Charles De Lint - Dreams Underfoot

“Look,” Jilly said. “Just because she’s pretty, doesn’t mean she’s having a perfect life or anything.

Most guys look at someone like her and they won’t even approach her because they’re sure she’s got men coming out of her ears. Well, it doesn’t always work that way. For instance—” she touched her breastbone with a narrow hand and smiled “—consider yours truly.”

I looked at her long fingers. Paint had dried under her nails. “You’ve started a new canvas,” I said.

“And you’re changing the subject,” she replied. “Come on, Geordie. What’s the big deal? The most she can say is no.”

“Well, yeah. But ...”

“She intimidates you, doesn’t she?”

I shook my head. “I talk to her all the time.”

“Right. And that’s why I’ve got to listen to your constant mooning over her.” She gave me a sudden considering look, then grinned. “I’ll tell you what, Geordie, me lad. Here’s the bottom line: I’ll give you twentyfour hours to ask her out. If you haven’t got it together by then, I’ll talk to her myself “

“Don’t even joke about it.”

“Twentyfour hours,” Jilly said firmly. She looked at the chocolate-chip cookie in my hand. “Are you eating that?” she added in that certain tone of voice of hers that plainly said, all previous topics of conversation have been dealt with and completed. We are now changing topics.

So we did. But all the while we talked, I thought about going into the record store and asking Sam out, because if I didn’t, Jilly would do it for me. Whatever else she might be, Jilly wasn’t shy. Having her go in to plead my case would be as bad as having my mother do it for me. I’d never been able to show my face in there again.

Gypsy Records is on Williamson Street, one of the city’s main arteries. It begins as Highway 14

outside the city, lined with a sprawl of fast food outlets, malls and warehouses. On its way downtown, it begins to replace the commercial properties with everincreasing handfuls of residential blocks until it reaches the downtown core where shops and lowrise apartments mingle in gossiping crowds.

The store gets its name from John Butler, a short roundbellied man without a smidgen of Romany blood, who began his business out of the back of a handdrawn cart that gypsied its way through the city’s streets for years, always keeping just one step ahead of the municipal licensing board’s agents.

While it carries the usual bestsellers, the lifeblood of its sales are more obscure titles—imports and albums published by independent record labels. Albums, singles and compact discs of punk, traditional folk, jazz, heavy metal and alternative music line its shelves. Barring Sam, most of those who work there would look just as at home in the fashion pages of the most current British alternative fashion magazines.

Sam was wearing a blue cotton dress today, embroidered with silver threads. Her blonde hair was cut in a short shag on the top, hanging down past her shoulders at the back and sides. She was dealing with a defect when I came in. I don’t know if the record in question worked or not, but the man returning it was definitely defective.

“It sounds like there’s a radio broadcast right in the middle of the song,” he was saying as he tapped the cover of the Pink Floyd album on the counter between them.

“It’s supposed to be there,” Sam explained. “It’s part of the song.” The tone of her voice told me that this conversation was going into its twelfth round or so.

“Well, I don’t like it,” the man told her. “When I buy an album of music, I expect to get just music on it.”

“You still can’t return it.”

I worked in a record shop one Christmas—two years before the post office job. The best defect I got was from someone returning an inconcert album by Marcel Marceau. Each side had thirty minutes of silence, with applause at the end—I kid you not.

I browsed through the Celtic records while I waited for Sam to finish with her customer. I couldn’t afford any of them, but I liked to see what was new. Blasting out of the store’s speakers was the new Beastie Boys album. It sounded like a cross between heavy metal and bad rap and was about as appealing as being hit by a car. You couldn’t deny its energy, though.

By the time Sam was free I’d located five records I would have bought in more flush times. Leaving them in the bin, I drifted over to the front cash just as the Beastie Boys’ last cut ended. Sam replaced them with a tape of New Age piano music.

“What’s the new Oyster Band like?” I asked.

Sam smiled. “It’s terrific. My favorite cut’s ‘The Old Dance.’ It’s sort of an allegory based on Adam and Eve and the serpent that’s got a great hook in the chorus. Telfer’s fiddling just sort of skips ahead, pulling the rest of the song along.”

That’s what I like about alternative record stores like Gypsy’s—the people working in them actually know something about what they’re selling.

“Have you got an open copy?” I asked.

She nodded and turned to the bin of opened records behind her to find it. With her back to me, I couldn’t get lost in those deep blue eyes of hers. I seized my opportunity and plunged ahead.

“Areyouworkingtonight—wouldyouliketogooutwithmesomewhere?”

I’d meant to be cool about it, except the words all blurred together as they left my throat. I could feel the flush start up the back of my neck as she turned and looked back at me with those baby blues.

“Say what?” she asked.

Before my throat closed up on me completely, I tried again, keeping it short. “Do you want to go out with me tonight?”

Standing there with the Oyster Band album in her hand, I thought she’d never looked better.

Especially when she said, “I thought you’d never ask.”

I put in a couple of hours of busking that afternoon, down in Crowsea’s Market, the fiddle humming under my chin to the jingling rhythm of the coins that passersby threw into the case lying open in front of me. I came away with twentysix dollars and change—not the best of days, but enough to buy a halfway decent dinner and a few beers.

I picked up Sam after she finished work and we ate at The Monkey Woman’s Nest, a Mexican restaurant on Williamson just a couple of blocks down from Gypsy’s. I still don’t know how the place got its name. Ernestina Verdad, the Mexican woman who owns the place, looks like a showgirl and not one of her waitresses is even vaguely simian in appearance.

It started to rain as we were finishing our second beer, turning Williamson Street slick with neon reflections. Sam got a funny look on her face as she watched the rain through the window. Then she turned to me.

“Do you believe in ghosts?” she asked.

The serious look in her eyes stopped the halfassed joke that two beers brewed in the carbonated swirl of my mind. I never could hold my alcohol. I wasn’t drunk, but I had a buzz on.

“I don’t think so,” I said carefully. “At least I’ve never seriously stopped to think about it.”

“Come on,” she said, getting up from the table. “I want to show you something.”

I let her lead me out into the rain, though I didn’t let her pay anything towards the meal. Tonight was my treat. Next time I’d be happy to let her do the honors.

“Every time it rains,” she said, “a ghost comes walking down my street ....”

She told me the story as we walked down into Crowsea. The rain was light and I was enjoying it, swinging my fiddle case in my right hand, Sam hanging onto my left as though she’d always walked there.

I felt like I was on top of the world, listening to her talk, feeling the pressure of her arm, the bump of her hip against mine.