Dean Koontz - By the Light of the Moon

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Dean Koontz has surpassed his longtime reputation as "America's most popular suspense novelist"(Rolling Stone) to become one of the most celebrated and successful writers of our time. Reviewers hail his boundless originality, his art, his unparalleled ability to create highly textured, riveting drama, at once viscerally familiar and utterly unique.
Author of one #1 New York Times bestseller after another, Koontz is at the pinnacle of his powers, spinning mysteries and miracles, enthralling tales that speak directly to today's readers, balm for the heart and fire for the mind. In this stunning new novel, he delivers a tour de force of dark suspense and brilliant revelation that has all the Koontz trademarks: adventure, chills, riddles, humor, heartbreak, an unforgettable cast of characters, and a climax that will leave you clamoring for more.
Dylan O'Connor is a gifted young artist just trying to do the right thing in life. He's on his way to an arts festival in Santa Fe when he stops to get a room for himself and his twenty-year-old autistic brother, Shep. But in a nightmarish instant, Dylan is attacked by a mysterious "doctor," injected with a strange substance, and told that he is now a carrier of something that will either kill him...or transform his life in the most remarkable way. Then he is told that he must flee--before the doctor's enemies hunt him down for the secret circulating through his body. No one can help him, the doctor says, not even the police.
Stunned, disbelieving, Dylan is turned loose to run for his life...and straight into an adventure that will turn the next twenty-four hours into an odyssey of terror, mystery--and wondrous discovery. It is a journey that begins when Dylan and Shep's path intersects with that of Jillian Jackson. Before that evening Jilly was a beautiful comedian whose biggest worry was whether she would ever find a decent man. Now she too is a carrier. And even as Dylan tries to convince her that they'll be safer sticking together, cold-eyed men in a threatening pack of black Suburbans approach, only seconds before Jilly's classic Coupe DeVille explodes into thin air.
Now the three are on the run together, but with no idea whom they're running from--or why. Meanwhile Shep has begun exhibiting increasingly disturbing behavior. And whatever it is that's coursing through their bodies seems to have plunged them into one waking nightmare after another. Seized by sinister premonitions, they find themselves inexplicably drawn to crime scenes--just minutes before the crimes take place.
What this unfathomable power is, how they can use it to stop the evil erupting all around them, and why they have been chosen are only parts of a puzzle that reaches back into the tragic past and the dark secrets they all share: secrets of madness, pain, and untimely death. Perhaps the answer lies in the eerie, enigmatic messages that Shep, with precious time running out, begins to repeat, about an entity who does his work "by the light of the moon."
By the Light of the Moon is a novel of heart-stopping suspense and transcendent beauty, of how evil can destroy us and love can redeem us--a masterwork of the imagination in which the surprises come page after page and the spell of sublime storytelling triumphs throughout.

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'-infrared ray-'

'We're in trouble here, Shep.'

'-actinic ray-'

'Don't make me be mean,' Dylan pleaded.

'-daylight, dayshine-'

'Please don't make me be mean.'

'-sunshine, sunbeam-'

8

'Hickdead,' Jilly said again to the closed door, and then maybe she called a brief time-out, because the next thing she knew, she was no longer in the tilting-turning bed, but lay facedown on the floor. For an instant she couldn't remember the nature of this place, but then she gagged on a dirty-carpet stench that made it impossible to hope that she had checked into the presidential suite at the Ritz-Carlton.

After heroically rising to her hands and knees, she crawled away from the treacherous bed. When she realized that the telephone stood on the nightstand, she executed a 180-degree turn and crawled back the way she had come.

She reached up, fumbled at the travel clock, and then pulled the phone off the nightstand. It came easily, trailing a severed cord. Evidently, the peanut lover had cut it to prevent her from making a quick call to the cops.

Jilly considered crying out for help, but she worried that her assailant, if still in the vicinity, might be the first to respond. She didn't want another injection, didn't want to be quieted by a kick in the head, and didn't want to have to listen to any more of his droning monologue.

By focusing her attention and by bringing all her Amazonian strength to bear, she managed to lever herself off the floor and sit on the edge of the bed. This was a fine thing. She smiled, suddenly suffused with pride. Baby could sit up by herself.

Emboldened by this success, Jilly attempted to rise to her feet. She swayed on the way up, pressing her left hand against the nightstand to steady herself, but although she sagged slightly at the knees, she didn't collapse. Another fine thing. Baby could stand upright, as erect as any primate and more fully erect than some.

Best of all, she hadn't puked, as earlier she'd been sure she would. She no longer felt nauseated, just… peculiar.

Confident that she could stand without supportive furniture and that she would remember how to walk as soon as she tried, Jilly made her way from the bed to the door in a parabolic arc that compensated for the movement of the floor, which rolled lazily like the deck of a ship in mild seas.

The doorknob presented a mechanical challenge, but after she fumbled the door open and navigated the threshold, she found the warm night to be surprisingly more invigorating than the cool motel room. The thirsting desert air sucked moisture from her, and along with the moisture went some of her wooziness.

She turned right, toward the motel office, which lay at the end of a distressingly long and complicated series of covered walkways that seemed to have been patterned after any laboratory's rat maze.

Within a few steps, she realized that her Coupe DeVille had vanished. She had parked the car twenty feet from her room; but it no longer stood where she recalled leaving it. Empty blacktop.

She weaved toward the vacant parking slot, squinting at the pavement as though she expected to discover an explanation for the vehicle's disappearance: perhaps a concise but considerate memo – IOU one beloved, midnight-blue Cadillac Coupe DeVille, fully loaded.

Instead she found an unopened bag of peanuts, evidently dropped by the smiling salesman-who-wasn't-a-salesman, and a dead but still formidable beetle the size and shape of half an avocado. The insect lay on its glossy shell, six stiff legs sticking straight in the air, eliciting a far less emotional response from Jilly than would have a kitten or puppy in the same condition.

Harboring little interest in entomology, she left the bristling beetle untouched, but she stooped to pluck the bag of peanuts from the pavement. Having read her share of Agatha Christie mysteries, she had been convinced instantly upon spotting the peanuts that here lay a valuable clue for which the police would be grateful.

When she rose to her full height once more, she realized that the warm dry air had not purged her of the lingering effects of the anesthetic as completely as she'd thought. As a whirl of dizziness came and passed, she wondered if she had been mistaken about where she'd parked the Coupe DeVille. Perhaps it had been twenty feet to the left of her motel room instead of to the right.

She peered in that direction and saw a white Ford Expedition, just twelve or fifteen feet away. The Cadillac might be parked on the far side of the SUV.

Stepping over the beetle, she returned to the covered walkway. She approached the Expedition, realizing that she was headed in the direction of the vending-machine alcove where she would find more of the root beer that had gotten her in all this trouble in the first place.

When she passed the SUV and didn't find her Coupe DeVille, she became aware of two people hurrying toward her. She said, 'The smiley bastard stole my car,' before she realized what an odd couple she had encountered.

The first guy – tall, as solid as an NFL linebacker – carried a box approximately the size of a pizza container with a pair of shoes balanced on top. In spite of his intimidating size, he didn't seem the least threatening, perhaps because he had a bearish quality. Not a rip-your-guts-out grizzly bear, but a burly Disney bear of the gosh-how-did-I-get-my-butt-stuck-in-this-tire-swing variety. He wore rumpled khaki pants, a yellow-and-blue Hawaiian shirt, and a wide-eyed worried expression that suggested he'd recently robbed a hive of honey and expected to be hunted down by a swarm of angry bees.

With him came a smaller and younger man – maybe five feet nine or ten, about 160 pounds – in blue jeans and a white T-shirt featuring a portrait of Wile E. Coyote, the hapless predator of the Road Runner cartoons. Shoeless, he accompanied the larger man with reluctance; his right sock appeared to be snugly fitted, but his loose left sock flapped with each step.

Although the Wile E. fan shuffled along with his arms dangling limply at his sides, offering no resistance, Jilly assumed he would have preferred not to go with the bearish man, because he was being pulled by his left ear. At first she thought she heard him protesting this indignity. When the pair drew closer and she could hear the younger guy more clearly, however, she couldn't construe his words as a protest.

'-electroluminescence, cathode luminescence-'

The bearish one halted in front of Jilly, bringing the smaller man to a stop as well. In a voice much deeper – but no less gentle – than that of Pooh, of Pooh Corners, he said, 'Excuse me, ma'am, I didn't hear what you said.'

Head tilted under the influence of the hand that gripped his left ear, the younger man kept talking, though perhaps not either to his burly keeper or to Jilly: '-nimbus, aureola, halo, corona, parhelion-'

She couldn't be certain whether this encounter was in reality as peculiar as it seemed to be or whether the lingering anesthetic might be distorting her perceptions. The prudent side of her argued for silence and for a sprint toward the motel office, away from these strangers, but the prudent side of her had hardly more substance than a shadow, so she repeated herself: 'The smiley bastard stole my car.'

'-aurora borealis, aurora polaris, starlight-'

Seeing the focus of Jilly's attention, the giant said, 'This is my brother, Shep.'

'-candlepower, foot-candle, luminous flux-'

'Pleased to meet you, Shep,' she said, not because she was in fact pleased to meet him, but because she didn't know what else to say, never having been in precisely this situation before.

'-light quantum, photon, bougie decimale ,' said Shep without meeting her eyes, and continued rattling out a meaningless series of words as Jilly and the older brother conversed.

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