Patricia Briggs: Bone Crossed

Like Blackwood had done to Amber, I thought, except he hadn't managed to make her into a vampire before he'd turned her into a zombie. Here and now, I told myself. Don't waste energy on what you can't change just now.

The buckets quit rolling and the whole room was silent—except for my own breathing.

She shook herself briskly. "Never fall in love," she told me. "It makes you weak."

I couldn't tell if she was talking about herself or the dead boy or even Blackwood. But I had other things I was more interested in. If I could just get her to answer my questions.

"Tell me," I said, "exactly why Blackwood wants me."

"You are rude, dear. Didn't that old wolf teach you any manners?"

"Tell me," I said, "how Blackwood thinks to use me."

She hissed, showing her fangs.

I met her gaze, dominating her as if she were a wolf. "Tell me."

She looked away, drew herself up, and smoothed her skirts as if she were nervous instead of angry, but I knew better.

"He is what he eats," she said finally, when I didn't back down. "He told you so. I'd never heard of it before—how should I have known what he was doing? I thought he was feeding from it because of the taste. But he supped its power down as he drank its blood. Just as he will yours. So that he can use me as he wants to."

And she was gone.

I stared after her. Blackwood was feeding from me, and he'd gain… what? I drew in a breath. No. The ability to do just what I had been doing—controlling a ghost.

If she'd stuck around, I'd have asked her a dozen more questions. But she wasn't the only ghost around here.

"Hey," I said softly. "She's gone now. You can come out."

He smelled a little differently than she did, though mostly they both smelled like stale blood. It was a subtle difference, but I could discern it when I tried. His scent had lingered as I'd questioned the old woman, which was how I'd known he hadn't left.

He had been the one in Amber's house. The one who'd almost killed Chad.

He faded in gradually, sitting on the open cement floor with his back toward me. He was more solid this time, and I could see that his shirt had been hand-sewn, though it wasn't particularly well-done. He wasn't from this century or the twentieth—probably sometime in the eighteen hundreds.

He pulled a bucket free of the pile and rolled it across the floor, away from us both, until it hit the oakman's empty cage. He gave me a quick, sullen look over his shoulder. Then, staring at the remaining buckets, he said, "Are you going to make me tell you things?"

"It was rude," I admitted, without really answering. If he knew something that would help me get Chad, Corban, and me out of there in one piece, I'd do anything I needed to. "I don't mind being rude to someone who wants to hurt me, though. Do you know why she wants blood?"

"With blood, freely given, she can kill people with a touch," he said. "It doesn't work if she steals it—though she might do that just for spite." He waved a hand, and a box tipped on its side, spilling packing peanuts on the tabletop. Five or six of them whirled up like a miniature tornado. He lost interest, and they fell to the ground.

"With her touch?" I asked.

"Mortal, witch, fae, or vampire: she can kill any of them. They called her Grandmother Death when she was alive." He looked at me again. I couldn't read the expression on his face. "When she was a vampire, I mean. Even the other vampires were scared of her. That's how he figured out what he could do."

"Blackwood?"

The ghost scooted around to face me, his hand going through the bucket he'd just been playing with. "He told me. Once, just after it had been his turn to drink from her—she was Mistress of his seethe—he killed a vampire with his touch." Lesser vampires fed from the Master or Mistress who ruled the seethe, and were fed from in return. As they grew more powerful, they quit needing to feed from the one who ruled the seethe. "He said he was angry and touched this woman, and she just crumbled into dust. Just like his Mistress could do. But a couple of days later, he couldn't do it. It wasn't his turn to feed from her for a couple more weeks, so he hired a fae-blooded prostitute—I forget what kind she was—and drained her dry. The fae's powers lasted longer for him. He experimented and figured out that the longer he let them live while he fed, the longer he could use what he'd gained from them."

"Can he still do that?" I asked intently. "Kill with a touch?" No wonder no one challenged him for territory.

He shook his head. "No. And she's dead, so he can't borrow her talents anymore. She can still kill if he feeds her blood. But he can't use her now like he used to before that old Indian man died. It's not that she minds the killing, but she doesn't like to do what he wants. Especially exactly what he wants and no more. He uses her for business, and business" — he licked his lips as if trying to remember the exact words Blackwood had used—"business is best conducted with precision." He smiled, his eyes wide and innocent. They were blue. "She prefers bloodbaths, and she's not above setting up the killing ground to point to James as the killer. She did that once, before he'd realized he wasn't still controlling her. He was very unhappy."

"Blackwood had a walker," I said, putting it together. "And he fed from him so he could control her—the lady who was just here."

"Her name is Catherine. I'm John." The boy looked at a bucket, and it moved. "He was nice, Carson Twelve Spoons. He talked to me sometimes and told me stories. He told me that I shouldn't have given myself to James, that I shouldn't be James's toy. That I should let myself go to the Great Spirit. That he would have been able to help me once."

He smiled at me, and this time I caught a hint of malice. "He was a bad Indian. When he was a boy, not much older than me, he killed a man to take his horse and wallet. It made him not able to do the things he should have been able to do. He couldn't tell me what to do."

The malice freed me from the distracting pity I'd been feeling. And I saw what I'd missed the first time I'd looked him in the eye. And I knew the reason that this ghost was different from any I'd seen before.

Ghosts are remnants of people who have died, what's left after the soul goes on. They are mostly collections of memories given form. If they can interact, respond to outside stimuli, they tend to be fragments of the people they had been: obsessive fragments—like the ghosts of dogs who guard their masters' old graves or the ghost I'd once seen who was looking for her puppy.

Immediately after they die, though, sometimes they are different. I've seen it a couple of times at funerals, or in the house of someone who's just passed away. Sometimes the newly dead keep watch over the living, as if to make sure that all is well with them. Those are more than remnants of the people they'd been—I can see the difference. I've always thought those are their souls.

That was what I'd seen in Amber's dead eyes. My stomach clenched. When you die, it should be a release. It wasn't fair, wasn't right, that Blackwood had somehow discovered a way to hold them past death.

"Did Blackwood tell you to kill Chad?" I asked.

His fists clenched. "He has everything. Everything. Books and toys." His voice rose as he spoke. "He has a yellow car. Look at me. Look at me!" He was on his feet. He stared at me with wild eyes, but when he spoke again, he whispered. "He has everything, and I'm dead. Dead. Dead." He disappeared abruptly, but the buckets scattered. One of them flew up and hit the bars of my cage and broke into chunks of tough orange plastic. A shard hit me and cut my arm.

I wasn't sure if that was supposed to be a yes or a no.