Dean Koontz - By the Light of the Moon

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Dean Koontz has surpassed his longtime reputation as "America's most popular suspense novelist"(Rolling Stone) to become one of the most celebrated and successful writers of our time. Reviewers hail his boundless originality, his art, his unparalleled ability to create highly textured, riveting drama, at once viscerally familiar and utterly unique.
Author of one #1 New York Times bestseller after another, Koontz is at the pinnacle of his powers, spinning mysteries and miracles, enthralling tales that speak directly to today's readers, balm for the heart and fire for the mind. In this stunning new novel, he delivers a tour de force of dark suspense and brilliant revelation that has all the Koontz trademarks: adventure, chills, riddles, humor, heartbreak, an unforgettable cast of characters, and a climax that will leave you clamoring for more.
Dylan O'Connor is a gifted young artist just trying to do the right thing in life. He's on his way to an arts festival in Santa Fe when he stops to get a room for himself and his twenty-year-old autistic brother, Shep. But in a nightmarish instant, Dylan is attacked by a mysterious "doctor," injected with a strange substance, and told that he is now a carrier of something that will either kill him...or transform his life in the most remarkable way. Then he is told that he must flee--before the doctor's enemies hunt him down for the secret circulating through his body. No one can help him, the doctor says, not even the police.
Stunned, disbelieving, Dylan is turned loose to run for his life...and straight into an adventure that will turn the next twenty-four hours into an odyssey of terror, mystery--and wondrous discovery. It is a journey that begins when Dylan and Shep's path intersects with that of Jillian Jackson. Before that evening Jilly was a beautiful comedian whose biggest worry was whether she would ever find a decent man. Now she too is a carrier. And even as Dylan tries to convince her that they'll be safer sticking together, cold-eyed men in a threatening pack of black Suburbans approach, only seconds before Jilly's classic Coupe DeVille explodes into thin air.
Now the three are on the run together, but with no idea whom they're running from--or why. Meanwhile Shep has begun exhibiting increasingly disturbing behavior. And whatever it is that's coursing through their bodies seems to have plunged them into one waking nightmare after another. Seized by sinister premonitions, they find themselves inexplicably drawn to crime scenes--just minutes before the crimes take place.
What this unfathomable power is, how they can use it to stop the evil erupting all around them, and why they have been chosen are only parts of a puzzle that reaches back into the tragic past and the dark secrets they all share: secrets of madness, pain, and untimely death. Perhaps the answer lies in the eerie, enigmatic messages that Shep, with precious time running out, begins to repeat, about an entity who does his work "by the light of the moon."
By the Light of the Moon is a novel of heart-stopping suspense and transcendent beauty, of how evil can destroy us and love can redeem us--a masterwork of the imagination in which the surprises come page after page and the spell of sublime storytelling triumphs throughout.

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The hot, dry air smelled faintly of ancient roofing tar and strongly of uncountable varieties of dust. Here and there, a few cocoons were fixed to the sloped planks of the ceiling, little sacs of insect industry vaguely phosphorescent in the murk. Nearer, just above her head, an elaborate spider web spanned the junction of two rafters; though its architect had either perished or gone traveling, the web was grimly festooned with four moths, their gray wings spread in the memory of flight, their body shells sucked empty by the absent arachnid.

'We're doomed,' she murmured as she turned to the open trapdoor, dropped to her knees, and peered down the ladder.

Shep stood on the bottom rung. He gripped a higher rung with both hands. Head bowed as if this were some kind of prayer ladder, he appeared reluctant to climb farther.

Behind Shep, Dylan glanced through the open closet door, into the guest bedroom, no doubt expecting to see men on the porch roof beyond the windows.

'Ice,' said Shep.

To Jilly, Dylan said, 'Coax him up.'

'What if there's a fire?'

'That's damn poor coaxing.'

'Ice.'

'It's a tinderbox up here. What if there's a fire?'

'What if Earth's magnetic pole shifts?' he asked sarcastically.

'That I've got plans for. Can't you push him?'

'I can sort of encourage him, but it's pretty much impossible to push someone up a ladder.'

'It's not against the laws of physics.'

'What're you, an engineer?'

'Ice.'

'I've got bags and bags of ice up here, sweetie,' she lied. 'Push him, Dylan.'

'I'm trying.'

'Ice.'

'Plenty of ice up here, Shep. Come on up here with me.'

Shep wouldn't move his hands. He clung stubbornly to his perch.

Jilly couldn't see Shepherd's face, only the top of his bowed head.

From below, Dylan lifted his brother's right foot and moved it to the next rung.

'Ice.'

Unable to get the image of the dead moths out of her head, and growing desperate, Jilly gave up on the idea of coaxing Shep to the attic, and instead hoped to break through to him by transforming his monologue on ice into a dialogue.

'Ice,' he said.

She said, 'Frozen water.'

Dylan lifted Shepherd's left foot onto the higher rung to which he'd already transferred the right, but still Shepherd wouldn't move his hands.

'Ice.'

'Sleet,' Jilly said.

Far down in the house, on the ground floor, someone kicked in a door. Considering that the volleys of gunfire must have reduced the outer doors to dust or to lacy curtains of splinters, the only doors requiring a solid kick would probably be inside the house. A search had begun.

'Ice.'

'Hail.'

'Ice.'

'Floe,' Jilly said.

Another crash downstairs: This one reverberated all the way up through the house, trembling the floor under Jilly's knees.

Below, Dylan closed the closet door, and their situation seemed markedly more claustrophobic.

'Ice.'

'Glacier.'

Just when she suspected that Shepherd was about to respond to her, Jilly exhausted her supply of synonyms for ice and words for types of ice. She decided to change the nature of the game, adding a word to Shepherd's ice as if to complete a thought.

Shep said, 'Ice.'

'Berg,' said Jilly.

'Ice.'

'Cube.'

All this talk of ice made the attic hotter, hotter. Dust on the rafters, dust on the floor, dust drifting in the air seemed about to combust.

'Ice.'

'Rink.'

'Ice.'

'Skater.'

'Ice.'

'Hockey. You ought to be embarrassed, sweetie, taking the easy half of the game, always the same word.'

Shepherd had raised his bowed head. He stared at the section of the ladder rung exposed between his clenched hands.

Downstairs: more crashing, more breaking, a quick nervous burst of gunfire.

'Ice.'

'Cream. Shep, how much fun would it be to work a puzzle that only had one piece?'

'Ice.'

'Pick.'

'Ice.'

'Tongs.'

As she slipped new words into his head, ice no longer ricocheted around in there all by itself. A subtle change occurred in his face, a softening, suggesting a relaxation of this obsession. She felt sure she wasn't imagining it. Pretty sure.

'Ice.'

'Bucket.'

'Ice.'

'Age. You know what, sweetie? Even if I've got the harder half of this game, it's a bunch more fun than listening to synonyms for feces .'

A faint smile found his lips, but almost at once he breathed it away with a trembling exhalation.

'Ice.'

'Cold.'

Shepherd shifted his right hand to a higher rung, then his left. Then to a still higher rung. 'Ice.'

'Bag.'

Shepherd moved his feet without assistance from his brother.

Downstairs the doorbell rang. Even in a squad of professional killers, there had to be a bonehead joker.

'Ice.'

'Box.'

Shepherd climbed, climbed. 'Ice.'

'Show.'

'Ice.'

'Storm.'

'Ice.'

'Tea, ax, breaker, man, chest, water,' Jilly said, talking him up the last rungs and into the attic.

She helped him off the ladder, to his feet, away from the trapdoor. She hugged him and told him he was terrific, and Shep didn't resist, though he did say, 'Where's all the ice?'

Down in the closet, Dylan switched off the light. He climbed quickly in the darkness. 'Good work, Jackson.'

' De nada , O'Conner.'

On his knees in the gloom, Dylan folded the accordion ladder upward, as quietly as possible reloading it onto the back of the trapdoor, which he would then pull shut. 'If they aren't upstairs yet, they're coming,' he whispered. 'Take Shep over there, the southwest corner, behind those boxes.'

'Where's all the ice?' Shepherd asked too loudly.

Jilly hushed him as she guided him across the shadow-choked attic. He wasn't tall enough to rap the lowest rafters with his forehead, but his big brother would have to duck.

In lower realms the wrecking crew crashed into another room.

A man shouted something unintelligible. Another man returned his shout with a curse, and someone barked with laughter.

A hardness, a roughness, a swagger of presumption in these voices made them sound less like men to Jilly, more like the never quite defined shapes in a nightmare chase, which pursued sometimes on two feet, sometimes on four, alternately howling like men and crying like beasts.

She wondered when the cops would come. If they would come. Dylan had said the nearest town was miles away. The closest neighbor lived half a mile south of here. But surely somebody had heard the gunfire.

Of course the assault had started just five minutes ago, maybe six, and no rural police force would be able to answer such a remote call sooner than another five minutes, more likely ten.

'Where's all the ice?' Shepherd asked as loudly as before.

Instead of hushing him again, Jilly answered in a soft voice with which she hoped to set an example: 'In the refrigerator, honey. That's where all the ice is.'

Behind stacked boxes in the southwest corner, Jilly encouraged Shep to sit beside her on the dusty floor.

Filtered through a screened fresh-air vent, a blush of daylight revealed a long-dead bird – a sparrow, perhaps – reduced by time to papery bones. Beneath the bones were trapped a few feathers that drafts had not stirred to other corners of the attic.

The bird must have stolen in here on a chilly day, through some chink in the eaves, and must have been unable to find its way out. Perhaps having broken a wing battering against rafters, certainly exhausted and hungry, it had waited for death by the screened vent, where it could see the sky.

'Where's all the ice?' Shepherd asked, this time lowering his voice to a whisper.

Worried that the kid had not come as far out of his ice corner as she had thought when he climbed the ladder, or that he was sliding into it once more, Jilly pressed forward with her new game, seeking dialogue. 'There's ice in a margarita, isn't there, sweetie? All slushy and nice. Man, I could use one now.'

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