Charles De Lint - The Ivory and the Horn

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The Ivory and the Horn: краткое содержание, описание и аннотация

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From Publishers Weekly: This fanciful and moving collection of 15 tales, some loosely related with common characters, probes deeply into the nature of art and artists and the souls of the poor and downtrodden. In the fictional city of Newford, a touch of enchantment can bring surcease from pain and lead to deeper self-knowledge. In "Mr. Truepenny's Book Emporium and Gallery," a lonely young girl called Sophie daydreams about a wonderful shop, only to find, years later, that it has its own reality. Sophie, now an adult and an artist, finds herself marooned in another dream world, a Native American one, in "Where Desert Spirits Crowd the Night." And "In Dream Harder, Dream True," an ordinary young man rescues a woman with a broken wing, maybe a fairy, maybe an angel; they become Sophie's parents before the woman disappears. "Bird Bones and Wood Ash" deals with monsters who prey on their children and gives a woman tools to destroy them and save their victims. In "Waifs and Strays," a young woman, little more than a stray herself, who saves abandoned dogs and other neglected creatures, helps the ghost of her first benefactor find peace and move on. De Lint's evocative images, both ordinary and fantastic, jolt the imagination.
From Booklist: De Lint's latest reprints 14 stories of the gates between Faerie and the imaginary Canadian city of Newford and offers one new piece. Published in 14 different places and read in them one at a time, the stories undoubtedly did not leave quite so overwhelming an impression of literary grunge as they do when read here as a batch. De Lint's writing is as good as ever, and his folkloric scholarship remains outstanding--facts that make it very difficult to argue that this volume that rescues the likes of "Dream Harder, Dream True" and "The Forest Is Crying" from the obscurity of limited editions doesn't deserve its place on many library shelves.  

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Ronnie Egan's lifeless features floated up in his mind.

He shook his head and started to walk. Aimlessly, but at a fast pace. Shoe leather on pavement now, but he couldn't hear it for the sound of the traffic, vehicular and pedestrian. Half an hour after leaving the morgue he found himself on the waterfront, staring out over the lake.

He didn't think he could take it anymore. He'd put in seven years as a caseworker for Social Services, but it seemed as though he'd finally burned out. Ronnie Egan's stupid, senseless death was just too much to bear. If he went into the office right now, it would only be to type up a letter of resignation. He decided to get drunk instead.

Turning, he almost bumped into the attractive woman who was approaching him. She might be younger, but he put her at his own twenty-nine; she just wore the years better. A soft fall of light-brown hair spilled down to her shoulders in untidy tangles. Her eyes were a little too large for the rest of her features, but they were such an astonishing grey-green that it didn't matter. She was wearing jeans and a "Save the Rainforests" T-shirt, a black cotton jacket overtop.

"Hi there," she said.

She offered him a pamphlet that he reached for automatically, before he realized what he was doing. He dropped his hand and stuck it in his pocket, leaving her with the pamphlet still proffered.

"I don't think so," he said.

"It's a serious issue," she began.

"I've got my own problems."

She tapped the pamphlet. "This is everybody's problem."

Dennison sighed, "Look, lady," he said. "I'm more interested in helping people than trees. Sorry."

"But without the rainforests—"

"Trees don't have feelings," he said, cutting her off. "Trees don't cry. Kids do."

"Maybe you just can't hear them."

Her gaze held his. He turned away, unable to face her disappointed look. But what was he supposed to do? If he couldn't even be there for Ronnie Egan when the kid had needed help the most, what the hell did she expect him to do about a bunch of trees? There were other people, far better equipped, to deal with that kind of problem.

"You caught me on a bad day," he said "Sorry"

He walked away before she could reply.

***

Dennison wasn't much of a drinker. A beer after work a couple of times a week. Wine with a meal even more occasionally. A few brews with the guys after one of their weekend softball games— that was just saying his pager left him alone long enough to get through all the innings. His clients' needs didn't fit into a tidy nine-to-five schedule, with weekends off. Crises could arise at any time of the day or night— usually when it was most inconvenient. But Dennison had never really minded. He'd bitch and complain about it like everybody else he worked with, but he'd always be there for whoever needed the help.

Why hadn't Sandy Egan call him last night? He'd told her to phone him, instead of just putting Ronnie outside again. He'd promised her, no questions. He wouldn't use the incident as pressure to take the boy away from her. Ronnie was the first priority, plain and simple.

But she hadn't called. She hadn't trusted him, hadn't wanted to chance losing the extra money Social Services gave her to raise the boy. And now he was dead.

Halfway through his fourth beer, Dennison started ordering shots of whiskey on the side. By the time the dinner hour rolled around, he was too drunk to know where he was anymore. He'd started out in a run-down bar somewhere on Palm Street; he could be anywhere now.

The smoky interior of the bar looked like every other place he'd been in this afternoon. Dirty wooden floors, their polish scratched and worn beyond all redemption. Tables in little better condition, chairs with loose legs that wobbled when you sat on them, leaving you unsure if it was all the booze you'd been putting away that made your seat feel so precarious, or the rickety furniture that the owner was too cheap to replace until it actually fell apart under someone. A TV set up in a corner of the bar where game shows and soap operas took turns until they finally gave way to the six o'clock news.

And then there was the clientele.

The thin afternoon crowd was invariably composed of far too many lost and hopeless faces. He recognized them from his job. Today, as he staggered away from the urinal to blink at the reflection looking back at him from the mirror, he realized that he looked about the same. He couldn't tell himself apart from them if he tried, except that maybe they could hold their drink better.

Because he felt sick. Unable to face the squalor of one of the cubicles, he stumbled out of the bar, hoping to clear his head. The street didn't look familiar, and the air didn't help. It was filled with exhaust fumes and the tail end of rush-hour noise. His stomach roiled and he made his slow way along the pavement in front of the bar, one hand on the wall to keep his balance.

When he reached the alleyway, it was all he could do to take a few floundering steps inside before he fell to his hands and knees and threw up. Vomiting brought no relief. He still felt the world doing a slow spin and the stink just made his nausea worse.

Pushing himself away from the noxious puddle, the most he could manage was to fall back against the brick wall on this side of the alley. He brought his knees slowly up, wrapped his arms around them and leaned his head on top. He must have inadvertently turned his pager back on at some point in the afternoon, because it suddenly went off, its insistent beep piercing his aching head. He unclipped it from his belt and threw it against the far wall. The sound of it smashing was only slightly more satisfying than the blessed relief from its shrill beeping.

"You don't look so good."

He lifted his head at the familiar voice, half-expecting that one of his clients had found him in this condition, or worse, one of his coworkers. Instead he met the grey-green gaze of the woman he'd briefly run into by the lakefront earlier in the day.

"Jesus," he said. "You... you're like a bad penny."

He lowered his head back onto his knees again and just hoped she'd go away. He could feel her standing there, looking down at him for a long time before she finally went down on one knee beside him and gave his arm a tug.

"C'mon," she said. "You can't stay here."

"Lemme alone."

"I don't just care about trees, either," she said.

"Who gives a fuck."

But it was easier to let her drag him to his feet than to fight her offer of help. She slung his arm over her shoulder and walked him back to the street where she flagged down a cab. He heard her give his address to the cabbie and wondered how she knew it, but soon gave up that train of thought as he concentrated on not getting sick in the back of the cab.

He retained the rest of the night in brief flashes. At some point they were in the stairwell of his building, what felt like a month later he was propped up beside the door to his apartment while she worked the key in the lock. Then he was lying on his bed while she removed his shoes.

"Who... who are you?" he remembered asking her.

"Debra Eisenstadt."

The name meant nothing to him. The bed seemed to move under him. I don't have a water bed, he remembered thinking, and then he threw up again. Debra caught it in his wastepaper basket.

A little later still, he came to again to find her sitting in one of his kitchen chairs that she'd brought into the bedroom and placed by the head of the bed. He remembered thinking that this was an awful lot to go through just for a donation to some rainforest fund.

He started to sit up, but the room spun dangerously, so he just let his head fall back against the pillow. She wiped his brow with a cool, damp washcloth.

"What do you want from me?" he managed to ask.

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