing he’s checked the windows, believing he is safe, Tom, standing by the closet, opens his eyes.

A child is sitting on the bed, looking at him.

Tom closes his eyes.

Is this what the creatures look like?

You weren’t safe! YOU WEREN’T SAFE!

His heart is thundering. What did he see? It was a face. An old face? No, it was young. Young? But decayed. He wants to call to Jules. But the longer his eyes are closed, the clearer the image becomes.

It was the boy. From the photos downstairs.

He opens his eyes again.

The boy is wearing a suit. Propped against a dark headboard, his face is unnaturally turned toward Tom. His eyes are open. His mouth hangs. His hands are folded across his lap.

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