F. Paul Wilson - The Keep

Strange, how things worked.

But yesterday and last night don't really change things, she told herself. I'm changed, but our predicament remains unaltered. This morning Papa and I are at the mercy of the Germans, just as we were yesterday morning and the morning before that. We are still Jews. They are still Nazis.

Magda slipped from Glenn's side and rose to her feet, taking the thin bedspread with her. As she moved to the window she wrapped the fabric around her. Much had changed within her, many inhibitions had fallen away like scale from a buried bronze artifact, but still she could not stand naked at a window in broad daylight.

The keep—she could feel it before she reached the window. The sense of evil within it had stretched to the village during the night ... almost as if Molasar were reaching out for her. Across the gorge it sat, gray stone under a gray, overcast sky, the last remnants of night fog receding around it. Sentries were still visible on its parapets; the front gate was open. And there was someone or something moving along the causeway toward the inn. Magda squinted in the morning light to see what it was.

It was a wheelchair. And in it ... Papa. But no one was pushing him. He was propelling himself. With strong, rapid, rhythmic motions, Papa's hands were gripping the wheel rims and his arms were turning them, speeding him along the causeway.

It was impossible, but she was seeing it. And he was coming to the inn!

Calling to Glenn to wake up, she began to run around the room gathering her strewn-about garments and pulling them on. Glenn was up in an instant, laughing at her awkward movements and helping her find her clothes. Magda did not find the situation even slightly amusing. Frantically, she pulled her clothes on and ran from the room. She wanted to be downstairs when Papa arrived.

Theodor Cuza was finding his own kind of joy in the morning.

He had been cured. His hands were bare and open to the cool morning air as they gripped the wheels of his chair and rolled them along the causeway. All without pain, without stiffness. For the first time in longer than he wished to remember, Cuza had awakened without feeling as if someone had stolen in on him during the night and firmly splinted every one of his joints. His upper arms moved back and forth like well-oiled pistons, his head freely pivoted to either side without pain or protesting creaks. His tongue was moist—there was adequate saliva again to swallow, and it went down easily. His face had thawed so that he could once again smile in a way that did not cause others around him to wince and glance away.

And he was smiling now, grinning idiotically with the joy of mobility, of self-sufficiency, of being able once again to take an active physical role in the world around him.

Tears! There were tears on his cheeks. He had cried often since the disease had firmed its grip upon him, but the tears had long since dried up with the saliva. Now his eyes were wet and his cheeks were slick with them. He was crying, joyfully, unabashedly, as he wheeled himself toward the inn.

Cuza had not known what to expect as Molasar stood over him last night and placed a hand on his shoulder, but he had felt something change within him. He had not known what it was then, but Molasar had told him to go to sleep, that things would be different come morning. He had slept well, without the usual repeated awakenings during the night to grope for the water cup to wet his parched mouth and throat, and had risen later than usual.

Risen ... that was the word for it. He had risen from a living death. On his first try he had been able to sit up, and then stand up without pain, without gripping the wall or the chair for support. He had known then that he would be able to help Molasar, and help him he would. Anything Molasar wanted him to do, he would do.

There had been some rough moments leaving the keep. He could not let anyone know he could walk, so he imitated his former infirmities as he wheeled himself toward the gate. The sentries had looked at him curiously as he rolled by, but they did not stop him—he had always been free to visit his daughter. Fortunately, neither of the officers had been in the courtyard as he had passed through.

And now, with the Germans behind and an unobstructed causeway ahead, Professor Theodor Cuza spun the wheels of his chair as fast as he could. He had to show Magda. She had to see what Molasar had done for him.

The wheelchair bounced off the end of the causeway with a jolt that almost tipped him headfirst out of it, but he kept rolling. It was rougher going in the dirt but he didn't mind. It gave him a chance to stretch his muscles, which felt unnaturally strong despite their years of disuse. He rolled by the front door of the inn, then turned left around its south side. There was only one first floor window there, opening into the dining alcove. He stopped after he passed that and wheeled up close to the stucco wall. He was out of sight here—no one from the inn or the keep could see him, and he simply had to do it once more.

He faced the wall and locked the brakes on his chair. A push against the armrests and there he was: standing on his own two feet, supported by no one and nothing. Alone. Standing. By himself. He was a man again. He could look other men straight in the eyes instead of ever up at them. No more a child's-eye view of existence from down there, where he was always treated as a child. Now he was up here... a man again!

"Papa!"

He turned to see Magda at the corner of the building, gaping at him.

"Lovely morning, isn't it?" he said and opened his arms to her. After a heartbeat's hesitation, she rushed into them.

"Oh, Papa!" she said in a voice that was muffled by the folds of his jacket as he crushed her against him. "You can stand!"

"I can do more than that." He stepped away from her and began to walk around the wheelchair, steadying himself at first with a hand atop the backrest, then releasing it as he realized he didn't need it. His legs felt strong, even stronger than they had felt earlier this morning. He could walk! He felt as if he could run, dance. On impulse, he bent, turned, and spun around in a poor imitation of a step in the Gypsy abulea, almost falling over in the process. But he kept his balance and ended up at Magda's side, laughing at her astonished expression.

"Papa, what's happened? It's a miracle!"

Still gasping from laughter and exertion, he grasped her hands. "Yes, a miracle. A miracle in the truest sense of the word."

"But how—"

"Molasar did it. He cured me. I'm free of scleroderma—completely free of it! It's as if I never had it!"

He looked at Magda and saw how her face shone with happiness for him, how her eyes blinked to hold back tears of joy. She was truly sharing this moment with him. And as he looked more closely, he sensed that she was somehow different. There was another, deeper joy in her that he had never seen before. He felt he should probe for its source but could not be bothered with that now. He felt too good, too alive!

A movement caught the corner of his eye and he looked up. Magda followed his glance. Her eyes danced when she saw who it was.

"Glenn, look! Isn't it wonderful? Molasar has cured my father!"

The red-haired man with the strange olive skin said nothing as he stood by the corner of the inn. His pale-blue eyes bored into Cuza's own, making him feel as if his very soul were being examined. Magda kept talking excitedly, rushing over to Glenn and pulling him forward by the arm. She seemed almost drunk with happiness.

"It's a miracle! A true miracle! Now we'll be able to get away from here before—"

"What price have you paid?" Glenn said in a low voice that cut through Magda's chatter.

Cuza stiffened and tried to hold Glenn's gaze. He found he could not. There was no happiness for him in the cold blue eyes. Only sadness and disappointment.