Ellen Datlow - The Best Horror of the Year – Volume One

Because Danni detested flying so much, when their assiduously planned weeklong vacation rolled around, she decided to boycott the flight and meet her husband and son at the in-laws place on Cape Cod a day late, after wrapping up business in the city. The drive was only a couple of hours-she'd be at the house in time for Friday supper. She saw them off from a small airport in the suburbs, and returned home to pack and go over last minute adjustments to her evening lecture at the museum.

How many times did the plane crash between waking and sleeping? There was no way to measure that; during the first weeks the accident cycled through a continuous playback loop, cheap and grainy and soundless like a closed circuit security feed. They'd recovered pieces of fuselage from the water, bobbing like cork-she caught a few moments of news footage before someone, probably Dad, killed the television.

They threw the most beautiful double funeral courtesy of Virgil's parents, followed by a reception in his family's summer home. She recalled wavering shadowbox lights and the muted hum of voices, men in black hats clasping cocktails to the breasts of their black suits, and severe women gathered near the sharper, astral glow of the kitchen, faces gaunt and cold as porcelain, their dresses black, their children underfoot and dressed as adults in miniature; and afterward, a smooth descent into darkness like a bullet reversing its trajectory and dropping into the barrel of a gun.

Later, in the hospital, she chuckled when she read the police report. It claimed she'd eaten a bottle of pills she'd found in her mother-in-law's dresser and curled up to die in her husband's closet among his little league uniforms and boxes of trophies. That was simply hilarious because anyone who knew her would know the notion was just too goddamned melodramatic for words.

March 2005

About four months after she lost her husband and son, Danni transplanted to the West Coast, taken in by a childhood friend named Merrill Thurman, and cut all ties with extended family, peers, and associates from before the accident. She eventually lost interest in grieving just as she lost interest in her former career as an entomologist; both were exercises of excruciating tediousness and ultimately pointless in the face of her brand new, freewheeling course. All those years of college and marriage were abruptly and irrevocably reduced to the fond memories of another life, a chapter in a closed book.

Danni was satisfied with the status quo of patchwork memory and aching numbness. At her best, there were no highs, no lows, just a seamless thrum as one day rolled into the next. She took to perusing self-help pamphlets and treatises on Eastern philosophy, and trendy art magazines; she piled them in her room until they wedged the door open. She studied Tai Chi during an eight week course in the decrepit gym of the crosstown YMCA. She toyed with an easel and paints, attended a class at the community college. She'd taken some drafting as an undergrad. This was helpful for the technical aspects, the geometry of line and space; the actual artistic part proved more difficult. Maybe she needed to steep herself in the bohemian culture-a coldwater flat in Paris, or an artist commune, or a sea shanty on the coast of Barbados.

Oh, but she'd never live alone, would she?

Amidst this reevaluation and reordering, came the fugue, a lunatic element that found genesis in the void between melancholy and nightmare. The fugue made familiar places strange; it wiped away friendly faces and replaced them with beekeeper masks and reduced English to the low growl of the swarm. It was a disorder of trauma and shock, a hybrid of temporary dementia and selective amnesia. It battened to her with the mindless tenacity of a leech.

She tried not to think about its origins, because when she did she was carried back to the twilight land of her subconscious; to Keith's fifth birthday party; her wedding day with the thousand-dollar cake, and the honeymoon in Niagara Falls; the Cessna spinning against the sun, streaking downward to slam into the Atlantic; and the lush corruption of a green-black jungle and its hidden cairns-the bones of giants slowly sinking into the always hungry earth.

The palace of cries where the doors are opened with blood and sorrow. The secret graveyard of the elephants. The bones of elephants made a forest of ribcages and tusks, dry riverbeds of skulls. Red ants crawled in trains along the petrified spines of behemoths and trailed into the black caverns of empty sockets. Oh, what the lost expeditions might've told the world!

She'd dreamt of the Elephants' Graveyard off and on since the funeral and wasn't certain why she had grown so morbidly preoccupied with the legend. Bleak mythology had interested her when she was young and vital and untouched by the twin melanomas of wisdom and grief. Now, such morose contemplation invoked a primordial dread and answered nothing. The central mystery of her was impenetrable to casual methods. Delving beneath the surface smacked of finality, of doom.

Danni chose to endure the fugue, to welcome it as a reliable adversary. The state seldom lasted more than a few minutes, and admittedly it was frightening, certainly dangerous; nonetheless, she was never one to live in a cage. In many ways the dementia and its umbra of pure terror, its visceral chaos, provided the masochistic rush she craved these days-a badge of courage, the martyr's brand. The fugue hid her in its shadow, like a sheltering wing.

May 6, 2006

(D. L. Session 33)

Danni stared at the table while Dr. Green pressed a button and the wheels of the recorder began to turn. His chair creaked as he leaned back. He stated his name, Danni's name, the date and location.

– How are things this week? He said.

Danni set a slim metal tin on the table and flicked it open with her left hand. She removed a cigarette and lighted it. She used matches because she'd lost the fancy lighter Merrill got her as a birthday gift. She exhaled, shook the match dead.

– For a while, I thought I was getting better, she said in a raw voice.

– You don't think you're improving? Dr. Green said.

– Sometimes I wake up and nothing seems real; it's all a movie set, a humdrum version of

This Is Your Life! I stare at the ceiling and can't shake this sense I'm an imposter.

– Everybody feels that way, Dr. Green said. His dark hands rested on a clipboard. His hands were creased and notched with the onset of middle age; the cuffs of his starched lab coat had gone yellow at the seams. He was married; he wore a simple ring and he never stared at her breasts. Happily married, or a consummate professional, or she was nothing special. A frosted window rose high and narrow over his shoulder like the painted window of a monastery. Pallid light shone at the corners of his angular glasses, the shiny edges of the clipboard, a piece of the bare plastic table, the sunken tiles of the floor. The tiles were dented and scratched and bumpy. Fine cracks spread like tendrils. Against the far walls were cabinets and shelves and several rickety beds with thin rails and large, black wheels.

The hospital was an ancient place and smelled of mold and sickness beneath the buckets of bleach she knew the custodians poured forth every evening. This had been a sanitarium. People with tuberculosis had gathered here to die in the long, shabby wards. Workers loaded the bodies into furnaces and burned them. There were chutes for the corpses on all of the upper floors. The doors of the chutes were made of dull, gray metal with big handles that reminded her of the handles on the flour and sugar bins in her mother's pantry.

Danni smoked and stared at the ceramic ashtray centered exactly between them, inches from a box of tissues. The ashtray was black. Cinders smoldered in its belly. The hospital was "no smoking," but that never came up during their weekly conversations. After the first session of him watching her drop the ashes into her coat pocket, the ashtray had appeared. Occasionally she tapped her cigarette against the rim of the ashtray and watched the smoke coil tighter and tighter until it imploded the way a demolished building collapses into itself after the charges go off.