Joe Lansdale - High Cotton - Selected Stories of Joe R. Lansdale

He walked up behind her and said, "It sure is, sugar," and he hit her in the head with the pan. It gave a real solid ring, kind of like the clap of a sweet church bell. He figured that one shot to the bean was sufficient, since it was a good overhand lick, but she was still sitting up and he didn't want to be no slacker about things, so he hit her a couple more times, and by the second time, her head didn't give a ring, just sort of a dull thump, like he was hitting a thick, rubber bag full of mud.

She fell over on what was left of her head and her butt cocked up in the air, exposed as the sheet fell down her back. He took a long look at it, but found he wasn't interested in doing what animals do without sin anymore. All that hitting on the Widow Case and Cinderella had tuckered him out.

He pulled his arm way back, tossed the frying pan with all his might toward the lake. It went in with a soft splash. He turned back toward the house and his car, and when he got out to the road, he cranked up the Dodge and drove away noticing that the Halloween sky was looking blacker. It was because the moon had slipped behind some dark clouds. He thought it looked like a suffering face behind a veil, and as he drove away from the Case's, he stuck his head out the window for a better look. By the time he made the hill that dipped down toward Highway 80, the clouds had passed along, and he'd come to see it more as a happy jack-o'-lantern than a sad face, and he took that as a sign that he had done well.

I don't really know where this came from. It just sort of jumped out of the blue. Or seemed to. I suppose nothing really comes out of thin air, but for the life of me I can't remember the roots of it. It's one of my absolute favorites, and to the best of my memory it has never been reprinted outside of the collection it first appeared in, and that collection — "By Bizarre Hands" — is long out of print.

Well, as I write this it occurred to me that there were a couple sources for this. Ideas that must have spurred it, but the content of it. well, I can't begin to guess. The first source is the fact that I used to see, and still occasionally see, roadside attractions. You know, stop and see the three-legged calf, the giant rats of Sumatra. Snake farm. That kind of thing. Usually, it's a pretty pathetic sight. There was even one that I heard about that had the world's largest gopher. Which was true. Only the gopher was a statue. It was the world's largest all right, but it wasn't alive. It was just a come-on to get your money, and I suppose it worked. I once stopped to see the giant rats of Sumatra to be greeted by the sight of shaved possums. Sheessshhhh.

THE SIGNS WERE SET IN RELAY AND WENT ON FOR miles. The closer you got to the place the bigger they became. They were so enthusiastic in size and brightness of paint it might be thought you were driving to heaven and God had posted a sure route so you wouldn't miss it. They read:

WORLD'S LARGEST GOPHER!

ODDITIES!

SEE THE SNAKES! SEE THE ELEPHANT!

SOUVENIRS!

BUTCH'S HIGHWAY MUSEUM AND EMPORIUM!

But Sonny knew he wasn't driving to heaven. Butch's was far from heaven and he didn't want to see anything but the elephant. He had been to the Museum and Emporium many times, and the first time was enough for the sights — because there weren't any.

The World's Largest Gopher was six feet tall and inside a fenced-in enclosure. It cost you two dollars on top of the dollar admission fee to get in there and have a peek at it and feel like a jackass. The gopher was a statue, and it wasn't even a good statue. It looked more like a dog standing on its haunches than a gopher. It had a strained, constipated look on its homely face, and one of its two front teeth had been chipped off by a disappointed visitor with a rock.

The snake show wasn't any better. Couple of dead, stuffed rattlers with the rib bones sticking through their taxidermied hides, and one live, but about to go, cottonmouth who didn't have any fangs and looked a lot like a deflated bicycle tire when it was coiled and asleep. Which was most of the time. You couldn't wake the sonofabitch if you beat on the glass with a rubber hose and yelled FIRE!

There were two main souvenirs. One was the armadillo purses, and the other was a miniature statue of the gopher with a little plaque on it that read: I SAW THE WORLD'S LARGEST GOPHER AT HUTCH'S HIGHWAY MUSEUM AND EMPORIUM OFF HIGHWAY 59. And the letters were so crowded on there you had to draw mental slashes between the words. They sold for a dollar fifty apiece and they moved right smart. In fact, Butch made more money on those (75¢ profit per statue) than he did on anything else, except the cold drinks which he marked up a quarter. When you were hot from a long drive and irritated about actually seeing the World's Largest Gopher, you tended to spend money foolishly on soda waters and gopher statues.

Or armadillo purses. The armadillos came from Hank's Armadillo Farm and Hank was the one that killed them and scooped their guts out and made purses from them. He lacquered the bodies and painted them gold and tossed glitter in the paint before it dried. The 'dillos were quite bright and had little zippers fixed into their bellies and a rope handle attached to their necks and tails so you could carry them upside down with their sad, little feet pointing skyward.

Dutch's wife had owned several of the purses. One Fourth of July she and the week's receipts had turned up missing along with one of her 'dillo bags. She and the purse and the receipts were never seen again. Elrod down at the Gull station disappeared too. Astute observers said there was a connection.

But Sonny came to see the elephant, not buy souvenirs or look at dead snakes and statues. The elephant was different from the rest of Butch's stuff. It was special.

It wasn't that it was beautiful, because it wasn't. It was in bad shape. It could hardly even stand up. But the first time Sonny had seen it, he had fallen in love with it. Not in the romantic sense, but in the sense of two great souls encountering one another. Sonny came back time after time to see it when he needed inspiration, which of late, with the money dwindling and his preaching services not bringing in the kind of offerings he thought they should, was quite often.

Sonny wheeled his red Chevy pickup with the GOD LOVES EVEN FOOLS LIKE ME sticker on the back windshield through the gate of Butch's and paid his dollar for admission, plus two dollars to see the elephant.

Butch was sitting at the window of the little ticket house as usual. He was toothless and also wore a greasy, black work cap, though Sonny couldn't figure where the grease came from. He had never known Butch to do any kind of work, let alone something greasy — unless you counted the serious eating of fried chicken. Butch just sat there in the window of the little house in his zip-up coveralls (summer or winter) and let Levis Garrett snuff drip down his chin while he played with a pencil or watched a fly dive bomb a jelly doughnut. He seldom talked, unless it was to argue about money. He didn't even like to tell you how much admission was. It was like it was some secret you were supposed to know, and when he did finally reveal it, was as if he had given up part of his heart.

Sonny drove his pickup over to the big barn where the elephant stayed, got out and went inside.

Candy, the ancient clean-up nigger, was shoving some dirt around with a push broom, stirring up dust mostly. When Candy saw Sonny wobble in, his eyes lit up.

"Hello there, Mr. Sonny. You done come to see your elephant, ain't you?"

"Yeah, I have," Sonny said.

"That's good, that's good." Candy looked over Sonny's shoulder at the entrance, then glanced at the back of the barn. "That's good, and you right on time too, like you always is."