Dean Koontz - By the Light of the Moon

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Dean Koontz has surpassed his longtime reputation as "America's most popular suspense novelist"(Rolling Stone) to become one of the most celebrated and successful writers of our time. Reviewers hail his boundless originality, his art, his unparalleled ability to create highly textured, riveting drama, at once viscerally familiar and utterly unique.
Author of one #1 New York Times bestseller after another, Koontz is at the pinnacle of his powers, spinning mysteries and miracles, enthralling tales that speak directly to today's readers, balm for the heart and fire for the mind. In this stunning new novel, he delivers a tour de force of dark suspense and brilliant revelation that has all the Koontz trademarks: adventure, chills, riddles, humor, heartbreak, an unforgettable cast of characters, and a climax that will leave you clamoring for more.
Dylan O'Connor is a gifted young artist just trying to do the right thing in life. He's on his way to an arts festival in Santa Fe when he stops to get a room for himself and his twenty-year-old autistic brother, Shep. But in a nightmarish instant, Dylan is attacked by a mysterious "doctor," injected with a strange substance, and told that he is now a carrier of something that will either kill him...or transform his life in the most remarkable way. Then he is told that he must flee--before the doctor's enemies hunt him down for the secret circulating through his body. No one can help him, the doctor says, not even the police.
Stunned, disbelieving, Dylan is turned loose to run for his life...and straight into an adventure that will turn the next twenty-four hours into an odyssey of terror, mystery--and wondrous discovery. It is a journey that begins when Dylan and Shep's path intersects with that of Jillian Jackson. Before that evening Jilly was a beautiful comedian whose biggest worry was whether she would ever find a decent man. Now she too is a carrier. And even as Dylan tries to convince her that they'll be safer sticking together, cold-eyed men in a threatening pack of black Suburbans approach, only seconds before Jilly's classic Coupe DeVille explodes into thin air.
Now the three are on the run together, but with no idea whom they're running from--or why. Meanwhile Shep has begun exhibiting increasingly disturbing behavior. And whatever it is that's coursing through their bodies seems to have plunged them into one waking nightmare after another. Seized by sinister premonitions, they find themselves inexplicably drawn to crime scenes--just minutes before the crimes take place.
What this unfathomable power is, how they can use it to stop the evil erupting all around them, and why they have been chosen are only parts of a puzzle that reaches back into the tragic past and the dark secrets they all share: secrets of madness, pain, and untimely death. Perhaps the answer lies in the eerie, enigmatic messages that Shep, with precious time running out, begins to repeat, about an entity who does his work "by the light of the moon."
By the Light of the Moon is a novel of heart-stopping suspense and transcendent beauty, of how evil can destroy us and love can redeem us--a masterwork of the imagination in which the surprises come page after page and the spell of sublime storytelling triumphs throughout.

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She could no more avoid this subject, however, than she could go back to the comedy-club life that she had been leading less than one day ago. 'I wasn't just furious at those three evil bastards… I was…'

When she reached for words and didn't at once find them, Dylan finished her thought, for he'd been the first of them to experience this righteous rage, all the way back on Eucalyptus Avenue, where Travis had been shackled and Kenny had hoped to put his collection of knives to bloody use; therefore, he'd been given more time to analyze it. 'You were not just furious at those evil bastards… but at evil itself, at the fact that evil exists, infuriated by the very idea of evil allowed to go unresisted, unchecked.'

'Good God, you've been inside my head, or I've been in yours.'

'Neither,' Dylan said. 'But tell me this… In the church, you understood the danger?'

'Oh, yeah.'

'You knew that you might be shot, crippled for life, killed – but you did what had to be done.'

'There was nothing else to do.'

'There's always something else to do,' he disagreed. 'Run, for one thing. Give up, go away. Did you think about doing that?'

'Of course.'

'But was there one moment, even one brief moment in the church, when you could have run?'

'Oh, man,' she said, and shuddered as she began to recognize the burden coming, the weight that they would never be able to put down until they were in the grave. 'Yeah, I could've run. Hell, yeah, I could've. I almost did.'

'All right, so maybe you could've. Maybe we still can run. But here's the thing… Was there one moment, even one brief moment, when you could have turned your back on your responsibility to save those people – and still lived with yourself? '

She stared at him.

He met her stare.

Finally she said, 'This sucks.'

'Well, it does and it doesn't.'

She thought about that for a moment, smiled shakily, and agreed: 'It does and it doesn't.'

'The new connections, the new neural pathways engineered by the nanomachines, have given us some clairvoyance, an imperfect talent for premonitions, the folding. But those aren't the only changes we've gone through.'

'Sort of wish they were the only changes.'

'Me too. But this righteous anger seems always to lead to an irresistible compulsion to act.'

'Irresistible,' she agreed. 'Compulsion, obsession, or something we don't have a term for.'

'And not merely a compulsion to act, but…'

He hesitated to add the last five words, which would express the truth that would shape the course of their lives.

'Okay,' said Shep.

'Okay, buddy?'

Gazing out of the tower shade toward the blazing land, the kid said, 'Okay. Shep isn't afraid.'

'Okay then. Dylan isn't afraid, either.' He took a deep breath and finished what must be said: 'The righteous anger always leads to an all but irresistible compulsion to act regardless of the risks, and not merely a compulsion to act, but to do the right thing . We can exercise free will and turn away – but only at a cost in self-respect that's intolerable.'

'That couldn't have been what Lincoln Proctor expected,' Jilly said. 'The last thing a man like him would want was to be the father of a generation of do-gooders.'

'You'll get no argument from me. The man was slime. His visions were of an amoral master race that might make a more orderly world by cracking the whip on the rest of humanity.'

'Then why have we become… what we've become?'

'Maybe when we're born, all of us, our brains are already wired to know the right thing, to know always what we ought to do.'

'That's sure what my mama taught me,' Jilly said.

'So maybe the nanomachines just made some improvements in that existing circuit, redesigned it for less resistance, until now we're wired to do the right thing no matter what our preferences, no matter what our desires, regardless of the consequences to us, at any cost .'

Working her mind through it, formulating a final understanding of the code by which she was henceforth fated to live, Jilly said, 'From here on, every time I get a vision of violence or disaster-'

'And every time a psychic spoor reveals to me that someone is in trouble or up to no good-'

'-we'll be compelled-'

'-to save the day,' he finished, putting it in those words because he thought they might wring another smile from her, even if a feeble one.

He needed to see her smile.

Maybe her expression was what a smile might look like in the twisting influence of a funhouse mirror, but the sight of it didn't cheer him.

'I can't stop the visions,' she said. 'But you can wear gloves.'

He shook his head. 'Oh, I imagine I could go so far as to buy a pair. But putting them on to avoid learning about the plans of evil people or the troubles of good people? That would be the wrong thing to do, wouldn't it? I suppose I could buy the gloves, but I don't think I'd be able to put them on.'

'Wow,' said Shepherd, perhaps as a comment about all that they had said, perhaps as a comment on the desert heat, or maybe just in reaction to some event that had transpired on Shepworld, the planet of the high-functioning autistic, on which he had spent more of his life than he had spent on their common Earth. 'Wow.'

They had a great deal more to discuss, plans to make, but for the time being, none of them was able to summon the nerve or energy to continue. Shep couldn't even squeeze another wow out of himself.

The shade. The heat. The iron and silicate and ashy scents of superheated rock and sand.

Dylan imagined that the three of them might sit exactly where they were now, dreaming contentedly of good deeds already done at any cost, but never venturing forth to take new risks or to face new terrors, dreaming on and on until they petrified upon this rock bench like the trees in the Petrified Forest National Park in neighboring Arizona, thereafter to spend eons as three peacefully reclining stone figures here in the shade until discovered by archaeologists in the next millennium.

Eventually, Jilly said, 'What must I look like?'

'Lovely,' he assured her, and meant what he said.

'Yeah, right. My face feels stiff with dried blood.'

'The cut on your forehead is crusted shut. Just some grisly crusty stuff, some dried blood, but otherwise lovely. How's your hand?'

'Throbbing. But I'll live, which I guess is a plus.' She opened her purse, withdrew a compact, and examined her face in the small round mirror. 'Find me the Black Lagoon, I need to go home.'

'Nonsense. A little washup is all you need, and you'll be ready for the royal ball.'

'Hose me down or run me through a car wash.'

She searched her purse again and came up with a foil packet containing a moist towelette. She extracted the lemon-scented paper washcloth and carefully cleaned her face using the compact mirror for guidance.

Dylan settled back into his reverie of petrification.

Judging by his stillness, silence, and unblinking stare, Shep had a head start on this turning-into-stone business.

Moist towelettes were designed for freshening your hands after eating a Big Mac in the car. A single cloth proved insufficient to swab up a significant amount of dried blood.

'You should buy the extra-large, serial-killer-size towelettes,' Dylan said.

Jilly rummaged in her purse. 'I'm sure I have at least one more.' She unzipped one small interior side compartment, poked around, opened another side compartment. 'Oh. I forgot about these.'

She produced a bag of peanuts of the size dispensed by vending machines.

Dylan said, 'Shep would probably like some Cheez-Its if you have any, and I'm a little-chocolate-doughnut sort of guy.'

'These belonged to Proctor.'

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