Stephen King - Sleeping Beauties

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Sleeping Beauties: краткое содержание, описание и аннотация

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In this spectacular father/son collaboration, Stephen King and Owen King tell the highest of high-stakes stories: what might happen if women disappeared from the world of men? In a future so real and near it might be now, something happens when women go to sleep: they become shrouded in a cocoon-like gauze. If they are awakened, if the gauze wrapping their bodies is disturbed or violated, the women become feral and spectacularly violent. And while they sleep they go to another place, a better place, where harmony prevails and conflict is rare.
One woman, the mysterious “Eve Black,” is immune to the blessing or curse of the sleeping disease. Is Eve a medical anomaly to be studied? Or is she a demon who must be slain? Abandoned, left to their increasingly primal urges, the men divide into warring factions, some wanting to kill Eve, some to save her. Others exploit the chaos to wreak their own vengeance on new enemies. All turn to violence in a suddenly all-male world.
Set in a small Appalachian town whose primary employer is a women’s prison,
is a wildly provocative, gloriously dramatic father-son collaboration that feels particularly urgent and relevant today. Review
“This delicious first collaboration between Stephen King and his son Owen is a horror-tinged realistic fantasy that imagines what could happen if most of the women of the world fall asleep, leaving men on their own. The authors’ writing is seamless and naturally flowing. Once the action begins, [SLEEPING BEAUTIES] barrels along like a freight train.” (
) “Another horror blockbuster, Mercedes and all, from maestro King and his heir apparent… In a kind of untold Greek tragedy meets
meets—well, bits of
and
, perhaps—King and King, father and son, take their time putting all the pieces into play: brutish men, resourceful women who've had quite enough, alcohol, and always a subtle sociological subtext, in this case of rural poverty and dreams sure to be dashed… A blood-splattered pleasure.” (
(starred review)) “Following the renewed interest in Margaret Atwood’s
and an increasing climate of wolf-whistle politics, this examination of gender stereotypes, systems of oppression, and pervasive misogyny within American culture feels especially timely… The large cast of characters allows for a multitude of narrative perspectives—from both the affected women and the men they’ve left behind. Violent, subversive, and compulsively readable. The true horror of this father-son-penned novel derives more from its unflinchingly realistic depiction of hatred and violence against women than from the supernatural elements.” (
)

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It was less difficult to achieve remuneration for the relatives, near and distant, of the Honorable Oscar Silver, Barry and Gerda Holden, Linny Mars, Officer Vern Rangle, Dr. Garth Flickinger, Officer Rand Quigley, Officer Tig Murphy, and Officer Billy Wettermore, all of whom, it could be legitimately claimed, had died under circumstances covered by their respective policies. Not that the various resolutions weren’t a long and involved process. It was the work of years, work that would see Drew T. Barry’s hair turn salty and his skin turn gray, and in the midst of it, during early mornings of emails and late nights of filings, Drew T. Barry lost his taste for hunting. It seemed decadent in juxtaposition to the seriousness of his work on behalf of the abandoned and the aggrieved. He’d sit in a stand, and see, on the other end of his scope, a deer with a ten-point rack wander through the mist, and think to himself, Act of God Insurance. Does that buck have Act of God Insurance? Because to a deer, that’s what getting shot must be, right? Will his children be taken care of? Can a dead buck with good insurance make a little dough? Of course not, the idea was even more ridiculous than the pun. So he sold his Weatherby, and even tried to become a vegetarian, although that didn’t work out so well. Sometimes, after a day in the existential toils of the insurance biz, a man needed a pork chop.

Loss changes you. Sometimes that’s bad. Sometimes it’s good. Either way, you eat your goddam pork chop and go on.

7

Due to the absence of identification, Lowell and Maynard Griner were buried in unmarked graves. Much later, when the Aurora craziness began to subside (not that it ever did, entirely), their fingerprints were matched with the extensive sheets on file and the brothers were officially declared dead. It was doubted by many, however, especially by folk who lived out in the brakes and hollers. Rumors abounded that Little Low and Maynard had made themselves a home in the shaft of an abandoned wildcat mine, that they were running Acapulco Gold further south under assumed names, that they drove the hills in a jacked-up midnight black Ford F-150 with a severed boar’s head chained to the grill and Hank Williams Jr. blasting from the stereo. An award-winning author, a man who had lived in Appalachia as a young man and fled as soon as he turned eighteen, heard some of the legends from his relatives, and used them as the basis of a children’s picture book titled The Bad Stupid Brothers . In the picture book, they end up as miserable toads in Poopy Swamp.

8

The stream that the Bright Ones cult had dammed near their compound in Hatch, New Mexico, broke, and the waters ripped the community’s buildings from their foundations. When the waters receded, the desert moved in; sand covered up the few discarded weapons that had been overlooked by the feds; a few pages of their new nation’s Constitution, which declared their dominion over the lands and waters they had seized and their rights to bear arms, and the United States federal government’s lack of standing to demand they pay their share of taxes, were speared on cactus needles. A graduate student studying botany, hiking to collect specimens of native desert plants, discovered several of these spiked pages.

“Thank you, God!” she cried and snatched them off the cactus. The graduate student’s stomach was bothering her. She hustled off the mountain path, defecated, and used the providential papers to wipe herself.

9

To continue the march to her thirty-year pension, Van Lampley took a job at the women’s prison in Curly, which was where the vast majority of Dooling’s surviving prisoners were shifted. Celia Frode ended up there, though not for long (paroled), and so did Claudia Stephenson.

They were, by and large, a rough bunch at Curly Correctional—lots of tightly wired girls, lots of tough women with felony priors—but Van was up to it. One day a white girl with faux gold teeth, cornrows, and a forehead tattoo (it said EMPTYin bleeding letters) asked Van how she got the limp. The inmate’s sneer was both piggy and jovial.

“I kicked a little too much ass,” Van said, a harmless lie. She had kicked exactly the right amount of ass. The officer rolled up her sleeve to show the tattoo on her mighty left bicep: YOUR PRIDE, etched on the gravestone with the wee arm. She turned the other way and rolled up the other sleeve. On her equally impressive right bicep another gravestone had been inked. ALL YOUR FUCKING PRIDEwas etched on this one.

“Okay,” the tough girl said, losing the sneer. “You’re cool.”

“You better believe it,” Van said. “Now move along.”

Sometimes Van prayed with Claudia, now the ordained Reverend Stephenson. They prayed for forgiveness for their sins. They prayed for Ree’s soul. They prayed for Jeanette’s soul. They prayed for the babies and the mothers. They prayed for whatever needed praying on.

“What was she, Claudia?” Van asked once.

“It’s not what she was, Vanessa,” said Reverend Stephenson. “It’s what we are.”

“And what would that be?”

The reverend was stern—very unlike the old Claudia, who would not say boo to a goose. “Resolved to be better. Resolved to be stronger. Ready to do whatever we have to do.”

10

It would have killed her, the cervical cancer that had been brewing in Janice Coates, but the clock on the other side of the Tree had slowed its growth somehow. Also, her daughter had seen it on the other side of the Tree. Michaela took her mother to an oncologist two days after the women awoke, and the warden was receiving chemotherapy two days after that. Janice acquiesced to Michaela’s demand that she step down from her position immediately, allowing Michaela to make all the arrangements, to take care of her, to order her to the doctor, to bed, and to take her meds on a regular basis. Michaela also made sure her mother stopped smoking.

In Michaela’s humble opinion, cancer was horseshit. She had lost her father at a young age, and she was still working through some of the emotional horseshit that had come with that. But horseshit abounded. Horseshit was something you had to shovel pretty much non-stop if you were a woman, and if you were a woman in television, you had to shovel it double-time. Michaela could shovel it triple-time. She had not driven home from DC, rammed a bad biker’s vintage ride, stayed awake for days smoking Garth Flickinger’s meth, and survived a gruesome armed conflict in order to succumb to any variety of horseshit whatsoever, even if that horseshit was a disease that actually belonged to her mother.

Following her course of chemo, when the clean scan came back that told them Janice was in remission, Michaela said to her mother, “All right. What are you going to do now? You need to stay active.”

Janice said Mickey was absolutely right. Her first plan: to drive Michaela to DC. Her daughter needed to go back to work.

“Are you ever going to try and report on what happened?” Janice asked her daughter. “Personal experience type of thing?”

“I’ve thought about it, but…”

“But?”

There were problems, that was the but. First, most people would say that the adventures of the women on the far side of the Tree were horseshit. Second, they would say that no such supernatural creature as “Evie Black” had ever existed, and that Aurora had been caused by perfectly natural (if as yet undiscovered) means. Third, if certain authorities decided Michaela wasn’t spouting horseshit, questions would be raised that the authorities in Dooling—especially former Sheriff Lila Norcross—could not answer.

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