Kendare Blake - Anna Dressed in Blood

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Cas Lowood has inherited an unusual vocation: He kills the dead.
So did his father before him, until he was gruesomely murdered by a ghost he sought to kill. Now, armed with his father's mysterious and deadly athame, Cas travels the country with his kitchen-witch mother and their spirit-sniffing cat. Together they follow legends and local lore, trying to keep up with the murderous dead — keeping pesky things like the future and friends at bay.
When they arrive in a new town in search of a ghost the locals call Anna Dressed in Blood, Cas doesn't expect anything outside of the ordinary: track, hunt, kill. What he finds instead is a girl entangled in curses and rage, a ghost like he's never faced before. She still wears the dress she wore on the day of her brutal murder in 1958: once white, now stained red and dripping with blood. Since her death, Anna has killed any and every person who has dared to step into the deserted Victorian she used to call home.
But she, for whatever reason, spares Cas's life.

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She pulls up to the pumps and takes a deep breath. “You’ve avenged him five times over, you know.” Before I can say that I haven’t, she gets out and shuts the door.

CHAPTER THREE

The scenery changed fast once we crossed over into Canada, and I’m looking out the window at miles of rolling hills covered in forest. My mother says it’s something called boreal forest. Recently, since we really started moving around, she’s developed this hobby of intensely researching each new place we live. She says it makes it feel more like a vacation, to know places where she wants to eat and things that she wants to do when we get there. I think it makes her feel like it’s more of a home.

She’s let Tybalt out of his pet carrier and he’s perched on her shoulder with his tail wrapped around her neck. He doesn’t spare a glance for me. He’s half Siamese and has that breed’s trait of choosing one person to adore and saying screw off to all the rest. Not that I care. I like it when he hisses and bats at me, and the only thing he’s good for is occasionally seeing ghosts before I do.

My mom is staring up at the clouds, humming something that isn’t a real song. She’s wearing the same smile as her cat.

“Why the good mood?” I ask. “Isn’t your butt asleep yet?”

“Been asleep for hours,” she replies. “But I think I’m going to like Thunder Bay. And from the looks of these clouds, I’m going to get to enjoy it for quite some time.”

I glance up. The clouds are enormous and perfectly white. They sit deadly still in the sky as we drive into them. I watch without blinking until my eyes dry out. They don’t move or change in any way.

“Driving into unmoving clouds,” she whispers. “Things are going to take longer than you expect.”

I want to tell her that she’s being superstitious, that clouds not moving don’t mean anything, and besides, if you watch them long enough they have to move — but that would make a hypocrite of me, this guy who lets her cleanse his knife in salt under moonlight.

The stagnant clouds make me motion-sick for some reason, so I go back to looking at the forest, a blanket of pines in colors of green, brown, and rust, struck through with birch trunks sticking up like bones. I’m usually in a better mood on these trips. The excitement of somewhere new, a new ghost to hunt, new things to see … the prospects usually keep my brain sunny for at least the duration of the drive. Maybe it’s just that I’m tired. I don’t sleep much, and when I do, there’s usually some kind of nightmare involved. But I’m not complaining. I’ve had them off and on since I started using the athame. Occupational hazard, I guess, my subconscious letting out all the fear I should be feeling when I walk into places where there are murderous ghosts. Still, I should try to get some rest. The dreams are particularly bad the night after a successful hunt, and they haven’t really calmed down since I took out the hitchhiker.

An hour or so later, after many attempts at sleep, Thunder Bay comes up in our windshield, a sprawling, urban-esque city of over a hundred thousand living. We drive through the commercial and business districts and I am unimpressed. Walmart is a convenient place for the breathing, but I have never seen a ghost comparing prices on motor oil or trying to jimmy his way into the Xbox 360 game case. It’s only as we get into the heart of the city — the older part of the city that rests above the harbor — that I see what I’m looking for.

Nestled in between refurbished family homes are houses cut out at bad angles, their coats of paint peeling in scabs and their shutters hanging crooked on their windows so they look like wounded eyes. I barely notice the nicer houses. I blink as we pass and they’re gone, boring and inconsequential.

Over the course of my life I’ve been to lots of places. Shadowed places where things have gone wrong. Sinister places where things still are. I always hate the sunlit towns, full of newly built developments with double-car garages in shades of pale eggshell, surrounded by green lawns and dotted with laughing children. Those towns aren’t any less haunted than the others. They’re just better liars. I like it more to come to a place like this, where the scent of death is carried to you on every seventh breath.

I watch the water of Superior lie beside the city like a sleeping dog. My dad always said that water makes the dead feel safe. Nothing draws them more. Or hides them better.

My mom has turned on the GPS, which she has affectionately named Fran after an uncle with a particularly good sense of direction. Fran’s droning voice is guiding us through the city, directing us like we’re idiots: Prepare to turn left in 100 feet. Prepare to turn left. Turn left. Tybalt, sensing the end of the journey, has returned to his pet carrier, and I reach down and shut the door. He hisses at me like he could have done it himself.

The house that we rented is smallish, two stories of fresh maroon paint and dark gray trim and shutters. It sits at the base of a hill, the start of a nice flat patch of land. When we pull up there are no neighbors peeking at us from windows or coming out onto their porches to say hello. The house looks contained, and solitary.

“What do you think?” my mom asks.

“I like it,” I reply honestly. “You can see things coming.”

She sighs at me. She’d be happier if I would grin and bound up the stairs of the front porch, throw open the door and race up to the second floor to try and call dibs on the master bedroom. I used to do that sort of thing when we’d move into a new place with Dad. But I was seven. I’m not going to let her road-weary eyes guilt me into anything. Before I know it, we’ll be making daisy chains in the backyard and crowning the cat the king of summer solstice.

Instead, I grab the pet carrier and get out of the U-Haul. It isn’t ten seconds before I hear my mom’s footsteps behind my own. I wait for her to unlock the front door, and then we go in, smelling cooped-up summer air and the old dirt of strangers. The door has opened on a large living room, already furnished with a cream-colored couch and wingback chair. There’s a brass lamp that needs a new lampshade, and a coffee and end table set in dark mahogany. Farther back, a wooden archway leads to the kitchen and an open dining room.

I look up into the shadows of the staircase on my right. Quietly, I close the front door behind us and set the pet carrier on the wood floor, then open it up. After a second, a pair of green eyes pokes out, followed by a black, slinky body. This is a trick I learned from my dad. Or rather, that my dad learned from himself.

He’d been following a tip into Portland. The job in question was the multiple victims of a fire in a canning factory. His mind was wound up with thoughts of machinery and things whose lips cracked open when they spoke. He hadn’t paid much attention when he rented the house we moved into, and of course the landlord didn’t mention that a woman and her unborn baby died there when her husband pushed her down the stairs. These are things one tends to gloss over.

It’s a funny thing about ghosts. They might have been normal, or relatively normal, when they were still breathing, but once they die they’re your typical obsessives. They become fixated on what happened to them and trap themselves in the worst moment. Nothing else exists in their world except the edge of that knife, the feel of those hands around their throat. They have a habit of showing you these things, usually by demonstration. If you know their story, it isn’t hard to predict what they’ll do.

On that particular day in Portland, my mom was helping me move my boxes up into my new room. It was back when we still used cheap cardboard, and it was raining; most of the box tops were softening like cereal in milk. I remember laughing over how wet we were getting, and how we left shoe-shaped puddles all over the linoleum entryway. By the sound of our scrambling feet you would have thought a family of hypoglycemic golden retrievers was moving in.

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