Эдгар По - Золотой жук / The Gold-bug (сборник)

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Эдгар Аллан По (1809–1849) – американский писатель-романтик, мастер новеллы, основоположник детективного рассказа и научно-фантастической повести. Мир произведений писателя причудливый и в то же время изысканный. Его законы подчиняются не общепринятой логике, а лишь игре авторского воображения. В книгу вошли рассказы «Что случилось с господином Вальдемаром», «Рукопись, найденная в бутылке», «Украденное письмо», «Колодец и маятник», «Золотой жук», в которых ярко проявился необычный писательский талант Э.А. По.

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* * *

I have been looking at the timbers of the ship. She is built of a material to which I am a stranger. There is a peculiar character about the wood which strikes me as rendering it unfit for the purpose to which it has been applied. I mean its extreme porousness, considered independently of the worm-eaten condition which is a consequence of navigation in these seas and apart from the rottenness attendant upon age. It will appear, perhaps, an observation somewhat over-curious, but this wood would have every characteristic of Spanish oak, if Spanish oak were distended by any unnatural means.

In reading the above sentence, a curious apothegm of an old weather-beaten Dutch navigator comes full upon my recollection. «It is as sure,» he was wont to say, when any doubt was entertained of his veracity, «as sure as there is a sea where the ship itself will grow in bulk like the living body of the seaman.»

* * *

About an hour ago I made bold to trust myself among a group of the crew. They paid me no manner of attention, and, although I stood in the very midst of them all, seemed utterly unconscious of my presence. Like the one I had at first seen in the hold, they all bore about them the marks of a hoary old age. Their knees trembled with infirmity; their shoulders were bent double with decrepitude; their shrivelled skins rattled in the wind; their voices were low, tremulous, and broken; their eyes glistened with the rheum of years; and their grey hairs streamed terribly in the tempest. Around them, on every part of the deck, lay scattered mathemat-ical instruments of the most quaint and obsolete construction.

* * *

I mentioned, some time ago, the bending of a studding-sail. From that period, the ship, being thrown dead off the wind, has continued her terrific course due south, with every rag of canvas packed upon her, from her truck to her lower studding-sail booms, and rolling every moment her top-gallant yard-arms into the most appalling hell of water which it can enter into the mind of man to imagine. I have just left the deck, where I find it impossible to maintain a footing, although the crew seem to experience little inconvenience. It appears to me a miracle of miracles that our enormous bulk is not swallowed up at once and for ever. We are surely doomed to hover continually upon the brink of eternity, without taking a final plunge into the abyss. From billows a thousand times more stupendous than any I have ever seen, we glide away with the facility of the arrowy sea-gull; and the colossal waters rear their heads above us like demons of the deep, but like demons confined to simple threats, and forbidden to destroy. I am led to attribute these frequent escapes to the only natural cause which can account for such effect. I must suppose the ship to be within the influence of some strong current, or impetuous under-tow.

* * *

I have seen the captain face to face, and in his own cabin – but, as I expected, he paid me no attention. Although in his appearance there is, to a casual observer, nothing which might bespeak him more or less than man, still a feeling of irrepressible reverence and awe mingled with the sensation of wonder with which I regarded him. In stature, he is nearly my own height; that is, about five feet eight inches. He is of a well-knit and compact frame of body, neither robust nor remarkable otherwise. But it is the singularity of the expression which reigns upon the face – it is the intense, the wonderful, the thrilling evidence of old age so utter, so extreme, which excites within my spirit a sense – a sentiment ineffable. His forehead, although little wrinkled, seems to bear upon it the stamp of a myriad of years. His grey hairs are records of the past, and his greyer eyes are sibyls of the future. The cabin floor was thickly strewn with strange, iron-clasped folios, and mouldering instruments of science, and obsolete long-forgotten charts. His head was bowed down upon his hands, and he pored, with a fiery, unquiet eye, over a paper which I took to be a commission, and which, at all events, bore the signature of a monarch. He muttered to himself – as did the first seaman whom I saw in the hold – some low peevish syllables of a foreign tongue; and although the speaker was close at my elbow, his voice seemed to reach my ears from the distance of a mile.

* * *

The ship and all in it are imbued with the spirit of Eld. The crew glide to and fro like the ghosts of buried centuries; their eyes have an eager and uneasy meaning; and when their fingers fall athwart my path in the wild glare of the battle-lanterns, I feel as I have never felt before, although I have been all my life a dealer in antiquities, and have imbibed the shadows of fallen columns at Balbec, and Tadmor, and Persepolis, until my very soul has become a ruin.

* * *

When I look around me, I feel ashamed of my former apprehensions. If I trembled at the blast which has hitherto attended us, shall I not stand aghast at a warring of wind and ocean, to convey any idea of which, the words tornado and simoom are trivial and ineffective? All in the immediate vicinity of the ship is the blackness of eternal night, and a chaos of foamless water; but, about a league on either side of us, may be seen, indistinctly, and at intervals, stupendous ramparts of ice, towering away into the desolate sky, and looking like the walls of the universe.

* * *

As I imagined, the ship proves to be in a current – if that appellation can properly be given to a tide which, howling and shrieking by the white ice, thunders on to the southward with a velocity like the headlong dashing of a cataract.

* * *

To conceive the horror of my sensations is, I presume, utterly impossible; yet a curiosity to penetrate the mysteries of these awful regions predominates even over my despair, and will reconcile me to the most hideous aspect of death. It is evident that we are hurrying onwards to some exciting knowledge – some never-to-be-imparted secret, whose attainment is destruction. Perhaps this current leads us to the southern pole itself. It must be confessed that a supposition apparently so wild has every probability in its favour.

* * *

The crew pace the deck with unquiet and tremulous step; but there is upon their countenance an expression more of the eagerness of hope than of the apathy of despair.

In the meantime the wind is still in our poop, and, as we carry a crowd of canvas, the ship is at times lifted bodily from out the sea! Oh, horror upon horror! – the ice opens suddenly to the right, and to the left, and we are whirling dizzily, in immense concentric circles, round and round the borders of a gigantic amphitheatre, the summit of whose walls is lost in the darkness and the distance. But little time will be left me to ponder upon my destiny! The circles rapidly grow small – we are plunging madly within the grasp of the whirlpool – and amid a roaring, and bellowing, and thundering of ocean and tempest, the ship is quivering – O God! and – going down!

Рукопись, найденная в бутылке [4] Примечание . «Рукопись, найденная в бутылке», напечатана в 1831 г., и только много лет спустя я познакомился с картами Меркатора, на которых океан впадает четырьмя потоками в полярную (северную) пучину, где исчезает в недрах земли. Сам полюс изображен в виде черной скалы, поднимающейся на громадную высоту. ( Примечание автора )

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