Ellen Datlow - The Best Horror of the Year – Volume One

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An Air Force Loadmaster is menaced by strange sounds within his cargo; a man is asked to track down a childhood friend… who died years earlier; doomed pioneers forge a path westward as a young mother discovers her true nature; an alcoholic strikes a dangerous bargain with a gregarious stranger; urban explorers delve into a ruined book depository, finding more than they anticipated; residents of a rural Wisconsin town defend against a legendary monster; a woman wracked by survivor's guilt is haunted by the ghosts of a tragic crash; a detective strives to solve the mystery of a dismembered girl; an orphan returns to a wicked witch's candy house; a group of smugglers find themselves buried to the necks in sand; an unanticipated guest brings doom to a high-class party; a teacher attempts to lead his students to safety as the world comes to an end around them…
What frightens us, what unnerves us? What causes that delicious shiver of fear to travel the lengths of our spines? It seems the answer changes every year. Every year the bar is raised; the screw is tightened. Ellen Datlow knows what scares us; the twenty-one stories and poems included in this anthology were chosen from magazines, webzines, anthologies, literary journals, and single author collections to represent the best horror of the year.
Legendary editor Ellen Datlow (Poe: New Tales Inspired by Edgar Allan Poe), winner of multiple Hugo, Bram Stoker, and World Fantasy awards, joins Night Shade Books in presenting The Best Horror of the Year, Volume One.

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Tonight, a continent and several light-years removed from such circumstances, she nursed an overly strong margarita, while up on the stage a couple of drunken women with big hair and smeared makeup stumbled through that old Kenny Rogers standby, "Ruby, Don't Take Your Love to Town." The fake redhead was a receptionist named Sheila, and her blonde partner, Delores, a vice president of human resources. Both of them worked at Merrill's literary magazine and they were partying off their second and third divorces respectively.

Danni wasn't drunk, although mixing her medication with alcohol wasn't helping matters; her nose had begun to tingle and her sensibilities were definitely sliding toward the nihilistic side. Also, she seemed to be hallucinating again. She'd spotted two Virgil look-alikes between walking through the door and her third margarita; that was a record, so far. She hadn't noticed either of the men enter the lounge, they simply appeared.

One of the mystery men sat amongst a group of happily chattering yuppie kids; he'd worn a sweater and parted his hair exactly like her husband used to before an important interview or presentation. The brow was wrong though, and the smile way off. He established eye contact and his gaze made her prickle all over because this simulacrum was so very authentic; if not for the plastic sheen and the unwholesome smile, he was the man she'd looked at across the breakfast table for a dozen years. Eventually he stood and wandered away from his friends and disappeared through the front door into the night. None of the kids seemed to miss him.

The second guy sat alone at the far end of the bar; he was much closer to the authentic thing; he had the nose, the jaw, even the loose way of draping his hands over his knees. However, this one was a bit too raw boned to pass as her Virgil; his teeth too large, his arms too long. He stared across the room, too-dark eyes fastened on her face and she looked away and by the time she glanced up again he was gone.

She checked to see if Merrill noticed the Virgil impersonators. Merrill blithely sipped her Corona and flirted with a couple lawyer types at the adjoining table. The suits kept company with a voluptuous woman who was growing long in the tooth and had piled on enough compensatory eye shadow and lipstick to host her own talk show. The woman sulked and shot dangerous glares at Merrill. Merrill smirked coyly and touched the closest suit on the arm.

Danni lighted a cigarette and tried to keep her expression neutral while her pulse fluttered and she scanned the room with the corners of her eyes like a trapped bird. Should she call Dr. Green in the morning? Was he even in the office on weekends? What color would the new pills be?

Presently, the late dinner and theater crowd arrived en masse and the lounge became packed. The temperature immediately shot up ten degrees and the resultant din of several dozen competing conversations drowned all but shouts. Merrill had recruited the lawyers (who turned out to be an insurance claims investigator and a CPA) Ned and Thomas, and their miffed associate Glenna (a court clerk), to join the group and migrate to another, hopefully more peaceful watering hole.

They shambled through neon-washed night, a noisy, truncated herd of quasi-strangers, arms locked for purchase against the mist-slick sidewalks. Danni found herself squashed between Glenna and Ned the Investigator. Ned grasped her waist in a slack, yet vaguely proprietary fashion; his hand was soft with sweat, his paunchy face made more uncomely with livid blotches and the avaricious expression of a drowsy predator. His shirt reeked so powerfully of whiskey it might've been doused in the stuff.

Merrill pulled them to a succession of bars and nightclubs and all-night bistros. Somebody handed Danni a beer as they milled in the vaulted entrance of an Irish pub and she drank it like tap water, not really tasting it, and her ears hurt and the evening rapidly devolved into a tangle of raucous music and smoke that reflected the fluorescent lights like coke-blacked miners lamps, and at last a cool, humid darkness shattered by headlights and the sulfurous orange glow of angry clouds.

By her haphazard count, she glimpsed in excess of fifty incarnations of Virgil. Several at the tavern, solitary men mostly submerged in the recessed booths, observing her with stony diffidence through beer steins and shot glasses; a dozen more scattered along the boulevard, listless nomads whose eyes slid around, not quite touching anything. When a city bus grumbled past, every passenger's head swiveled in unison beneath the repeating flare of dome lights. Every face pressed against the dirty windows belonged to him. Their lifelike masks bulged and contorted with inconsolable longing.

Ned escorted her to his place, a warehouse apartment in a row of identical warehouses between the harbor and the railroad tracks. The building had been converted to a munitions factory during the Second World War, then housing in the latter '60s. It stood black and gritty; its greasy windows sucked in the feeble illumination of the lonely beacons of passing boats and the occasional car.

They took a clanking cargo elevator to the top, the penthouse as Ned laughingly referred to his apartment. The elevator was a box encased in grates that exposed the inner organs of the shaft and the dark tunnels of passing floors. It could've easily hoisted a baby grand piano. Danni pressed her cheek to vibrating metal and shut her eyes tight against vertigo and the canteen-like slosh of too many beers in her stomach.

Ned's apartment was sparsely furnished and remained mostly in gloom even after he turned on the floor lamp and went to fix nightcaps. Danni collapsed onto the corner of a couch abridging the shallow nimbus of light and stared raptly at her bone-white hand curled into the black leather. Neil Diamond crooned from velvet speakers. Ned said something about his record collection and, faintly, ice cracked from its tray and clinked in glass with the resonance of a tuning fork.

Danni's hand shivered as if it might double and divide. She was cold now, in the sticky hot apartment, and her thighs trembled. Ned slipped a drink into her hand and placed his own hand on her shoulder, splayed his soft fingers on her collar, traced her collar bone with his moist fingertip. Danni flinched and poured gin down her throat until Ned took the glass and began to nuzzle her ear, his teeth clicking against the pearl stud, his overheated breath like smoldering creosote and kerosene, and as he tugged at her blouse strap, she began to cry. Ned lurched above her and his hands were busy with his belt and pants, and these fell around his ankles and his loafers. He made a fist in a mass of her hair and yanked her face against his groin; his linen shirttails fell across Danni's shoulders and he bulled himself into her gasping mouth. She gagged, overwhelmed by the ripeness of sweat and whiskey and urine, the rank humidity, the bruising insistence of him, and she convulsed, arms flailing in epileptic spasms, and vomited. Ned's hips pumped for several seconds and then his brain caught up with current events and he cried out in dismay and disgust and nearly capsized the couch as he scrambled away from her and a caramel gush of half-digested cocktail shrimp and alcohol.

Danni dragged herself from the couch and groped for the door. The door was locked with a bolt and chain and she battered at these, sobbing and choking. Ned's curses were muffled by a thin partition and the low thunder of water sluicing through corroded pipes. She flung open the door and was instantly lost in a cavernous hall that telescoped madly. The door behind her was a cave mouth, the windows were holes, were burrows. She toppled down a flight of stairs.

Danni lay crumpled, damp concrete wedged against the small of her back and pinching the back of her legs. Ghostly radiance cast shadows upon the piebald walls of the narrow staircase and rendered the scrawls of graffiti into fragmented hieroglyphics. Copper and salt filled her mouth. Her head was thick and spongy and when she moved it, little comets shot through her vision. A moth jerked in zigzags near her face, jittering upward at frantic angles toward a naked bulb. The bulb was brown and black with dust and cigarette smoke. A solid shadow detached from the gloom of the landing; a slight, pitchy silhouette that wavered at the edges like gasoline fumes.

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