Dean Koontz - By the Light of the Moon

Здесь есть возможность читать онлайн «Dean Koontz - By the Light of the Moon» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Город: London, Год выпуска: 2003, ISBN: 2003, Издательство: Bantam, Жанр: Ужасы и Мистика, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

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Dean Koontz has surpassed his longtime reputation as "America's most popular suspense novelist"(Rolling Stone) to become one of the most celebrated and successful writers of our time. Reviewers hail his boundless originality, his art, his unparalleled ability to create highly textured, riveting drama, at once viscerally familiar and utterly unique.
Author of one #1 New York Times bestseller after another, Koontz is at the pinnacle of his powers, spinning mysteries and miracles, enthralling tales that speak directly to today's readers, balm for the heart and fire for the mind. In this stunning new novel, he delivers a tour de force of dark suspense and brilliant revelation that has all the Koontz trademarks: adventure, chills, riddles, humor, heartbreak, an unforgettable cast of characters, and a climax that will leave you clamoring for more.
Dylan O'Connor is a gifted young artist just trying to do the right thing in life. He's on his way to an arts festival in Santa Fe when he stops to get a room for himself and his twenty-year-old autistic brother, Shep. But in a nightmarish instant, Dylan is attacked by a mysterious "doctor," injected with a strange substance, and told that he is now a carrier of something that will either kill him...or transform his life in the most remarkable way. Then he is told that he must flee--before the doctor's enemies hunt him down for the secret circulating through his body. No one can help him, the doctor says, not even the police.
Stunned, disbelieving, Dylan is turned loose to run for his life...and straight into an adventure that will turn the next twenty-four hours into an odyssey of terror, mystery--and wondrous discovery. It is a journey that begins when Dylan and Shep's path intersects with that of Jillian Jackson. Before that evening Jilly was a beautiful comedian whose biggest worry was whether she would ever find a decent man. Now she too is a carrier. And even as Dylan tries to convince her that they'll be safer sticking together, cold-eyed men in a threatening pack of black Suburbans approach, only seconds before Jilly's classic Coupe DeVille explodes into thin air.
Now the three are on the run together, but with no idea whom they're running from--or why. Meanwhile Shep has begun exhibiting increasingly disturbing behavior. And whatever it is that's coursing through their bodies seems to have plunged them into one waking nightmare after another. Seized by sinister premonitions, they find themselves inexplicably drawn to crime scenes--just minutes before the crimes take place.
What this unfathomable power is, how they can use it to stop the evil erupting all around them, and why they have been chosen are only parts of a puzzle that reaches back into the tragic past and the dark secrets they all share: secrets of madness, pain, and untimely death. Perhaps the answer lies in the eerie, enigmatic messages that Shep, with precious time running out, begins to repeat, about an entity who does his work "by the light of the moon."
By the Light of the Moon is a novel of heart-stopping suspense and transcendent beauty, of how evil can destroy us and love can redeem us--a masterwork of the imagination in which the surprises come page after page and the spell of sublime storytelling triumphs throughout.

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She didn't know what to say to make amends for her meanness. Whether she spoke in a whisper or in a shout, the usual words of an apology seemed insufficiently powerful to carry across the gulf that she had created between herself and Dylan O'Conner.

She felt like a pile of toilet treasure.

Infinite sky. Trackless desert. The bee hum of tires and the drone of engine wove a white noise that she quickly tuned out, until she might as well have been sitting in the dead silence that abides on the surface of an airless moon. She couldn't hear even the faint tide of her breathing or the slogging of her heart, or the singing of her old church choir that occasionally came to her in memory when she felt alone and adrift. She had not possessed a voice fine enough to perform a solo, but she'd shown a talent for harmony, and among her choral sisters and her brothers all robed alike, holding a hymnal identical to each of theirs, she had been warmed by a profound sense of community that she had not known before or since. Sometimes Jilly felt that the excruciatingly difficult task of establishing rapport with an audience of strangers and inducing them to laugh against their will at the stupidity and meanness of humanity was far easier than closing the distance between any two human beings and keeping them even tenuously bonded for any length of time whatsoever. The infinite sky, the trackless desert, and the isolation of each armored heart were characterized by the same nearly impenetrable remoteness.

Along the shoulder of the highway, tongues of light licked up here and there from the dark gravel, and for an instant Jilly feared a return of votive candles and of displaced church pews, feared the reappearance of bloodless birds and sprays of ectoplasmic blood, but she quickly realized that these quick cold flames were nothing but reflections of their headlights flaring off the curved shards of broken bottles.

The silence fell not to her or to Dylan, but to the gentle ax of Shepherd's voice monotonously chopping through the same three-word mantra familiar from television commercials: 'Fries not flies, fries not flies, fries not flies…'

Jilly was baffled as to why Shep would choose to chant the advertising slogan of the very restaurant at which she had bought dinner less than two hours ago, but then she realized that he must have seen the promotional button that the counter clerk had pinned to her blouse.

'Fries not flies, fries not flies…'

Dylan said, 'I was clubbed down as I was returning to the room with the bags of takeout. We never had dinner. I guess he's hungry.'

'Fries not flies, fries not flies,' said Shep, rocking from side to side in his seat.

As Dylan took one hand off the steering wheel and reached to the breast pocket of his Hawaiian shirt, Jilly realized he wore a toad pin that matched hers. Against the tropical-flower pattern of the colorful fabric, the grinning cartoon amphibian had not been easy to see.

'Fries not flies, fries not flies…'

When Dylan removed the promotional gimcrack from his shirt, a strange thing happened, and the night took another unexpected turn. Holding the button between thumb and forefinger, reaching toward the console that separated the front seats, as though he was intending to deposit the unwanted pin in the trash receptacle, he appeared to vibrate, not violently, yet with too much force for the episode to be deemed a mere shudder, vibrated as though an electrical current were quivering through his body. His tongue fluttered rapidly against the roof of his mouth, producing a peculiar noise not unlike that of a stalled car straining to start: 'Hunnn-na-na-na-na-na-na-na-na-na-na!'

He managed to hold on to the steering wheel with his left hand, but his foot either eased up on the accelerator or slipped off the pedal altogether. The Expedition's reckless speed began to plummet from a perilous 95 miles per hour to a merely dangerous 85, to a still hazardous 75.

'Hunnn-na-na-na-na-na-na-na-na-na,' he stuttered, and with the final syllable, he snapped the toad button out of his fingers as though he were shooting a game of marbles. He stopped vibrating as abruptly as he had begun.

The little metal disc pinged off the window in the passenger's door, inches from Jilly's face, ricocheted off the dashboard, dropped out of sight among Fred's maze of branches and succulent leaves.

Although they were decelerating, Jilly sensed that because she had slipped out of her safety harness, she was at grave risk, sensed also that she didn't have enough time to shrug into the straps and engage the buckle. Instead she pivoted to face front, clutched the seat with her left hand almost desperately enough to puncture the leather upholstery, and with her right hand grabbed the padded assist bar immediately above the passenger's door. Just as Dylan confirmed the value of her intuition by all but standing on the brakes, she braced her feet against the dashboard. Knees bent to absorb whatever shock might come, she launched into a mental recitation of the Hail Mary prayer, not with a petition to be spared from the curse of a fat ass but with a plea to save her ass regardless of what grotesque dimensions it might acquire in years to come.

Maybe the Expedition's speed fell as far as 60, maybe even as low as 50, in two seconds flat, but it was still traveling so fast that no sane person would have tried to execute a hard turn at this velocity. Evidently, Dylan O'Conner fully embraced madness: He let up on the brakes, pulled the steering wheel hand-over-hand to the left, pumped the brakes again, swung the truck off the pavement, and cranked it through a rubber-burning spin.

Whirling up a cloud of dust, the Expedition rotated on the wide shoulder of the highway. Gravel tattooed the undercarriage: a fierce ponk-plink-crack as unnerving as machine-gun fire. Spinning into the glare of approaching headlights, Jilly inhaled a lung-stretching breath with the desperate greediness for life of a condemned woman hearing the thin whistle of a descending guillotine blade. She shrieked as they came around to their starting position, and she failed to use a polite synonym for feces as they spun yet another 120 degrees and jolted to a stop facing northwest.

Here the eastbound and westbound lanes of the interstate were separated by a sixty-foot-wide median without a guardrail, relying solely on a center swale to prevent out-of-control vehicles from crossing easily into oncoming traffic. The instant that the SUV rocked to a stop, as Jilly sucked in another here-comes-the-death-blow breath deep enough to sustain her during an underwater swim across the English Channel, Dylan abandoned the brake pedal for the accelerator and drove down the slope, diagonally crossing the median.

'What're you doing?' she demanded.

He was extraordinarily focused, as she'd never seen him before, concentrating more intensely on the descent into the shallow swale than he had on the sight of her blazing Coupe DeVille, than he had concentrated on self-battered Shep in the backseat confessional. Bruin big, he filled his half of the front seat to overflowing. Even in normal circumstances – or in as normal as any circumstances under which Jilly had known him – he hulked over the steering wheel, but now he hulked more aggressively than before, head thrust toward the windshield, face screwed into a bearish scowl, stare fixed on the bright swaths that the headlights cut through the dark depression into which he piloted the SUV.

He failed to answer her question. His mouth hung open as if in astonishment, as though he couldn't quite believe that he had put the Expedition through a controlled spin or that he was barreling across the median toward the westbound lanes.

All right, he wasn't barreling yet, but the truck continued to accelerate as it reached the low point of the swale. If they crossed the declivity and hit the rising slope at the wrong angle and at too high a speed, the SUV would roll because rolling was something that SUVs did well when they were badly driven and when the terrain was, like this, composed of shifting sand and loose shale.

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