Anne Rice - Interview with the Vampire

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Interview with the Vampire: краткое содержание, описание и аннотация

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A vampire with a conscience recounts how he departed from human existence and became a vampire but, reluctant to take human life, he sustains himself on the blood of animals.

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“I found myself staring at the skull, yet hearing her as if the words were lashing me, lashing me to make me turn around and face the lash. The thought went through me more like a flash of cold than a thought, that nothing should remain of me now but such a skull. I turned around and saw in the light from the street her eyes, like two dark flames in her white face. A doll from whom someone had cruelly ripped the eyes and replaced them with a demonic fire. I found myself moving towards her, whispering her name, some thought forming on my lips, then dying, coming towards her, then away from her, fussing for her coat and her hat. I saw a tiny glove on the door which was phosphorescent in the shadows, and for just a moment I thought it a tiny, severed hand.

“ ‘What’s the matter with you…?’ She drew nearer, looking up into my face. ‘What has always been the matter? Why do you stare at the skull like that, at the glove?’ She asked this gently, but… not gently enough.

“There was a slight calculation in her voice, an unreachable detachment.

“ ‘I need you,’ I said to her, without wanting to say it. ‘I cannot bear to lose you. You’re the only companion I have in immortality.’

“ ‘But surely there must be others! Surely we are not the only vampires on earths.’ I heard her saying it as I had said it, heard my own words coming back to me now on the tide of her self-awareness, her searching. But there’s no pain, I thought suddenly. There’s urgency, heartless urgency. I looked down at her. ‘Aren’t you the same as I?’ She looked at me. ‘You’ve taught me all I know!’

“ ‘Lestat taught you to kill.’ I fetched the glove. ‘here, come… let’s go out. I want to go out…’

I was stammering, trying to force the gloves on her. I lifted the great curly mass of her hair and placed it gently over her coat. ‘But you taught me to see!’ she said. ‘You taught me the words vampire eyes,’ she said. ‘You taught me to drink the world, to hunger for more than…’

“ ‘I never meant those words that way, vampire eyes,’ I said to her. ‘It has a different ring when you say it…’ She was tugging at me, trying to make me look at her. ‘Come,’ I said to her, ‘I’ve something to show you…’ And quickly I led her down the passage and down the spiral stairs through the dark courtyard. But I no more knew what I had to show her, really, than I knew where I was going. Only that I had to move toward it with a sublime and doomed instinct.

“We rushed through the early evening city, the sky overhead a pale violet now that the clouds were gone, the stars small and faint, the air around us sultry and fragrant even as we moved away from the spacious gardens, towards those mean and narrow streets where the flowers erupt in the cracks of the stones, and the huge oleander shoots out thick, waxen stems of white and pink blooms, like a monstrous weed in the empty lots. I heard the staccato of Claudia’s steps as she rushed beside me, never once asking me to slacken my pace; and she stood finally, her face infinitely patient, looking up at me in a dark and narrow street where a few old slope-roofed French houses remained among the Spanish facades, ancient little houses, the plaster blistered from the moldering brick beneath. I had found the house now by a blind effort, aware that I had always known where it was and avoided it, always turned before this dark lampless corner, not wishing to pass the low window where I’d first heard Claudia cry. The house was standing still. Sunk lower than it was in those days, the alley way crisscrossed with sagging cords of laundry, the weeds high along the low foundation, the two dormer windows broken and patched with cloth. I touched the shutters. ‘It was here I first saw you,’ I said to her, thinking to tell it to her so she would understand, yet feeling now the chill of her gaze, the distance of her stare. ‘I heard you crying. You were there in a room with your mother. And your mother was dead. Dead for days, and you didn’t know. You clung to her, whining, crying pitifully, your body white and feverish and hungry. You were trying to wake her from the dead, you were hugging her for warmth, for fear. It was almost morning and…’

“I put my hand to my temples. ‘I opened the shutters… I came into the room. I felt pity for you. Pity. But… something else.’

“I saw her lips slack, her eyes wide. ‘You… fed on me?’ she whispered. ‘I was your victim!’

“ ‘Yes!’ I said to her. ‘I did it.’

“There was a moment so elastic and painful as to be unbearable. She stood stark-still in the shadows, her huge eyes gathering the light, the warm air rising suddenly with a soft noise. And then she turned. I heard the clicking of her slippers as she ran. And ran. And ran. I stood frozen, hearing the sound grow smaller and smaller; and then I turned, the fear in me unraveling, growing huge and insurmountable, and I ran after her. It was unthinkable that I not catch her, that I not overtake her at once and tell her that I loved her, must have her, must keep her, and every second that I ran headlong down the dark street after her was like her slipping away from me drop by drop; my heart was pounding, unfed, pounding and rebelling against the strain. Until I came suddenly to a dead stop, She stood beneath a lamppost, staring mutely, as if she didn’t know me. I took her small waist in both hand and lifted her into the light. She studied me, her face contorted, her head turning as if she wouldn’t give me her direct glance, as if she must deflect an overpowering feeling of revulsion. ‘You killed me,’ she whispered ‘You took my life!’

“ ‘Yes,’ I said to her, holding her so that I could feel her heart pounding. ‘Rather, I tried to take it. To drink it away. But you had a heart like no other hear I’ve ever felt, a heart that beat and beat until I had to let you go, had to cast you away from me lest you quickened my pulse till I would die. And it was Lestat who found me out; Louis the sentimentalist, the fool feasting on a golden-haired child, a Holy Innocent a little girl. He brought you back from the hospital where they’d put you, and I never knew what he mean to do except teach me my nature. “Take her, finish it,” he said. And I felt that passion for you again. Oh, I know I’ve lost you now forever. I can see it in your eyes! You look at me as you look at mortals from aloft, from some region of cold self-sufficiency l can’t understand. But I did it. I felt it for you again, a vile unsupportable hunger for your hammering heart, this cheek, this skin. You were pink and fragrant as mortal children are, sweet with the bite of salt and dust, I held you again, I took you again. And when I though your heart would kill me and I didn’t care, he parted us and, gashing his own wrist, gave it to you to drink. And drink you did. And drink and drink until you nearly drained him and he was reeling. But you were a vampire then. And that very night you drank a human’s blood and have every night thereafter.’

“Her face had not changed. The flesh was like the wax of ivory candles; only the eyes showed life. There was nothing more to say to her. I set her down. ‘I took your life,’ I said. ‘He gave it back to you.’

“ ‘And here it is,’ she said under her breath. ‘And I hate you both!’ ”

The vampire stopped.

“But why did you tell her?” asked the boy after a respectful pause.

“How could I not tell her?” The vampire looked up in mild astonishment. “She had to know it. She had to weigh one thing against the other. It was not as if Lestat had taken her full from life as he had taken me; I had stricken her. She would have died! There would have been no mortal life for her. But what’s the difference? For all of us it’s a matter of years, dying! So what she saw more graphically then was what all men knew: that death will come inevitably, unless one chooses… this!” He opened his white hands now and looked at the palms.

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