Joe Lansdale - High Cotton - Selected Stories of Joe R. Lansdale

"I ain't never hurt nobody before," Alex said. "Don't want to now. I didn't want to hit you with that wrench, but you give Margie back."

Death's eyes showed no expression at first, but slowly a light seemed to go on behind them. He easily pulled his arms out from under Alex's knees, reached up, took hold of the old man's wrist and pulled the hands away from his throat.

"You old rascal," Death said. "You outsmarted me."

Death flopped Alex over on his side, then stood up to once more lord over the man. Grinning, he turned, stooped to recover his bowler, but he never laid a hand on it.

Alex moved like a crab, scissored his legs and caught Death above and behind the knees, twisted, brought him down on his face.

Death raised up on his palms and crawled from behind Alex's legs like a snake, effortlessly. This time he grabbed the hat and put it on his head and stood up. He watched Alex carefully.

"I don't frighten you much, do I?" Death asked.

Alex noted that the wound on Death's forehead had vanished. There wasn't even a drop of blood. "No," Alex said. "You don't frighten me much. I just want my Margie back."

"All right," Death said.

Alex sat bolt upright.

"What?"

"I said, all right. For a time. Not many have outsmarted me, pinned me to the ground. I give you credit, and you've got courage. I like that. I'll give her back. For a time. Come here."

Death walked over to the car that was not from Detroit. Alex got to his feet and followed. Death took the keys out of the ignition, moved to the trunk, worked the key in the lock. It popped up with a hiss.

Inside were stacks and stacks of match boxes. Death moved his hand over them, like a careful man selecting a special vegetable at the supermarket. His fingers came to rest on a matchbox that looked to Alex no different than the others.

Death handed Alex the matchbox. "Her soul's in here, old man. You stand over her bed, open the box. Okay?"

"That's it?"

"That's it. Now get out of here before I change my mind. And remember, I'm giving her back to you. But just for a while."

Alex started away, holding the matchbox carefully. As he walked past Death's car, he saw the dents he had knocked in the side with his wrecker were popping out. He turned to look at Death, who was closing the trunk.

"Don't suppose you'll need a tow out of here?"

Death smiled thinly. "Not hardly."

Alex stood over their bed; the bed where they had loved, slept, talked and dreamed. He stood there with the matchbox in his hand, his eyes on Margie's cold face. He ever so gently eased the box open. A small flash of blue light, like Peter Pan's friend Tinker Bell, rushed out of it and hit Margie's lips. She made a sharp inhaling sound and her chest rose. Her eyes came open. She turned and looked at Alex and smiled.

"My lands, Alex. What are you doing there, and half-dressed? What you been up to. is that a matchbox?"

Alex tried to speak, but he found he could not. All he could do was grin.

"Have you gone nuts?" she asked.

"Maybe a little." He sat down on the bed and took her hand. "I love you Margie."

"And I love you. you been drinking?"

"No."

Then came the overwhelming sound of Death's horn. One harsh blast that shook the house, and the headbeams shone brightly through the window and the cracks and lit up the shack like a cheap nightclub act.

"Who in the world?" Margie asked.

"Him. But he said. stay here."

Alex got his shotgun out of the closet. He went out on the porch. Death's car was pointed toward the house, and the headbeams seemed to hold Alex, like a fly in butter.

Death was standing on the bottom porch step, waiting.

Alex pointed the shotgun at him. "You git. You gave her back. You gave your word."

"And I kept it. But I said for a while."

"That wasn't any time at all."

"It was all I could give. My present."

"Short time like that's worse than no time at all."

"Be good about it, Alex. Let her go. I got records and they have to be kept. I'm going to take her anyway, you understand that?"

"Not tonight, you ain't." Alex pulled back the hammers on the shotgun. "Not tomorrow night neither. Not anytime soon."

"That gun won't do you any good, Alex. You know that. You can't stop Death. I can stand here and snap my fingers three times, or click my tongue, or go back to the car and honk my horn, and she's as good as mine. But I'm trying to reason with you, Alex. You're a brave man. I did you a favor because you bested me. I didn't want to just take her back without telling you. That's why I came here to talk. But she's got to go. Now."

Alex lowered the shotgun. "Can't. can't you take me in her place? You can do that can't you?"

"I. I don't know. It's highly irregular."

"Yeah, you can do that. Take me. Leave Margie."

"Well, I suppose."

The screen door creaked open and Margie stood there in her housecoat. "You're forgetting, Alex, I don't want to be left alone."

"Go in the house, Margie," Alex said.

"I know who this is. I heard you talking, Mr. Death, I don't want you taking my Alex. I'm the one you came for, I ought to have the right to go."

There was a pause, no one speaking. Then Alex said, "Take both of us. You can do that, can't you? I know I'm on that list of yours, and pretty high up. Man my age couldn't have too many years left. You can take me a little before my time, can't you? Well, can't you?"

Margie and Alex sat in their rocking chairs, their shawls over their knees. There was no fire in the fireplace. Behind them the bucket collected water and outside the wind whistled. They held hands. Death stood in front of them. He was holding a King Edward cigar box.

"You're sure of this?" Death asked. "You don't both have to go."

Alex looked at Margie, then back at Death.

"We're sure," he said. "Do it."

Death nodded. He opened the cigar box and held it out on one palm. He used his free hand to snap his fingers.

Once. ("the wind picked up, howled".)

Twice. ("the rain beat like drumsticks on the roof")

Three times. ("lightning ripped and thunder roared")

"And in you go," Death said.

A little blue light came out of the couple's mouths and jetted into the cigar box with a thump, and Death closed the lid.

The bodies of Alex and Margie slumped and their heads fell together between the rocking chairs. Their fingers were still entwined.

Death put the box under his arm and went out to the car. The rain beat on his derby hat and the wind sawed at his bare arms and T-shirt. He didn't seem to mind.

Opening the trunk, he started to put the box inside, then hesitated.

He closed the trunk.

"Damn," he said, "if I'm not getting to be a sentimental old fool."

He opened the box. Two blue lights rose out of it, elongated, touched ground. They took on the shape of Alex and Margie. They glowed against the night.

"Want to ride up front?" Death asked.

"That would be nice," Margie said.

"Yes, nice," Alex said.

Death opened the door and Alex and Margie slid inside. Death climbed in behind the wheel. He checked the clipboard dangling from the dash. There was a woman in a Tyler hospital, dying of brain damage. That would be his next stop.

He put the clipboard down and started the car that was not from Detroit.

"Sounds well-tuned," Alex said.

"I try to keep it that way," Death said.

They drove out of there then, and as they went, Death broke into song. "Row, row row your boat, gently down the stream," and Margie and Alex chimed in with, "Merrily, merrily, merrily, life is but a dream."

Off they went down the highway, the taillights fading, the song dying, the black metal of the car melting into the fabric of night, and then there was only the whispery sound of good tires on wet cement and finally not even that. Just the blowing sound of the wind and the rain.