Stephen King - Sleeping Beauties

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Sleeping Beauties: краткое содержание, описание и аннотация

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In this spectacular father/son collaboration, Stephen King and Owen King tell the highest of high-stakes stories: what might happen if women disappeared from the world of men? In a future so real and near it might be now, something happens when women go to sleep: they become shrouded in a cocoon-like gauze. If they are awakened, if the gauze wrapping their bodies is disturbed or violated, the women become feral and spectacularly violent. And while they sleep they go to another place, a better place, where harmony prevails and conflict is rare.
One woman, the mysterious “Eve Black,” is immune to the blessing or curse of the sleeping disease. Is Eve a medical anomaly to be studied? Or is she a demon who must be slain? Abandoned, left to their increasingly primal urges, the men divide into warring factions, some wanting to kill Eve, some to save her. Others exploit the chaos to wreak their own vengeance on new enemies. All turn to violence in a suddenly all-male world.
Set in a small Appalachian town whose primary employer is a women’s prison,
is a wildly provocative, gloriously dramatic father-son collaboration that feels particularly urgent and relevant today. Review
“This delicious first collaboration between Stephen King and his son Owen is a horror-tinged realistic fantasy that imagines what could happen if most of the women of the world fall asleep, leaving men on their own. The authors’ writing is seamless and naturally flowing. Once the action begins, [SLEEPING BEAUTIES] barrels along like a freight train.” (
) “Another horror blockbuster, Mercedes and all, from maestro King and his heir apparent… In a kind of untold Greek tragedy meets
meets—well, bits of
and
, perhaps—King and King, father and son, take their time putting all the pieces into play: brutish men, resourceful women who've had quite enough, alcohol, and always a subtle sociological subtext, in this case of rural poverty and dreams sure to be dashed… A blood-splattered pleasure.” (
(starred review)) “Following the renewed interest in Margaret Atwood’s
and an increasing climate of wolf-whistle politics, this examination of gender stereotypes, systems of oppression, and pervasive misogyny within American culture feels especially timely… The large cast of characters allows for a multitude of narrative perspectives—from both the affected women and the men they’ve left behind. Violent, subversive, and compulsively readable. The true horror of this father-son-penned novel derives more from its unflinchingly realistic depiction of hatred and violence against women than from the supernatural elements.” (
)

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If this woman standing in the middle of Dooling Town Road wasn’t morning glory, Lila had never seen it.

“Hands up. Put them up, right now.”

The Avon Lady, aka Morning Glory, raised her hands.

“Do you know how close you just came to being dead?”

Evie smiled. It lit up her whole face. “Not very,” she said. “You had it all the way, Lila.”

8

The old man spoke with a slight tremble. “I didn’t want to move her.”

The cat, a brown tabby, was in the grass. Judge Oscar Silver was down on the ground beside her, staining the knees of his khakis. Sprawled on its side, the cat almost appeared normal, except for its right front leg, which hung loose in a grotesque V-shape. Up close you also saw the curls of blood in her eyes, washing up around the pupils. Her breath was shallow and she was, according to the counterintuitive instinct of wounded felines, purring.

Frank squatted beside the cat. He propped his sunglasses back on his head and squinted against the harsh morning light. “I’m sorry, Judge.”

Silver wasn’t crying now, but he had been. Frank hated to see that, although it didn’t surprise him: people loved their pets, often with a degree of openness they couldn’t allow themselves to express toward other people.

What would a shrink call that? Displacement? Well, love was hard. All Frank knew was that the ones you really had to watch out for in this world were the ones that couldn’t love even a cat or a dog. And you had to watch out for yourself, of course. Keep things under control. Stay cool.

“Thank you for coming so quickly,” said Judge Silver.

“It’s my job,” Frank said, although it wasn’t exactly. As the county’s sole full-time animal control officer, his department was more raccoons and stray dogs than dying cats. He considered Oscar Silver a friend, though, or something close to it. Before the judge’s kidneys had put him on the wagon, Frank had shared more than a few beers with him at the Squeaky Wheel, and it was Oscar Silver who had given him the name of a divorce lawyer and suggested he make an appointment. Silver had also suggested “some kind of counseling” when Frank admitted he sometimes raised his voice to his wife and daughter (taking care not to mention the time he’d put a fist through the kitchen wall).

Frank hadn’t seen either the lawyer or the therapist. In regard to the former, he still believed he could work things out with Elaine. In regard to the latter, he felt he could control his temper quite well if people (Elaine, for instance, but also Nana, his daughter) would only realize he had their best interests at heart.

“I’ve had her since she was a kitten,” Judge Silver was saying now. “Found her out behind the garage. This was just after Olivia, my wife, passed. I know it’s ridiculous to say, but it seemed like… a message.” He drew his forefinger through the valley between the cat’s ears, rubbing gently. Although the cat continued to purr, it did not extend its neck toward the finger, or react. Its bloody eyes gazed steadily into the green grass.

“Maybe it was,” said Frank.

“My grandson was the one who named her Cocoa.” He shook his head and twisted his lips. “It was a damn Mercedes. I saw it. I was coming out for the paper. Had to be going sixty. In a residential neighborhood! Now what reason is there for that?”

“No reason. What color was the Mercedes?” Frank was thinking about something Nana had mentioned to him months earlier. A fellow on her paper route who lived in one of the big houses at the top of Briar had some kind of fancy ride. A green Mercedes, he thought she had said, and now:

“Green,” said Judge Silver. “It was a green one.”

A gurgle had entered the cat’s purr. The rise and fall of its flank had quickened. She was really hurting.

Frank put a hand on Silver’s shoulder, squeezed it. “I should do this now.”

The judge cleared his throat, but must not have trusted himself to speak. He just nodded.

Frank unzipped the leather pouch that contained the needle and the two vials. “This first one relaxes her.” He poked the needle into the vial, drew it full. “The second one lets her sleep.”

9

There came a time, long before the events recounted here, when the Tri-Counties (McDowell, Bridger, and Dooling) petitioned to have the defunct Ash Mountain Juvenile Reformatory converted into a badly needed women’s prison. The state paid for the land and the buildings, and it was named after the county—Dooling—that provided most of the money for refurbishing the institution. Its doors opened in 1969, staffed by Tri-County residents who badly needed jobs. At the time it had been declared “state of the art” and “a benchmark in female corrections.” It looked more like a suburban high school than a prison—if one ignored the rolls of razor wire that topped the acres of chainlink surrounding the place.

Nearly half a century later, it still looked like a high school, but one that had fallen on hard times and a diminishing tax base. The buildings had begun to crumble. The paint (lead-based, it was rumored) was flaking. The plumbing leaked. The heating plant was badly outdated, and in the depths of winter, only the admin wing could maintain temperatures above sixty-five degrees. In summer, the inmate wings roasted. The lighting was dim, the elderly electrical wiring a disaster in waiting, and the vital inmate monitoring equipment went dark at least once a month.

There was, however, an excellent exercise yard with a running track, a basketball court in the gym, shuffleboard, a midget softball diamond, and a vegetable garden adjacent to the admin wing. It was there, close to the flourishing peas and corn, that Warden Janice Coates sat on a blue plastic milk box, her beige-colored knit purse collapsed on the ground beside her shoes, smoking an unfiltered Pall Mall and watching Clint Norcross approach.

He flashed his ID card (unnecessary since everyone knew him, but it was protocol) and the main gate rumbled open on its track. He drove into the dead space beyond, waiting for the outer gate to shut. When the officer on duty—this morning it was Millie Olson—got a green on her board, indicating the main gate was locked, she opened the inner gate. Clint brought his Prius trundling alongside the fence to the employees’ parking lot, which was also gated. Here a sign cautioned MAINTAIN SECURITY! ALWAYS LOCK YOUR CAR!

Two minutes later he was standing beside the warden, leaning a shoulder against the old brick, his face turned up to the morning sun. What followed was akin to the call-and-response in a fundamentalist church.

“Good morning, Dr. Norcross.”

“Good morning, Warden Coates.”

“Ready for another day in the wonderful world of corrections?”

“The real question is, is the wonderful world of corrections ready for me? That’s how ready I am. How about you, Janice?”

She shrugged faintly and blew smoke. “The same.”

He nodded to her cigarette. “Thought you quit.”

“I did. I enjoy quitting so much I do it once a week. Sometimes twice.”

“All quiet?”

“This morning, yes. We had a meltdown last night.”

“Don’t tell me, let me guess. Angel Fitzroy.”

“Nope. Kitty McDavid.”

Clint raised his eyebrows. “That I would not have expected. Tell me.”

“According to her roommate—Claudia Stephenson, the one the other ladies call—”

“Claudia the Dynamite Body-a,” Clint said. “Very proud of those implants. Did Claudia start something?”

Nothing against Claudia, but Clint hoped that was the case. Doctors were human, they had their favorites, and Kitty McDavid was one of his. Kitty had been in rough shape when she arrived—a self-harm habit, yo-yo moods, high anxiety. They’d come a long way since then. Anti-depressants had made a huge difference and, Clint liked to believe, their therapy sessions had helped a bit, too. Like him, Kitty was a product of the foster systems of Appalachia. In one of their first meetings, she had asked him, sourly, if he had any idea in his big suburban head what it felt like not to have a home or a family.

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