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Stephen Jones: Dark Terrors 5: The Gollancz Book of Horror

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Stephen Jones Dark Terrors 5: The Gollancz Book of Horror

Dark Terrors 5: The Gollancz Book of Horror: краткое содержание, описание и аннотация

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Once again, multi-award-winning editors Stephen Jones and David Sutton take you on a terrifying journey into the dark heart of modern horror fiction. Firmly established as the world's premier horror anthology series, this latest volume is twice the size, presenting almost a quarter of a million words of new fiction by some of the hottest names and most talented newcomers in the field. Contributors to Dark Terrors 5 include Peter Straub, Poppy Z. Brite, Ramsey Campbell, Mick Garris — Stephen King's director of choice — Gwyneth Jones, Michael Marshall Smith, Kim Newman, Gahan Wilson, Christopher Fowler and many, many more.

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Paula chose this rather paradoxical pub. It’s in the middle of Hampstead, therefore traditional and okay, with a beer garden that was packed on a hot summer night, yet the place caters to a raucous gay clientele. Apparently, Paula’s sister brought her here once before, an attractive girl, judging from the photograph Paula showed me, and such a waste, I feel, when she could be making a man happy. I wondered if, after finishing with Paula, I should give her sister a call, but decided that it would be playing a little too close to home.

We sat in the garden on plastic chairs, beside sickly flowerbeds of nursery-forced plants, but it was pleasant, and the pub had given me an idea. I resolved to try someone of the same gender next time, just to see what a difference it made. I picked up one of the gay newspapers lying in stacks at the back of the pub, and made a note of other venues in central London. I explained my interest in the newspaper by saying that I wanted to learn more about the lifestyles of others. Paula squeezed my hand and said how much she enjoyed being with someone who had a liberal outlook. I told her that my policy was live and let live, which is a laugh for a start. I am often shocked by the wide-eyed belief I inspire in women, and wonder what they see in me that makes them so trusting. When I pressed myself close against her she didn’t flinch once under my gaze, and remained staring into my eyes while I drained my beer glass. A special girl, a special evening, for both of us.

* * *

The Admiral Duncan, Old Compton Street, Soho

Formerly decorated as a cabin aboard an old naval vessel, with lead-light bay windows and a curved wood ceiling, this venue was revamped to suit the street’s new status as a home to the city’s homosexuals, and painted a garish purple. It was restored again following the nail-bomb blast that killed and maimed so many of its customers. Owing to the tunnel-like shape of the bar, the explosive force had nowhere to escape but through the glass front, and caused horrific injuries. A monument to the tragedy is inset into the ceiling of the pub, but no atmosphere of tragedy lingers, for the patrons, it seems, have bravely moved on in their lives.

In here I met Graham, a small-boned young man with a gentle West Country burr that seemed at odds with his spiky haircut. We became instant drinking pals, buying each other rounds in order to escape the evening heat of the mobbed street beyond. After what had occurred in the pub I found it astonishing that someone could be so incautious as to befriend a total stranger such as myself, but that is the beauty of the English boozer; once you cross the threshold, barriers of race, class and gender can be dropped. Oh, it doesn’t happen everywhere, I know, but you’re more likely to make a friend in this city than in most others. That’s why I find it so useful in fulfilling my needs. However, the experiment with Graham was not a success. Boys don’t work for me, no matter how youthful or attractive they appear to be. We were standing in a corner, raising our voices over the incessant thump of the jukebox, when I realised it wasn’t working. Graham had drunk so much that he was starting to slide down the wall, but there were several others in the vicinity who were one step away from being paralytic, so he didn’t stick out, and I could leave unnoticed.

* * *

The Black Friar, Queen Victoria Street, Blackfriars

This strange little pub, stranded alone by the roundabout on the North side of the river at Blackfriars, has an Arts and Crafts-style interior, complete with friezes, bas-reliefs and mottos running over its arches. Polished black monks traipse about the room, punctuating the place with moral messages. It stands as a memorial to a vanished London, a world of brown Trilbys and woollen overcoats, of rooms suffused with pipe smoke and the tang of brilliantine. In the snug bar at the rear I met Danielle, a solidly built Belgian au pair who looked so lonely, lumpen and forlorn that I could not help but offer her a drink, and she was soon pouring out her troubles in broken English. Her employers wanted her to leave because she was pregnant, and she couldn’t afford to go back to Antwerp.

To be honest, I wasn’t listening to everything she was saying, because someone else had caught my eye. Seated a few stools away was a ginger-haired man who appeared to be following our conversation intently. He was uncomfortably overweight, and undergoing some kind of perspiration crisis. The pub was virtually deserted, most of the customers drinking outside on the pavement, and Danielle was talking loudly, so it was possible that she might have been overheard. I began to wonder if she was lying to me about her problems; if, perhaps they were more serious than she made them sound, serious enough for someone to be following her. I know it was selfish, but I didn’t want to spend any more time with a girl who was in that kind of trouble, so I told her I needed to use the toilet, then slipped out across the back of the bar.

* * *

The Angel, Rotherhithe

Another old riverside inn — I seem to be drawn to them, anxious to trace the city’s sluggish artery site by site, as though marking a pathway to the heart. The interesting thing about places like The Angel is how little they change across the decades, because they retain the same bleary swell of customers through all economic climates. Workmen and stockbrokers, estate agents, secretaries, van-drivers and tarts, they just rub along together with flirtatious smiles, laughs, belches and the odd sour word. The best feature of this pub is reached by the side entrance, an old wooden balcony built out over the shoreline, where mudlarks once rooted in the filth for treasure trove, and where you can sit and watch the sun settling between the pillars of Tower Bridge.

As the light faded we became aware of the sky brushing the water, making chilly ripples. Further along the terrace I thought I saw the red-haired man watching, but when I looked again, he had gone. Growing cold, we pulled our coats tighter, then moved inside. Stella was Greek, delicate and attractive, rather too young for me, but I found her so easy to be with that we remained together for the whole evening. Shortly before closing time she told me she should be going home soon because her brother was expecting her. I was just massaging some warmth back into her arms — we were seated by an open window and it had suddenly turned nippy — when she said she felt sick, and went off to the Ladies. After she failed to reappear I went to check on her, just to make sure she was all right. I found her in one of the cubicles, passed out.

* * *

The Ship, Greenwich

The dingy interior of this pub is unremarkable, with bare-board floors and tables cut from blackened barrels, but the exterior is another matter entirely. I can imagine the building, or one very like it, existing on the same site for centuries, at a reach of the river where it is possible to see for miles in either direction. I am moving out towards the mouth of the Thames, being taken by the tide to ever-widening spaces in my search for absolution. There was something grotesquely Victorian about the weeds thrusting out of ancient brickwork, tumbledown fences and the stink of the mud. It was unusually mild for the time of year and we sat on the wall with our legs dangling over the water, beers propped at our crotches.

Melanie was loud and common, coarse-featured and thick-legged. She took up room in the world, and didn’t mind who knew it. She wore a lot of make-up, and had frothed her hair into a mad dry nest, but I was intrigued by the shape of her mouth, the crimson wetness of her lips, her cynical laugh, her seen-it-all-before eyes. She touched me as though expecting me to walk out on her at any moment, digging nails in my arm, nudging an elbow in my ribs, running fingers up my thigh. Still, I wondered if she would present a challenge, because I felt sure that my offer to sketch her would be rebuffed. She clearly had no interest in art, so I appealed to her earthier side and suggested something of a less salubrious nature.

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