Brian Lumley - The Source

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Apple-style-span The third book in the Necroscope series traces the battle between Harry Keogh and the horrifying Vamphyri on their home ground, an alien landscape of looming towers, impossible cliffs, and ravenous vampire-beasts.
Apple-style-span Russia's Ural Mountains hide a deadly secret: a supernatural portal to the country of the vampires. Soviet scientists and ESP-powered spies, in a secret military base, study the portal-and the powerfully evil creatures that emerge from it, intent on ravaging mankind.
Apple-style-span When Jazz Simmons, a British agent sent to infiltrate the base, is captured by the KGB espionage squad and forced through the portal, his last message tells Harry Keogh, the Necroscope, that the vampires are preparing for a mass invasion.
Apple-style-span Harry has only one option-to strike first. He must carry the human-vampire war to the vampire's own lands. But his strongest psychic power will be useless there. What good is the power to summon the dead in a country where nothing ever dies, where every man, woman, and child become half-dead servants of the Vamphyri?

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'But just looking at a stack from a distance, you don't see the entire picture. By that I mean that you don't see the actual stack. It's there, inside the shell, but what you see is that shell, which through the ages the Wamphyri have built around the inner core. So… the next question has to be: what is this artificial "skin" made of?

'Well, I think the best way to answer that would be to liken a stack to coral on a submarine shelf. The stone is there, and the living coral forms a skin on it, and the skin dies and itself becomes stone. So on the submarine shelf the "skin" is dead coral. And on the stacks… it's dead flesh.

'When an aerie requires repairs or extensions, the Wamphyri breed cartilage creatures whose sole function is to bridge a gap, form a section of wall, roof over a new hall or causeway. Which is to say, their living bodies form the building or repair materials. Except I said "breed" and that's the wrong word. They don't really breed anything, they merely change what already is. They take out of storage a troglodyte, perhaps, or punish a vampirized henchman who has been remiss in some way, or maybe steal a Traveller or two from Sunside. All human or sub-human flesh is the same to the Wamphyri. They can take it, change it, mould it to their individual needs. These cartilage things lock themselves in position wherever they're required, die and eventually fossilize there. Being of vampiric origin — having been vampirized — they take a long time to die; maybe they don't die as we understand it, but simply age and become… fixed.

'So what I'm saying is this: when you walk through an aerie, as often as not you're surrounded by the fused, polished bones and the hard, leathery hides of what were once men. And if you look closely enough — which is something you very quickly learn not to do — then you start to recognize the shapes of altered rib-cages, thigh bones, spinal columns and even… but I think you get the picture.

'The Wamphyri can stand extremes of cold. That's not to say they prefer it, simply that they seem inured. Except when under siege, they do heat their stacks with a complicated sort of central heating. Gasses are burned in the base of the stack and the hot air is channelled through pipes — great, hollow bones, usually — to every level. Other pipes carry the gas itself, which may then be burned as required. There are two sources for these gasses.

'Each aerie has its refuse pit. "Refuse" to a Wamphyri Lord can be anything from bodily wastes to wasted bodies. You know what vampires feed on. Well, they're not obliged to (indeed they can go without blood, without sustenance generally, indefinitely) and they do vary their diets with vegetable fibers, various oils, even fruits which are gathered during sundown on Sunside. They have vast storehouses of foods such as these, not to mention larders of suspended troglodytes and Travellers. In this instance, let's consider their "usual" fare.

'If a person is eaten and it is not desired that he or she becomes a vampire, then the remains of the meal go to the refuse pit along with all other garbage. Consider that a stack or aerie may house a thousand or more — creatures — and you get something of an idea of the contents of a refuse pit. Gasses are of course generated in large volumes. These are the gasses which are usually burned close to their source, in the bowels of the stack. Wamphyri conduits are leaky systems at best, and if gasses such as these were allowed to escape… the atmosphere in the rest of the aerie would be quite intolerable.

'Also to be found in the lower levels are the stables of the gas-beasts. These are what their name describes them to be: living gas bladders, as mindless as the cartilage creatures. Their single function is the production of gas. They are fed on coarse grasses and a little grain; obviously, the gas these beasts produce is close to methane; I don't think I need to explain further than that…

'Water:

'Now, I said that in their way the Wamphyri are scrupulous. The Lady Karen bathed frequently, as often as I myself. I watched her bathing and it was as if she tried to scrub the taint out of herself, which of course she never could. But she didn't stop trying. Oh, she talked hard to her retainers, but what was she inside but a poor frightened girl? At least, she had been.

'Anyway, you'll appreciate that water does not rise as readily as gas. In our world it has to be pumped uphill, or "rammed" under pressure, or else it arrives by aqueduct from a source higher still. The aeries have their catchment areas, inward-sloping skins on all levels, channelling rain water into great barrels with overflow systems into other barrels. In the event of a great downpour, wells at the foot of the stacks are filled to brimming. When all reservoirs are filled, then the skins are allowed to hang loose like flags. In fact they're woven with the various Wamphyri sigils and so act as their banners as well. But the rains are infrequent and if an aerie were under siege this system alone would be unreliable. That's why there's a back-up.

'You'll understand the meaning of "capillary attraction"? The way sap rises through a stem, or water between sheets of glass? The Wamphyri use capillary attraction to lift water from their wells to the tops of their aeries. The tubes through which the water passes are quite literally capillaries — those same narrow tubes which connect veins and arteries. Real capillaries, Jazz, whose owners lie in placid heaps of pseudolife in secret rooms high in the aeries. Secret because the Wamphyri will not tolerate their creatures except in their proper places. They know the difference between acceptable and unacceptable, you see. And the proper place for a thing whose veins hang down inside pipes through half a mile or more of stack is, obviously, at the top of such a stack. And so, because they're unseemly, the Wamphyri hide them away.

'I stumbled across just such a room and its inhabitants in the Lady Karen's aerie. That's all I can remember of it: that I found it, and then that someone found me and took me out of there. I had fainted. My mind hasn't retained anything of the episode except the fact that it happened. And this was only retained — as a warning, I suppose — in case I should forget totally and wander back that way again. Needless to say, I never did wander back that way again.

'Also to be found in the lower regions: the pens of the warriors. The warrior creatures are kept, like lions in a Roman amphitheatre, close to starvation. Or they would be except for one thing: like the Wamphyri, they don't need to eat. When they do eat, their food is invariably meat, preferably living. They are pure carnivores, created to tear, maim, kill — and devour. Their reward in battle is to be allowed to glut themselves. They fly into battle, launching themselves from the stacks and squirting through the sky like giant squids; but if they're victorious, they soon become far too bulky to fly back again to their aerie and so return across the boulder plains as best they can. Apart from battle proper, the Wamphyri also use them during sundown for the rounding up of Travellers. Then, too, if they are successful, they're allowed the occasional titbit.

'But enough about them. Just pray God, if you're a believer, that you never see one. And especially that you never see one in battle…

'Flying beasts are stationed at various levels. You've seen them and know what they look like. They aren't especially dangerous, not on their own. Grounded they're clumsy, stupid; aloft they are graceful in their own alien sort of way. For control they are linked closely with their masters — by telepathy. It has to be that way when the Wamphyri ride them to battle. They are the sky-floating command-posts of their masters.

'One other thing about the Wamphyri in battle: they | have their own codes of combat, their own warped i "values" and ideas about valour, chivalry and such! Can you imagine that? But each one of them changes these values to suit himself, to his own advantage. If ever it gets down to hand-to-hand combat, one against one, the single weapon deemed allowable by high-ranking aerie masters — the Lords and their aides or lieutenants — is the war-gauntlet. Somewhere in the east, in a small Gypsy settlement, those hideous weapons are made to order for the Wamphyri. All metal things are made for them; they have no understanding of metalworking, or more correctly, they have a general dislike for metals. Silver is a poison, iron despised, only gold is relatively acceptable.

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