Stephen King - Duma Key

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Six months after a crane crushes his pickup truck and his body, self-made millionaire Edgar Freemantle launches into a new life. His wife asked for a divorce after he stabbed her with a plastic knife and tried to strangle her one-handed (he lost his arm and for a time his rational brain in the accident). He divides his wealth into four equal parts for his wife, his two daughters and himself and leaves Minnesota for Duma Key, a stunningly beautiful, eerily remote stretch of the Florida coast where he has rented a house. All of the land on Duma Key, and the few houses, are owned by Elizabeth Eastlake, an octogenarian whose tragic and mysterious past unfolds perilously. When Edgar begins to paint, his formidable talent seems to come from someplace outside him, and the paintings, many of them, have a power that cannot be controlled.
Soon the ghosts of Elizabeth’s childhood return, and the damage of which they are capable is truly terrifying.
Like
, this is a novel about the tenacity of love and the perils of creativity. Its supernatural elements will have King fans reeling.

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“What time is it?” Jack puffed.

“Time for you to move a little faster, mi amigo, ” Wireman said. “You want me to spell you on that basket?”

“Sure,” Jack said, sounding really out of temper for the first time since I’d met him. “Then you can have a heart attack and me and the boss can try out our CPR technique.”

“Are you suggesting I’m not in shape?”

“In shape, but I still put you fifty pounds into the cardiac danger zone.”

“Quit it,” I said. “Both of you.”

“Put it down, son,” Wireman said. “Put that cesto de puta madre down and I’ll carry it the rest of the way.”

“No. Forget it.”

Something black moved in the corner of my eye. I almost didn’t look. I thought it was the lawn jockey again, this time darting alongside the pool. Or skimming its buggy, smelly surface. Thank God I decided to make sure.

Wireman, meanwhile, was glowering at Jack. His manhood had been impugned. “I want to spell you.”

A piece of the pool’s turgid nastiness had come alive. It detached itself from the blackness and flopped onto the cracked, weed-sprouting concrete lip, splattering muck about itself in a dirty starburst.

“No, Wireman, I got it.”

A piece of nastiness with eyes.

“Jack, I’m telling you for the last time.”

Then I saw the tail, and realized what I was looking at.

“And I’m telling you —”

“Wireman,” I said, and grabbed his shoulder.

No, Edgar, I can do this.”

I can do this . How those words clanged in my head. I forced myself to speak slowly, loudly, and emphatically.

“Wireman, shut up. There’s an alligator. It just came out of the pool.”

Wireman was afraid of snakes, Jack was afraid of bats. I had no idea I was afraid of alligators until I saw that chunk of prehistoric darkness separate itself from the decaying stew in the old pool and come for us, first across the overgrown concrete (brushing aside the last surviving, tipped-over lawn chair as it did) and then sliding into the weeds and vines trailing down from the nearest Brazilian Peppers. I caught one glimpse of its snout wrinkling back, one black eye squeezing shut in what could have been a wink, and then there was only its dripping back protruding here and there through the shivering greenery, like a submarine that’s three-quarters under. It was coming for us, and after telling Wireman, I could do no more. Grayness came over my sight. I leaned back against the old warped boards of Heron’s Roost. They were warm. I leaned there and waited to be eaten by the twelve-foot-long horror that lived in John Eastlake’s old swimming pool.

Wireman never hesitated. He stripped the red basket from Jack’s hands, dropped it on the ground, and knelt beside it, flipping back one end as he did so. He reached in and produced the largest handgun I had ever seen outside of a motion picture. Kneeling there in the high grass with the open picnic basket in front of him, Wireman gripped it in both hands. I had a good angle on his face, and I thought then and still think now that he looked perfectly serene… especially for a man facing what could be seen as a snake writ large. He waited.

“Shoot it!” Jack screamed.

Wireman waited. And beyond him, I saw the heron. It was floating in the air above the long, overgrown utility building behind the tennis court. It was floating upside down.

“Wireman?” I said. “Safety catch?”

“Caray,” he murmured, and flicked something with his thumb. A red spot high on the pistol’s handgrip winked out of view. He never took his eyes from the high grass, which had now begun to shake. Then it parted, and the alligator came at him. I had seen them on the Discovery Channel and National Geographic specials, but nothing prepared me for how fast that thing could move on those stub-legs. The grass had brushed most of the mud from its rudiment of a face, and I could see its enormous smile.

“Now!” Jack screamed.

Wireman shot. The report was tremendous — it went rolling away like something solid, something made of stone — and the result was tremendous, as well. The top half of the alligator’s head came off in a cloud of mud, blood, and flesh. It didn’t slow down; to the contrary, those stubby legs seemed to speed up as it ran off the last thirty feet or so. I could hear the grass whickering harshly along its plated sides.

The barrel of the gun rose with the recoil. Wireman let it. I’ve never seen calm like that, and it still amazes me. When the gun came back to dead level, the alligator was no more than fifteen feet away. He fired again, and the second bullet lifted the thing’s front half to the sky, revealing a greenish-white belly. For a moment it seemed to be dancing on its tail, like a happy gator in a Disney cartoon.

“Yahh, you ugly bastard!” Jack screamed. “Fuck ya mutha! Fuck ya GRANDmutha!”

The gun again rose with the recoil. Once again, Wireman let it. The alligator thumped down on its side, belly exposed, the stubs of its legs thrashing, its tail whipping and tearing up grass and earth in clots. When the muzzle came back level, Wireman pulled the trigger again, and the center of the thing’s belly seemed to disintegrate. All at once the ragged, flattened circle in which it lay was mostly red instead of green.

I looked for the heron. The heron was gone.

Wireman got up, and I saw he was shaking. He walked toward the alligator — although not quite within the radius of the still-whipping tail — and pumped two more rounds into it. The tail gave a final convulsive whack against the ground, the body a final jerk, and then it was still.

He turned to Jack and held up the automatic in a shaking hand. “Desert Eagle, .357,” he said. “One big old handgun, made by badass Hebrews — James McMurtry, two thousand-six. Mostly what added the weight to the basket was the ammo. I tossed in all the clips I had. That was about a dozen.”

Jack walked over to him, embraced him, then kissed him on both cheeks. “I’ll carry that basket to Cleveland if you want, and never say a word.”

“At least you won’t have to carry the gun,” Wireman said. “From now on, sweet old Betsy McCall goes in my belt.” And he put it there, after loading a fresh clip and carefully re-engaging the safety. This took him two tries, because of his shaking hands.

I came over to him and also kissed him on each cheek.

“Oh gosh,” he said. “Wireman no longer feels Spanish. Wireman is beginning to feel positively French.”

“How do you happen to have a gun in the first place?” I asked.

“It was Miss Eastlake’s idea, after the last cocaine skirmish in Tampa–St. Pete.” He turned to Jack. “You remember, don’t you?”

“Yeah. Four dead.”

“Anyway, Miss Eastlake suggested I get a gun for home protection. I got a big one. She and I even did some target practice together.” He smiled. “She was good, and she didn’t mind the noise, but she hated the recoil.” He looked at the splattered alligator. “I guess it did the job. What next, muchacho ?”

“Around back, but… did either of you see that heron?”

Jack shook his head. So did Wireman, looking bemused.

I saw it,” I told him. “And if I see it again… or if either of you do… I want you to shoot it, Jerome.”

Wireman raised his eyebrows but said nothing. We resumed our tramp along the east side of the deserted estate.

xv

Finding a way in through the back turned out not to be a problem: there was no back. All but the most easterly corner of the mansion had been torn off, probably in the same storm that had taken the top stories. Standing there, looking into the overgrown ruin of what had once been a kitchen and pantry, I realized that Heron’s Roost was little more than a moss-festooned façade.

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