Joe Lansdale - High Cotton - Selected Stories of Joe R. Lansdale

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Twenty-one stories for mature audiences only!
This collection of Joe R. Lansdale stories represents the best of the “Lansdale” genre—a strange mixture of dark crime, even darker humor, and adventure tales. Though varied in setting and theme, all the stories are pure Lansdale—eerie, amusing, and occasionally horrific. In “The Pit,” modern gladiators square off against one another using Roman methods. An alternate-history tale called “Trains Not Taken” shows Buffalo Bill as an ambassador and Wild Bill Hickok as a clerk. Lansdale’s love of large lizards and humor are evident in the stories “Godzilla’s Twelve Step Program” and “Bob the Dinosaur Goes to Disneyland.”
The career of Joe R. Lansdale has spanned more than twenty-seven years, in which period he has written over two hundred short stories. This collection is the best of these. As Lansdale states in his Introduction, ". these stories are the ones I think best reflect my work." Some of these are obviously horrific
: others, the realization will slowly, surely creep upon one. Others will visit alternate history, humor, or dark crime. Mixing the impossible, the improbable, and the never-before-thought-of, Lansdale uses his innate East Texas storytelling abilities to perfection. As an added bonus, each story starts with an introduction by Lansdale, describing the story-behind-the-story.

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Still, he was not one for imagination. He had heard something. He went back to the desk chair where his coat hung, reached the revolver from his pocket, turned.

And there was Dennis. Shirtless, one pants leg mostly ripped away. There were blood-stained bandages on his thigh and ankle. He had the chain partially coiled around one arm and Chum, quite dead, was lying on the floor beside him. In his right hand Dennis held a chair leg, and at the same moment Morley noted this and raised the revolver, Dennis threw it.

The leg hit Morley squarely between the eyes, knocked him against his desk and as he tried to right himself, Dennis took hold of the chain and used it to swing the dead dog. Chum struck Morley on the ankles and took him down like a scythe cutting fresh wheat. Morley's head slammed into the edge of the desk and blood dribbled into his eyes; everything seemed to be in a mix-master, whirling so fast nothing was identifiable.

When the world came to rest, he saw Dennis standing over him with the revolver. Morley could not believe the man's appearance. His lips were split in a thin grin that barely showed his teeth. His face was drawn and his eyes were strange and savage. It was apparent he had found the key in the coat, because the collar was gone.

Out in the hall, bouncing against the door, Morley could hear Julie's dogs. They sensed the intruder and wanted at him. He wished now he had left the study door open, or put them out on the yard.

"I've got money," Morley said.

"Fuck your money," Dennis screamed. "I'm not selling anything here. Get up and get over here."

Morley followed the wave of the revolver to the front of his desk. Dennis swept the chess set and stuff aside with a swipe of his arm and bent Morley backwards over the desk. He put one of the collars around Morley's neck, pulled the chain around the desk a few times, pushed it under and fastened the other collar over Morley's ankles.

Tucking the revolver into the waistband of his pants, Dennis picked up Chum and tenderly placed him on the desk chair, half-curled. He tried to poke the dog's tongue back into his mouth, but that didn't work. He patted Chum on the head, said, "There, now."

Dennis went around and stood in front of Morley and looked at him, as if memorizing the moment.

At his back the Dobermans rattled the door.

"We can make a deal," Morley said. "I can give you a lot of money, and you can go away. We'll call it even."

Dennis unfastened Morley's pants, pulled them down to his knees. He pulled the underwear down. He went around and got the spray can out of Morley's coat and came back.

"This isn't sporting, Dennis. At least I gave you a fighting chance."

"I'm not a sport," Dennis said.

He sprayed Morley's testicles with the chemical. When he finished he tossed the canister aside, walked over to the door and listened to the Dobermans scuttling on the other side.

"Dennis!"

Dennis took hold of the doorknob.

"Screw you then," Morley said. "I'm not afraid. I won't scream. I won't give you the pleasure."

"You didn't even love her," Dennis said, and opened the door.

The Dobermans went straight for the stench of the spray, straight for Morley's testicles.

Dennis walked calmly out the back way, closed the glass door. And as he limped down the drive, making for the gate, he began to laugh.

Morley had lied. He did too scream. In fact, he was still screaming.

Night They Missed The Horror Show

I suppose this is my signature story. It wasn't the first story of mine to get some real attention — that would be "Tight Little Stitches in a Dead Man's Back," but it was the one that really got the ball rolling faster. I read it at a World Fantasy Convention in Nashville just before the book containing it came out, and when I first started reading, the audience went stone quiet, then someone snickered, letting folks realize it was okay to laugh, Then everyone was laughing. This was okay. But there was a point when I felt everyone should cease to laugh, and when I came to that point, they did. I could feel the audience with me all the way. I knew I had done good. And I must admit, to this day, this is my favorite of all my short stories. I felt I had turned a big corner when I wrote it. This was made all the better with the experience of the reading, and then it came out in "Silver Scream", my pick for the best horror anthology of the eighties, and it got a lot of attention, and is periodically reprinted here or abroad.

That said, it seems the perfect story to close out this collection.

IF THEY'D GONE TO THE DRIVE-IN LIKE THEY'D planned, none of this would have happened. But Leonard didn't like drive-ins when he didn't have a date, and he'd heard about Night Of The Living Dead , and he knew a nigger starred in it. He didn't want to see no movie with a nigger star. Niggers chopped cotton, fixed flats, and pimped nigger girls, but he'd never heard of one that killed zombies. And he'd heard too that there was a white girl in the movie that let the nigger touch her, and that peeved him. Any white gal that would let a nigger touch her must be the lowest trash in the world. Probably from Hollywood, New York, or Waco, some godforsaken place like that.

Now Steve McQueen would have been all right for zombie killing and girl handling. He would have been the ticket. But a nigger? No sir.

Boy, that Steve McQueen was one cool head. Way he said stuff in them pictures was so good you couldn't help but think someone had written it down for him. He could sure think fast on his feet to come up with the things he said, and he had that real cool, mean look.

Leonard wished he could be Steve McQueen, or Paul Newman even. Someone like that always knew what to say, and he figured they got plenty of bush too. Certainly they didn't get as bored as he did. He was so bored he felt as if he were going to die from it before the night was out. Bored, bored, bored. Just wasn't nothing exciting about being in the Dairy Queen parking lot, leaning on the front of his '64 Impala looking out at the highway. He figured maybe old crazy Harry who janitored at the high school might be right about them flying saucers. Harry was always seeing something. Bigfoot, six-legged weasels, all manner of things. But maybe he was right about the saucers. He'd said he'd seen one a couple nights back hovering over Mud Creek and it was shooting down these rays that looked like wet peppermint sticks. Leonard figured if Harry really had seen the saucers and the rays, then those rays were boredom rays. It would be a way for space critters to get at Earth folks, boring them to death. Getting melted down by heat rays would have been better. That was at least quick, but being bored to death was sort of like being nibbled to death by ducks.

Leonard continued looking at the highway, trying to imagine flying saucers and boredom rays, but he couldn't keep his mind on it. He finally focused on something in the highway. A dead dog.

Not just a dead dog. But a DEAD DOG. The mutt had been hit by a semi at least, maybe several. It looked as if it had rained dog. There were pieces of that pooch all over the concrete and one leg was lying on the curbing on the opposite side, stuck up in such a way that it seemed to be waving hello. Doctor Frankenstein with a grant from Johns Hopkins and assistance from NASA couldn't have put that sucker together again.

Leonard leaned over to his faithful, drunk companion, Billy — known among the gang as Farto, because he was fart-lighting champion of Mud Creek — and said, "See that dog there?"

Farto looked where Leonard was pointing. He hadn't noticed the dog before, and he wasn't nearly as casual about it as Leonard. The puzzle-piece hound brought back memories. It reminded him of a dog he'd had when he was thirteen. A big, fine German shepherd that loved him better than his Mama.

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