Maurice Level - Thirty Hours with a Corpse, and Other Tales of the Grand Guignol

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Characterized by gratuitous acts of brutality and surprise endings, these tales of obsession and violence are the creations of a twentieth-century French writer whose works were staged by the legendary Théâtre du Grand-Guignol of Paris. The precursors of modern thrillers and slasher films, these stories have been specially selected for this edition and introduced by horror specialist S. T. Joshi.
Thirty-nine conte cruel (“cruel tales”) include “In the Light of the Red Lamp,” in which a husband’s photographs of his dead wife reveal a deeper tragedy; “Fascination,” the tale of a morbid passion that develops when the narrator, determined to stay at home, shoots his mistress for the sake of peace and quiet; and “The Bastard,” concerning a father’s suspicions about his son’s paternity. Other stories include “The Taint,” a view of infanticide as mercy-killing; “The Test,” in which an accused murderer is forced to reenact his crime; and “A Maniac,” recounting a thrill-seeker’s ghoulish impulse to witness death-defying stunts gone wrong.

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“Awful visions flashed before my eyes. I saw its father and his ghastly agonies. I imagined I saw the brother struggling in his straight waistcoat; the other, the repulsive idiot, and the grandfather, the root from which these branches sprang, epileptic also. I saw clearly what my child in his turn would be. I was afraid both of what I seemed to see and of what I probably should see in the future.

“But that was nothing compared with what followed. Suddenly, as I felt the little piece of living flesh move against my side, a mad terror overwhelmed me. I tried to soothe myself by saying it was my child, my own child. But a voice seemed to hiss in my ears:

“‘Child of a madman! Child of a madman!’

“I began to shudder as one would at the touch of some loathly reptile… It is unbelievable… How can anyone understand?… A mother afraid of her own child… of a thing so fragile, hardly alive… But it was so, and I could not dominate the feeling. I pulled myself away from it, and it seemed as if I was bound to defend myself against something terrible… something monstrous… I flung myself on it… I seized the little neck that slipped under my fingers, and stretching out my arms so that if there were any instinctive resistance it could not even touch me, I… miserable wretch… savage… criminal… I tightened my fingers…”

She broke off, and falling on her knees, her face in her hands, sobbed:

“Oh! my baby… my little baby… afraid of you…”

The Kiss

“YES, SISTER, it was for a woman he did it, my poor boy. Soon after he knew her he changed completely. He had always been so quiet and good-tempered, and he suddenly became irritable and short in his answers. He invented all sorts of stories so that he wouldn’t have to give me his wages on Saturdays. Sometimes I waited up for him till two in the morning, and when I heard the door shut and knew he was in bed, I used to go quietly to his room, and I could see that his eyes were swollen. Once the tears were still wet on his face.

“At first I thought he had got into trouble at the factory. I went to see the master, and he told me there was nothing wrong there, but that the boy didn’t work as well as he used to and that it was to be feared he had fallen into the hands of bad companions. I took care not to let him see that I was watching him, but I made inquiries, and I found that he was often with a woman, a low woman, a prostitute—excuse me, Sister—who walked the streets at night.

“If it had only been a working-girl like himself, in spite of my being old and needing all the help he can give me, I would have married them. But that! One day I went to see her. I asked her to leave him alone; I told her he was all I had in the world. She used awful language and turned me out, and as I went downstairs she called after me:

“‘I have taken him away from you, have I? All right. You shall have him back right enough—you’ll see…’

“Next day they brought the poor child home on a stretcher. He had a shot in his chest. From what I could learn or guess they had quarreled because of me, and because he didn’t give her enough money. When he realized that he no longer amused her, that she didn’t want to see him again, he lost his head, and without thinking of himself, or me, or anything, he tried to kill himself. Ah! it is hard to bear such things at my age.”

Standing near the narrow hospital bed, the nun had listened in silence. The sick youth, who had been in a state of coma, was beginning to give little broken cries like calls. Trembling, the mother asked:

“What does the doctor say? Is there any chance of his getting well?”

“I’m afraid, poor mother, that he is very ill. But we haven’t lost hope. He is young… Now you must go home. He must not have the excitement of seeing you when he first recovers consciousness. You may be quite sure he will be well looked after. You can come again tomorrow for a few minutes… every day if you like.”

Weeping bitterly, but biting her lips to prevent her sobs being heard by those in the other beds, the old woman walked slowly away, turning every few steps to look back.

A deep silence fell on the ward. The shadows of night were creeping in. The whisperings and turnings caused by an exit or an entrance gradually died away. It was the hour when the sick, tired by a long, weary day, fall gently asleep. The nun sat down by the pillow of the boy.

She was very young. Her eyes were clear as crystal, and there was still in them something of the wonder you see in those of children. Her lips were curved; there had been no time for them to take the lines given by the never-ceasing murmur of prayers. Her face was round and rosy; little curls with golden lights in them sometimes escaped from under the white band that circled her forehead. But notwithstanding her fresh young laughter, she knew all the words and ways that soothe pain. When she spoke to the sick men her voice had tender inflections like those of a mother or elder sister.

Toward the middle of the night the boy recovered consciousness. The nun had not left his side. He wanted to ask questions, but she told him he must keep quiet. He obeyed, docile as a child, and fell asleep.

During the first days he saw her constantly, for she rarely left his side. Timid, almost ashamed, he hardly ever spoke, lying motionless for hours with his eyes shut. It was only when the door opened or shut that he raised his eyelids, and they would fall again immediately.

More than once on these occasions he had spoken, saying shyly:

“Sister…”

But when the nun had bent over him with a: “What is it, little one?” he turned away his head, murmuring:

“Nothing… Nothing…”

One morning he had more courage:

“Tell me, please, Sister, if anyone has come to ask about me since I came here?”

“But of course. Your mother—you know that, don’t you?”

“Yes… But anyone else?”

“No, nobody.”

He turned away his head, but she saw there were tears in his eyes.

“Come, come, little one, this won’t do. What’s the matter?”

A pressing need to confide in someone after his long silence drew the confession from him:

“It is so unkind. I can tell you anything… you are so good to me… and I shall feel better if you know… Mother doesn’t know, she thinks it was an accident… But it wasn’t. I tried to kill myself…”

The nun stopped him with a gesture:

“She knows all about it.”

“Ah!”

For some time he was silent, slowly shaking his head.

“My poor old mother… I have given her so much trouble. She will forgive me, for she knows it wasn’t my fault… I was so unhappy. When that woman turned me away, I thought I couldn’t go on living without her. I loved her so much… She could have done anything she liked with me… And you see that even though she knows it is because of her I am here, she has never even come to ask how I am. Whenever I heard the door open I thought I should see her walking toward me… But now I know she will never come… I don’t want her to, either… I shall leave off thinking of her… I shall leave off loving her… No, I don’t love her at all now…”

The tears that were in his eyes gave the lie to his words.

Presently he asked:

“It is a great sin, isn’t it, Sister, to try to kill yourself ?”

“A very great sin. The greatest of all.”

“But if you are too unhappy… wouldn’t God know that, and understand?…”

She bowed her head and clasped her hands; her shoulders moved, and the wings of her white head-dress trembled as she replied in a low voice:

“Shh… Shh… You must not tire yourself, little one… You must shut your eyes and go to sleep…”

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