Stephen Jones - Dark Terrors 3 - The Gollancz Book of Horror

Time passed. I struggled to keep awake, found myself profoundly missing cigarettes and coffee, my two lost addictions. Either of them would have kept my eyes open. But before I had tumbled too far into the world of sleep and dreams a yowl from the garden jerked me fully awake. I fumbled the binoculars to my eyes, and was disappointed to see that it was merely Princess, the white cat, streaking across the front garden like a patch of greenish-white light. She vanished into the woodland to the left of the house, and was gone.

I was about to settle myself back down when it occurred to me to wonder what exactly had startled Princess so, and I began scanning the middle distance with the binoculars, looking for a huge raccoon, a dog, or a vicious possum. And there was indeed something coming down the driveway, towards the house. I could see it through the binoculars, clear as day.

It was the Devil.

I had never seen the Devil before, and, although I had written about him in the past, if pressed, would have confessed that I had no belief in him, other than as an imaginary figure, tragic and Miltonian. The figure coming up the driveway was not Milton’s Lucifer. It was the Devil.

My heart began to pound in my chest, to pound so hard that it hurt. I hoped it could not see me, that, in a dark house, behind window-glass, I was hidden.

The figure flickered and changed as it walked up the drive. One moment it was dark, bull-like, Minotaurish, the next it was slim and female, and the next it was a cat itself, a scarred, huge grey-green wildcat, its face contorted with hate.

There are steps that lead up to my porch, four white wooden steps in need of a coat of paint (I knew they were white, although they were, like everything else, green through my binoculars). At the bottom of the steps, the Devil stopped, and called out something that I could not understand, three, perhaps four words in a whining, howling language that must have been old and forgotten when Babylon was young; and, although I did not understand the words, I felt the hairs rise on the back of my head as it called.

And then I heard, muffled through the glass, but still audible, a low growl, a challenge, and, slowly, unsteadily, a black figure walked down the steps of the house, away from me, towards the Devil. These days the Black Cat no longer moved like a panther; instead he stumbled and rocked, like a sailor only recently returned to land.

The Devil was a woman now. She said something soothing and gentle to the cat, in a tongue that sounded like French, and reached out a hand to him. He sank his teeth into her arm, and her lip curled and she spat at him.

The woman glanced up at me then, and if I had doubted that she was the Devil before, I was certain of it now: the woman’s eyes flashed red fire at me; but you can see no red through the night-vision binoculars, only shades of green. And the Devil saw me, through the window. It saw me. I am in no doubt about that at all.

The Devil twisted and writhed, and now it was some kind of jackal, a flat-faced, huge-headed, bull-necked creature, halfway between a hyena and a dingo. There were maggots squirming in its mangy fur, and it began to walk up the steps.

The Black Cat leapt upon it, and in seconds they became a rolling, writhing thing, moving faster than my eyes could follow.

All this in silence.

And then a low roar — down the country road at the bottom of our drive, in the distance, lumbered a late-night truck, its blazing headlights burning bright as green suns through the binoculars. I lowered them from my eyes, and saw only darkness, and the gentle yellow of headlights, and then the red of rear lights as it vanished off again into the nowhere at all.

When I raised the binoculars once more there was nothing to be seen. Only the Black Cat, on the steps, staring up into the air. I trained the binoculars up, and saw something flying away — a vulture, perhaps, or an eagle — and then it flew beyond the trees and was gone.

I went out on to the porch, and picked up the Black Cat, and stroked him, and said kind, soothing things to him. He mewled piteously when I first approached him, but, after a while, he went to sleep on my lap, and I put him into his basket, and went upstairs to my bed, to sleep myself. There was dried blood on my T-shirt and jeans the following morning.

That was a week ago.

The thing that comes to my house does not come every night. But it comes most nights: we know it by the wounds on the cat, and the pain I can see in those leonine eyes. He has lost the use of his front left paw, and his right eye has closed for good.

I wonder what we did to deserve the Black Cat. I wonder who sent him. And, selfish and scared, I wonder how much more he has to give.

Neil Gaiman is one of the most acclaimed comics writers of his generation, most notably for his epic World Fantasy Award-winning Sandman series, Death: The High Cost of Living and The Books of Magic. His books include The Official Hitch-Hiker’s Guide to the Galaxy Companion, Good Omens (with Terry Pratchett), Ghastly Beyond Belief (with Kim Newman), Now We Are Sick (with Stephen Jones), The Sandman Book of Dreams (edited with Ed Kramer), and various graphic novel collaborations with artist Dave McKean: Black Orchid, Violent Cases, Signal to Noise, Mr Punch and, most recently, The Day I Swapped My Dad for Two Goldfish. Angels & Visitations is a bestselling collection of his short fiction, while his novel Neverwhere is based on the BBC TV series he created. ‘There is nothing really I can add to this story,’ says the author. ‘The number of cats living with us continues to go up and down. Yesterday, for the first time, a stray dog arrived, a chocolate-brown Labrador, very friendly and enthusiastic, loving to anyone who isn’t a cat. He’s already demolished two doors trying to get into the house and love us and protect us from the feline menace. I hope we can find a home for him soon. We’re running out of doors.’

The residents of Willowdale Farm Estate were united in the opinion that Emma Tizard was such a nice girl. Nothing bad could possibly have happened to her because she was so sensible. She never walked out at night alone, never invited strangers beyond her security chain and would never, ever dream of stopping her smart new car on a deserted stretch of road at night. Her mysterious disappearance must have some straightforward explanation.

The first time anyone got to know Emma was actually missing was when her employer, Michael Homey, knocked on Cynthia Peeling’s door that Tuesday morning. Mrs Peeling lived in the bungalow next to Emma’s. Cynthia belonged to that breed of women whose hair became blonder as they grew older, whose clothes became more youthful, and who got away with it because of sheer panache. Michael explained that Emma hadn’t turned up for work the day before, hadn’t telephoned to give an explanation — which she always did if she was ill — and was still absent today.

‘It really isn’t like her,’ he said apologetically. ‘That’s why I felt I ought to come round. I know she lives alone and wondered, well, if she’d had an accident. There doesn’t seem to be anyone at home. ’

Although Cynthia could hardly claim to be an intimate of Emma’s, she knew the girl sometimes disappeared for days at a time. Usually, she popped over to ask Cynthia to keep an eye on the bungalow for her, never giving any explanation for her absence, other than a bright remark such as, ‘Time to recharge my batteries!’ This made Cynthia think of open spaces, sporty pursuits. Emma always looked so healthy, and gave the impression she could look after herself more than adequately. Therefore, Cynthia was not that perturbed by Michael Homey’s worrying. She invited him in for coffee and Viennese fingers, in the hope of calming his fears. He refused to be convinced by Cynthia’s gentle arguments.