Stephen King - Sleeping Beauties

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Sleeping Beauties: краткое содержание, описание и аннотация

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In this spectacular father/son collaboration, Stephen King and Owen King tell the highest of high-stakes stories: what might happen if women disappeared from the world of men? In a future so real and near it might be now, something happens when women go to sleep: they become shrouded in a cocoon-like gauze. If they are awakened, if the gauze wrapping their bodies is disturbed or violated, the women become feral and spectacularly violent. And while they sleep they go to another place, a better place, where harmony prevails and conflict is rare.
One woman, the mysterious “Eve Black,” is immune to the blessing or curse of the sleeping disease. Is Eve a medical anomaly to be studied? Or is she a demon who must be slain? Abandoned, left to their increasingly primal urges, the men divide into warring factions, some wanting to kill Eve, some to save her. Others exploit the chaos to wreak their own vengeance on new enemies. All turn to violence in a suddenly all-male world.
Set in a small Appalachian town whose primary employer is a women’s prison,
is a wildly provocative, gloriously dramatic father-son collaboration that feels particularly urgent and relevant today. Review
“This delicious first collaboration between Stephen King and his son Owen is a horror-tinged realistic fantasy that imagines what could happen if most of the women of the world fall asleep, leaving men on their own. The authors’ writing is seamless and naturally flowing. Once the action begins, [SLEEPING BEAUTIES] barrels along like a freight train.” (
) “Another horror blockbuster, Mercedes and all, from maestro King and his heir apparent… In a kind of untold Greek tragedy meets
meets—well, bits of
and
, perhaps—King and King, father and son, take their time putting all the pieces into play: brutish men, resourceful women who've had quite enough, alcohol, and always a subtle sociological subtext, in this case of rural poverty and dreams sure to be dashed… A blood-splattered pleasure.” (
(starred review)) “Following the renewed interest in Margaret Atwood’s
and an increasing climate of wolf-whistle politics, this examination of gender stereotypes, systems of oppression, and pervasive misogyny within American culture feels especially timely… The large cast of characters allows for a multitude of narrative perspectives—from both the affected women and the men they’ve left behind. Violent, subversive, and compulsively readable. The true horror of this father-son-penned novel derives more from its unflinchingly realistic depiction of hatred and violence against women than from the supernatural elements.” (
)

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(“She’s into old guys?” Lila had replied, batting her eyes and pressing herself to his hip.)

The upstairs of the Norcross house contained the master bedroom, Jared’s room, and a third bedroom, which the two adults used as a home office. On the first floor the kitchen was wide and open, separated from the family room by a counter bar. At the right side of the family room, behind closed French doors, was their little-used dining room.

Clint drank coffee and read the New York Times on his iPad at the kitchen bar. An earthquake in North Korea had caused an untold number of casualties. The North Korean government insisted that the damage was minor due to “superior architecture,” but there was cell phone footage of dusty bodies and rubble. An oil rig was burning in the Gulf of Aden, probably as a result of sabotage, but no one was claiming responsibility. Every country in the region had done the diplomatic equivalent of a bunch of boys who knock out a window playing baseball and run home without looking back. In the New Mexico desert the FBI was on day forty-four of its standoff with a militia led by Kinsman Brightleaf (nee Scott David Winstead Jr.). This happy band refused to pay its taxes, accept the legality of the Constitution, or surrender its stockpile of automatic weapons. When people learned that Clint was a psychiatrist, they often entreated him to diagnose the mental diseases of politicians, celebrities, and other notables. He usually demurred, but in this instance he felt comfortable making a long-distance diagnosis: Kinsman Brightleaf was suffering from some kind of dissociative disorder.

At the bottom of the front page was a photo of a hollow-faced young woman standing in front of an Appalachian shack with an infant in her arms: “Cancer in Coal Country.” This made Clint recall the chemical spill in a local river five years ago. It had caused a week-long shutdown of the water supply. Everything was supposedly fine now, but Clint and his family stuck to bottled drinking water just to be sure.

Sun warmed his face. He looked out toward the big twin elm trees at the back of the yard, beyond the edge of the pool deck. The elms made him think of brothers, of sisters, of husbands and wives—he was sure that, beneath the ground, their roots were mortally entwined. Dark green mountains knuckled up in the distance. Clouds seemed to be melting on the pan of the fair blue sky. Birds flew and sang. Wasn’t it a hell of a shame, the way good country got wasted on folks. That was another thing that an old wag had told him.

Clint liked to believe it wasn’t wasted on him. He had never expected to own a view like this one. He wondered how decrepit and soft he’d have to grow before it made sense, the good luck that some people got, and the bad luck that saddled others.

“Hey, Dad. How’s the world? Anything good happening?”

Clint turned from the window to see Jared stroll into the kitchen zipping up his backpack.

“Hold on—” He flicked through a couple of electronic pages. He didn’t want to send his son off to school with an oil spill, a militia, or cancer. Ah, just the thing. “Physicists are theorizing that the universe might go on forever.”

Jared pawed through the snack cabinet, found a Nutribar, stuck it in his pocket. “And you think that’s good? Can you explain what you mean?”

Clint considered for a second before he realized that his son was busting his balls. “I see what you did there.” As he looked over at Jared he used his middle finger to scratch at his eyelid.

“You don’t have to be shy about this, Dad. You have son-father privilege. It all stays between us.” Jared helped himself to the coffee. He took it black, the way Clint used to when his stomach was young.

The coffeemaker was near the sink, where the window opened on to the deck. Jared sipped and took in the view. “Wow. Are you sure you should leave Mom here alone with Anton?”

“Please go,” Clint said. “Go to school and learn something.”

His son had grown up on him. “Dog!” had been Jared’s first word, spoken so that it rhymed with brogue . “Dog! Dog!” He had been a likable boy, inquisitive and well-intentioned, and he had developed into a likable young man, still inquisitive and well-intentioned. Clint took pride in how the safe, secure home they had provided Jared had allowed him to become more and more himself. It hadn’t been like that for Clint.

He had been toying with the idea of giving the kid condoms, but he didn’t want to talk to Lila about it and he didn’t want to encourage anything. He didn’t want to be thinking about it at all. Jared insisted he and Mary were just friends, and maybe Jared even believed it. Clint saw how he looked at the girl, though, and it was the way you looked at someone you wanted to be your very, very close friend.

“Little League Shake,” Jared said, and held out his hands. “You still know it?”

Clint did: bump fists, pop and lock thumbs, twist hands, smooth down the palms, then clap them together twice overhead. Though it had been a long time, it went perfectly, and they both laughed. It put a shine on the morning.

Jared was out and gone before Clint remembered that he was supposed to tell his son to take out the trash.

Another part of getting older: you forgot what you wanted to remember, and remembered what you wanted to forget. He could be the old wag that said that. He should get a pillow stitched with it.

6

Having been on Good Report for sixty days, Jeanette Sorley had common room privileges three mornings a week, between eight and nine in the morning. In reality that meant between eight and eight fifty-five, because her six-hour shift in the carpentry shed began at nine. There she would spend her time inhaling varnish through a thin cotton mask and turning out chair legs. For this she made three dollars an hour. The money went into an account that would be paid to her by check when she got out (inmates called their work accounts Free Parking, like in Monopoly). The chairs themselves were sold in the prison store across Route 17. Some went for sixty dollars, most for eighty, and the prison sold a lot of them. Jeanette didn’t know where that money went, and didn’t care. Having common room privileges, though, she did care about. There was a big TV, boardgames, and magazines. There was also a snack machine and a soda machine that only worked on quarters, and inmates did not have quarters, quarters were considered contraband—Catch-22!—but at least you could window-shop. (Plus, the common room became, at appointed times of the week, the visitors’ room, and veteran visitors, like Jeanette’s son, Bobby, knew to bring lots of quarters.)

This morning she was sitting beside Angel Fitzroy, watching the morning report on WTRF, Channel 7 out of Wheeling. The news was the usual stew: a drive-by shooting, a transformer fire, a woman arrested for assaulting another woman at the Monster Truck Jam, the state legislature having an argle-bargle over a new men’s prison that had been built on a mountaintop removal site and appeared to have structural problems. On the national front, the Kinsman Brightleaf siege continued. On the other side of the globe, thousands were thought dead in a North Korean earthquake, and doctors in Australia were reporting an outbreak of sleeping sickness that seemed to affect only women.

“That’d be meth,” Angel Fitzroy said. She was nibbling a Twix she had found in the snack machine’s dispenser tray. Making it last.

“Which? The sleeping women, the chick at the Monster Truck Jam, or the reality show–type guy?”

“Could be all, but I was thinking of the chick at the Jam. I was at one of those once, and damn near everbody oncept the kiddies was coked up or smoked up. You want some of this?” She cupped the remains of the Twix in her hand (in case Officer Lampley was currently monitoring one of the common room cameras), and offered it to Jeanette. “It ain’t so stale as some of them in there.”

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