Joe Lansdale - High Cotton - Selected Stories of Joe R. Lansdale

Ellen felt queasy, but fought the sensation down. She had more to worry about than corpses. She had to prevent herself from becoming one.

She gave the place a quick pan. To her left was a rust-framed roll-away bed with a thin, dirty mattress, and against the far wall was a baby crib, and next to that a camper stove with a small frying pan on it.

She glanced quickly out the door of the hut and saw that Moon Face had moved onto the stretch of trail bordered by the bodies. He was walking very slowly, looking up now and then as if to appreciate the stars.

Her heart pumped another beat.

She moved about the hut, looking for a weapon.

The frying pan.

She grabbed it, and as she did, she saw what was in the crib. What belonged there. A baby. But dead. A few months old. Its skin thin as plastic and stretched tight over pathetic, little rib bones. Eyes gone, holes through its head. Burnt match stubs between blackened toes. It wore a diaper and the stink of feces wafted from it and into her nostrils. A rattle lay at the foot of the crib.

A horrible realization rushed through her. The baby had been alive when taken by this mad man, and it had died here, starved and tortured. She gripped the frying pan with such intensity her hand cramped.

Her foot touched something.

She looked down. Large bones were heaped there — discarded Mommies and Daddies, for it now occurred to her that was who the corpses represented.

Something gleamed amongst the bones. A gold cigarette lighter.

Through the doorway of the hut she saw Moon Face was halfway down the trail. He had paused to nonchantly adjust the UPS man's clipboard. The geek had made his own community here, his own family, people he could deal with — dead people — and it was obvious he intended for her to be part of his creation.

Ellen considered attacking straight-on with the frying pan when Moon Face came through the doorway, but so far he had proven strong enough to take a file in the cheek and a stick in the throat, and despite the severity of the latter wound, he had kept on coming. Chances were he was strong enough to handle her and her frying pan.

A back-up plan was necessary. Another one of Bruce's pronouncements. She recalled a college friend, Carol, who used to use her bikini panties to launch projectiles at a teddy bear propped on a chair. This graduated to an apple on the bear's head. Eventually, Ellen and her dorm sisters got into the act. Fresh panties with tight elastic and marbles for ammunition were ever ready in a box by the door, the bear and an apple were in constant position. In time, Ellen became the best shot of all. But that was ten years ago. Expertise was long gone, even the occasional shot now and then was no longer taken. still.

Ellen replaced the frying pan on the stove, hiked up her dress and pulled her bikini panties down and stepped out of them and picked up the lighter.

She put the lighter in the crotch of the panties and stuck her fingers into the leg loops to form a fork and took hold of the lighter through the panties and pulled it back, assured herself the elastic was strong enough to launch the projectile.

All right. That was a start.

She removed her purse, so Moon Face couldn't grab it and snare her, and tossed it aside. She grabbed the whiskey bottle from the corpse's hand and turned and smashed the bottom of it against the cook stove. Whiskey and glass flew. The result was a jagged weapon she could lunge with. She placed the broken bottle on the stove next to the frying pan.

Outside, Moon Face was strolling toward the hut, like a shy teenager about to call on his date.

There were only moments left. She glanced around the room, hoping insanely at the last second she would find some escape route, but there was none.

Sweat dripped from her forehead and ran into her eye and she blinked it out and half-drew back the panty sling with its golden projectile. She knew her makeshift weapon wasn't powerful enough to do much damage, but it might give her a moment of distraction, a chance to attack him with the bottle. If she went at him straight on with it, she felt certain he would disarm her and make short work of her, but if she could get him off guard.

She lowered her arms, kept her makeshift slingshot in front of her, ready to be cocked and shot.

Moon Face came through the door, ducking as he did, a sour sweat smell entering with him. His neck wound whistled at her like a teapot about to boil. She saw then that he was bigger than she first thought. Tall and broad-shouldered and strong.

He looked at her and there was that peculiar expression again. The moonlight from the hole in the roof hit his eyes and teeth, and it was as if that light was his source of energy. He filled his chest with air and seemed to stand a full two inches taller. He looked at the woman's corpse in the chair, the man's corpse supported on wires, glanced at the playpen.

He smiled at Ellen, squeaked more than spoke, "Bubba's home, Sissie."

I'm not Sissie yet, thought Ellen. Not yet.

Moon Face started to move around the card table and Ellen let out a blood-curdling scream that caused him to bob his head high like a rabbit surprised by headlights. Ellen jerked up the panties and pulled them back and let loose the lighter. It shot out of the panties and fell to the center of the card table with a clunk.

Moon Face looked down at it.

Ellen was temporarily gripped with paralysis, then she stepped forward and kicked the card table as hard as she could. It went into Moon Face, hitting him waist high, startling, but not hurting him.

Now! thought Ellen, grabbing her weapons. Now!

She rushed him, the broken bottle in one hand, the frying pan in the other. She slashed out with the bottle and it struck him in the center of the face and he let out a scream and the glass fractured and a splash of blood burst from him and in that same instant Ellen saw that his nose was cut half in two and she felt a tremendous throb in her hand. The bottle had broken in her palm and cut her.

She ignored the pain and as Moon Face bellowed and lashed out with the knife, cutting the front of her dress but not her flesh, she brought the frying pan around and caught him on the elbow, and the knife went soaring across the room and behind the roll-away bed.

Moon Face froze, glanced in the direction the knife had taken. He seemed empty and confused without it.

Ellen swung the pan again. Moon Face caught her wrist and jerked her around and she lost the pan and was sent hurtling toward the bed, where she collapsed on the mattress. The bed slid down and smashed through the thin wall of sticks and a foot of the bed stuck out into blackness and the great drop below. The bed tottered slightly, and Ellen rolled off of it, directly into the legs of Moon Face. As his knees bent, and he reached for her, she rolled backwards and went under the bed and her hand came to rest on the knife. She grabbed it, rolled back toward Moon Face's feet, reached out quickly and brought the knife down on one of his shoes and drove it in as hard as she could.

A bellow from Moon Face. His foot leaped back and it took the knife with it. Moon Face screamed, "Sissie! You're hurting me!"

Moon Face reached down and pulled the knife out, and Ellen saw his foot come forward, and then he was grabbing the bed and effortlessly jerking it off of her and back, smashing it into the crib, causing the child to topple out of it and roll across the floor, the rattle clattering behind it. He grabbed Ellen by the back of her dress and jerked her up and spun her around to face him, clutched her throat in one hand and held the knife close to her face with the other, as if for inspection; the blade caught the moonlight and winked.

Beyond the knife, she saw his face, pathetic and pained and white. His breath, sharp as the knife, practically wilted her. His neck wound whistled softly. The remnants of his nose dangled wet and red against his upper lip and cheek and his teeth grinned a moon-lit, metal goodbye.