Charles De Lint - The Ivory and the Horn

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The Ivory and the Horn: краткое содержание, описание и аннотация

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From Publishers Weekly: This fanciful and moving collection of 15 tales, some loosely related with common characters, probes deeply into the nature of art and artists and the souls of the poor and downtrodden. In the fictional city of Newford, a touch of enchantment can bring surcease from pain and lead to deeper self-knowledge. In "Mr. Truepenny's Book Emporium and Gallery," a lonely young girl called Sophie daydreams about a wonderful shop, only to find, years later, that it has its own reality. Sophie, now an adult and an artist, finds herself marooned in another dream world, a Native American one, in "Where Desert Spirits Crowd the Night." And "In Dream Harder, Dream True," an ordinary young man rescues a woman with a broken wing, maybe a fairy, maybe an angel; they become Sophie's parents before the woman disappears. "Bird Bones and Wood Ash" deals with monsters who prey on their children and gives a woman tools to destroy them and save their victims. In "Waifs and Strays," a young woman, little more than a stray herself, who saves abandoned dogs and other neglected creatures, helps the ghost of her first benefactor find peace and move on. De Lint's evocative images, both ordinary and fantastic, jolt the imagination.
From Booklist: De Lint's latest reprints 14 stories of the gates between Faerie and the imaginary Canadian city of Newford and offers one new piece. Published in 14 different places and read in them one at a time, the stories undoubtedly did not leave quite so overwhelming an impression of literary grunge as they do when read here as a batch. De Lint's writing is as good as ever, and his folkloric scholarship remains outstanding--facts that make it very difficult to argue that this volume that rescues the likes of "Dream Harder, Dream True" and "The Forest Is Crying" from the obscurity of limited editions doesn't deserve its place on many library shelves.  

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So I'm not nearly so bold— except when I'm on my bike. It's sort of like a talisman for me. It's nothing special, just an old ten-speed, but it gets me around. Sometimes I think I should become, one of those messengers that wheel through the traffic on their mountain bikes, whistle between their lips, ready to let out a shrill blast if anybody gets in their way.

You think you're immortal, covering ground faster than anyone can walk, you're not all locked up inside some motorized box that's spewing noxious fumes into the air. You feel as natural as a bird, or a deer, racing through your concrete forest. Maybe that's where John got that feeling from; riding through town on his bike, free as the wind, when all the other street people are just sort of shuffling along, gaze to the ground.

I started a poem about it once, but I couldn't get the words to fit the vision. That's been happening to me all too often this summer. Oh, who'm I kidding? Wordless pretty well sums me up these days, I look at the work I've had published, and I can't even imagine what it was like to write those verses, little say believe that it was me who did it.

Feeling sorry for myself is the one thing I have gotten good at lately. It's not a feeling I like. I hate the way it leaves me with this overpowering sense of being ineffectual. Worthless.

When I start getting into that kind of mood, I usually get on my bike and just ride. Which is how I found myself in Fitzhenry Park a few hours after Sophie and Jilly left me at my apartment.

I laid my bike down under the young Tree of Tales and sprawled on the grass beside it. I could see a handful of stars, looking up through the tree's boughs, but my mind was back in the Standish, listening to Puck warn Oberon of the coming dawn I drifted off to the remembered sound of his voice.

5

Puck breaks off and looks at me. The play has faded, the hall is gone. It's just the two of us, alone in some copsy wood, as far from the city as the word orange is from a true rhyme.

"And who are you?" he says.

I make no reply. I'm too fascinated by his transformation. Falling asleep, the voice I heard, the face I imagined, was that of the actor from the Standish whom I'd seen earlier in the night. But he's gone along with the city and everything familiar. This Puck is more compelling still. I can't take my gaze from him. He has a beauty that no actor could replicate, but he's more inhuman, too. It's hard to say where the man ends and the animal begins. I think of Pan; I think of fauns.

"Your hair," he says, "is like moonlight, gracing your fair shoulders."

Maybe I should be thinking of satyrs. Legendary being or not, this is a come-on if ever I heard one.

"It's dyed," I tell him.

"But it looks so full of life."

"I mean, I color it. I'm not a natural blonde."

"And your eyes?" he asks. "Is that tempest of dream-starved color dyed as well?"

I have to admit, he's got a way about him. I don't know if I should assume "dream-starved" to be a compliment exactly, but the sound of his voice makes me wish he'd just take me in his arms. Maybe this is what they mean by fairy enchantment. I've only known him for the better part of a couple of minutes, and already he's got me feeling all warm and tingly inside. There's a musky odor in the air and my heartbeat has found a new, quicker rhythm.

It's a tough call, but I tell my libido to take five.

"What do you mean by 'dream-starved?' " I ask him.

He sits back on his furry haunches and the sexual charge that's built up between us eases somewhat.

"I see a storm in your soul," he says, "held at bay by a grey cloud of uncomfortable reason."

"What's that supposed to mean?" I ask.

But I know. I know exactly what he's talking about: how everything that ever made me happy seems to have been washed away. I smile, but there's no light behind the smile. I laugh, but the sound is hollow. I don't know how it happened, but it all went away. I do have a storm inside me, but it can't seem to get out and I don't know how to help it. All I do know is that I don't want to feel like a robot anymore, like I took a walk-on bit as a zombie for some B-movie only to find that I can't shake the part once my scene's in the can.

"When was the last time you felt truly alive?" he asks.

I look back through my memories, but everything seems dismal and grey. It's like walking into a room where all the furniture is covered with sheets, dust lies thick on the floor, all color has been sucked away.

"I... I can't remember...."

"It was not always so."

A statement, not a question, but I still nod my head in slow agreement.

"What bedevils you," he says, "is that you have misplaced the ability to see— to truly see behind the shadow, into the heart of a thing— and so you no longer think to look. And the more you do not look, the less able you are to see. Wait long enough, and you'll wander the world as one blind."

"I already feel that way."

"Then open your eyes and see."

"See what?"

Puck shrugs. "It makes no difference. You can look upon the most common thing and see the whole of the cosmos reflected within."

"Intellectually, I know what you're talking about," I tell him. "I understand— really I do. But in here—" I lay the palm of one hand between my breasts and cover it with the palm of the other "— it's not so clear. My heart just feels too heavy to even think about sunshine and light, little say look for them in anything."

"Then free your heart from your mind," he says. "Embrace wonder for one moment without the need to consider how that wonder came to be, without the need to justify if it be real or not."

"I... I don t know how."

His lips shape that puckish smile then. "If you would forget thought for a time, let me love you."

He cups my chin with his hand and brings his lips close to mine. At the touch, being so close to those wild eyes of his, I can feel the warmth again, the fire in my loins that rises up into my belly.

"Let the storm loose," he whispers.

I want to, I'm going to, I can't seem to stop myself, yet I manage to pull back from him.

"I'll try," I say. "But first, and I don t know where this thought comes from, "first— tell me a story."

"A... story."

It's all happening too fast for me. I need to slow down.

"Tell me what happened when Titania found out that Oberon had taken her changeling into his court."

He smiles. He rests his back against a tree and pulls me close so that my head's on his shoulder. I need this breathing space. I need the quiet sound of his voice, the intimacy it builds between us. Without it, fairy enchantment or not, the act of making love with him would be no different than if I did it with one of those homeboys who pulled up beside the curb earlier in the evening.

He's a good storyteller I hope the Tree's listening.

When the story's done, he sits quietly beside me, as taken away by the story he's let unfold between us as I am. I'm the one who has to unbutton my blouse, who reaches for his hand and puts it against my breast.

6

I woke with the morning sun in my eyes, stiff and chilled from having spent the night on the damp grass. I sat up and used my fingers as a comb to pull the grass and leaves from my hair. My dream was still vivid. Puck's advice rang like a clarion bell inside my mind.

You can look upon the most common thing and see the whole of the cosmos reflected within.

But I couldn't seem to do it. I could feel the storm inside me, yearning to be freed, but the veil was over my eyes again and everything seemed to be shrouded with the fine covering of its fabric.

Free your heart from your mind. Embrace wonder for one moment without the need to consider how that wonder came to be, without the need to justify... if... it...

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