Brian Keene - Dead Sea

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Dead Sea: краткое содержание, описание и аннотация

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In 2003, Brian Keene’s
revived horror literature’s dormant obsession with zombies. In 2007, Brian Keene’s
knocked that obsession on its ass…
The city streets are no longer safe. They are filled instead with the living dead, rotting predators driven only by a need to kill and eat. Some of the living still struggle to survive, but with each passing day, their odds grow worse. Some survivors have fled, frantically searching for a place to escape, even briefly, the slaughter around them. For Lamar Reed and a handful of others, that safe haven is an old Coast Guard ship out at sea, with plenty of water between them and the zombies. These desperate survivors are completely isolated from the dangers of the mainland. But their haven will soon become a deathtrap, and they’ll learn that isolation can also mean no escape! 
Deadite Press is proud to present this Author’s Preferred version of Keene’s over-the-top cult classic, which includes never-before-published material!
With another bleak vision of the zombie apocalypse, Keene makes a triumphant return to the still-thriving subgenre he helped revive with his 2004 debut
(a movie version of which is currently in the works). Trouble begins when a virus infecting the rat population of New York City begins spreading among animals and humans alike—one bite, one drop of blood or one string of saliva is all it takes to kill its victims, within minutes, and instantly revive them as mindless, flesh-eating zombies. Narrating this grim tale is gay 30-something Lamar Reed, who makes a hair-raising trip through the carnage of zombified Baltimore before he and a small group of survivors manage to commandeer a Coast Guard ship and get it out to sea. Together, the eclectic group search the coast for a safe harbor; meanwhile, an endless parade of zombies search the survivors’ floating haven for a way in. Keene piles on the gory thrills as Lamar and his shipmates struggle through this diseased world, though they can be overly chatty at times (dialoging on everything from religion to Joseph Campbell). Delivering enough shudders and gore to satisfy any fan of the genre, Keene proves he’s still a lead player in the zombie horror cavalcade. From Publishers Weekly

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And then we began to move.

“Full ahead,” the man in the uniform bellowed. “Take us out, just like I showed you. I’m on my way up.”

It was a really weird sensation. Felt like we were standing still and the land was moving. We cruised farther out into the bay, leaving the harbor and the city behind us. The zombies stood on the pier watching us go. Some of them stepped forward, plummeting over the side and sinking beneath the surface. The others simply stared, their faces expressionless—except for that look of constant hunger. I wondered about the ones that had fallen into the water. Zombies didn’t need to breathe. Didn’t require oxygen. They were dead. So what was to stop them from hunting along the bottom of the Chesapeake Bay the same way they hunted through the city’s streets? Couldn’t they just walk along the bottom, feeding off fish and crabs until they reached the ocean itself? And then what? Sharks versus zombies? The image was ridiculous, but what if? What if…

What if Hamelin’s Revenge spread to the sea life?

“They can’t reach us now,” Malik shouted. “Nothing can get us out here!”

Tasha hugged him and he hugged her back. Both of them smiled. I turned back toward the land and watched the city burning. Stared at the orange-and-red skyline. By morning, there would be nothing left. Baltimore would be a smoldering pile of ashes. Port Discovery and the section of the city that housed popular bars like Ramshead and Howl at the Moon were obscured by smoke. The trade center and the Harbor Place shops belched flames. Yesterday, the skyline had been made up of tall buildings: offices, parking garages, banks, muse urns and apartment complexes. Now, it was composed of towering torches, each of them a blazing inferno. The city skyline looked like a row of Roman candles. And below them, growing smaller with every minute as the Spratling picked up speed, were the dead. The people onboard the ship cheered as we left the harbor. There was lots of hugging and clapping and fists in the air—a real celebration. And when the Domino Sugar factory exploded a few minutes later, we even had our own fireworks. Flaming debris rained down from the sky, splashing into the water.

“I’ll tell you one thing, kids.”

Tasha looked up at me. “What’s that, Mr. Reed?”

“Lamar. Call me Lamar.”

“Okay. What are you thinking, Lamar?”

“That this was the longest getaway I’ve ever seen.”

“Doesn’t matter,” Tasha said. “We’re safe now. Like Malik said, they can’t get us out here.”

The dead watched us leave. More of them tumbled into the water. Birds squawked above us. The sky was full of smoke, obscuring the moon and the stars. The ocean itself seemed lifeless. No fish leaping from the water or dolphins following the boat. Just the waves, and even those seemed small. The ship’s engines throbbed as we picked up speed. The bay’s surface was black, but the full moon lit a silvery path for us. The flames reflected off the waves. Then a cloud passed over the moon and the gradually lights vanished. Under the cover of darkness, we sailed out onto a dead sea.

Chapter Five

I don’t remember much about that first night onboard the Spratling. We were all dehydrated, exhausted, and stressed from our ordeal, and after a while, things just kind of blurred together. When the ship was safely away from the city, and far enough out into the Chesapeake Bay that the fires were just a dim glow on the horizon, everyone relaxed a little more. But there was still a lot to do. Mitch and I had to find sleeping quarters for the kids—the older man in the coast guard uniform called them “berthing areas”—and a place for ourselves as well. We ended up together in a room with six racks—bunk beds—three on each side. The mattress on each rack lifted up to reveal a small, narrow storage space. Each of us also had a small footlocker to store things in. We didn’t have many belongings. I pulled out my wallet and my keys and put them inside a locker. It seemed weird. Might as well have tossed them over the side for all the good they’d do me now. The keys were all for a life I’d left behind, a life I’d never return to. And the wallet was empty—no pictures, no money. I’d never had much use for snapshots. And money? Well, I’d never had much of that, either. And now, I didn’t need them. What good was money when there was nothing to buy? What good were photographs of friends and family when all of them were dead? I didn’t have many people that I cared about, but those I did I could remember in my head. If I looked at their pictures now, I’d just see them as zombies.

Mitch pulled a small rifle cleaning kit out of his backpack and went to work on the guns, using long cotton swabs to get the debris and residue out of the barrels, and then oiling them down. He explained each step to the three of us as he went along, so that we’d be able to do it, too. When he was finished, he stowed our weapons beneath his mattress and slid one pistol under his pillow. He didn’t unload his backpack; instead, he stuffed it between his rack and the bulkhead. Then he took off his boots and lay down. We all did the same. Each bed had a tiny feather pillow, one sheet, and a thin gray blanket that felt like it was made out of horse hair—very rough and scratchy. They smelled musty and mildewed.

“This pillow stinks,” I complained.

“Mine does, too.” Tasha wrinkled her nose. “Smells like a zombie.”

“They should,” Mitch said. “They’ve probably been sitting on this boat for the last twenty years.”

I propped myself up on one elbow. “What do you mean?”

“This is a museum ship,” he explained. “The Spratling is a piece of American history, so rather than sending it to the scrap yard to be cut up into razor blades, the maritime museum preserved it and turned it into a floating tourist trap, just like all the other ships at Inner Harbor.”

“Okay,” I said, “but what’s that got to do with why these pillows smell funky?”

“Think about it, Lamar. This is a museum. A tourist attraction. How long have you lived in Baltimore?”

I shrugged. “All my life.”

“And in all that time you never took a tour of the ships? Not even when the Taney was here?”

“No. I mean, I knew about them. Knew a little of their history. But I never toured one.”

“Damn. Well, I guess I can’t say anything. All the years I lived in Towson, I never came downtown and visited Edgar Allan Foe’s grave.”

That told me something about him. Towson was the suburbs, way out on the edge of the city. I wondered what had brought Mitch down into Fells Point.

“Were you a fan of Foe’s?” I asked.

“Sure. Read the shit out of him when I was in the ninth grade. My grandfather gave me a big collection of all his stories. My favorite was always “The Narrative of Arthur Gordon Pym.’” He chuckled. “It takes place on a boat, now that I think about it—a ship sailing to the South Pole.”

“So if you dug the man’s work, why not visit his grave?”

“Didn’t feel like getting shot. That’s a bad area of town, isn’t it?”

I shrugged again. “When you actually live down here in the city, all of it’s a bad area, Mitch. That’s just how things are. You get used to it.”

“Yeah,” he said. “I guess I can see that.”

But I knew he’d never really understand it. He couldn’t. He had no frame of reference; only what he’d watched on episodes of Homicide or The Wire. Tasha and Malik knew it, too. They didn’t say anything. Didn’t have to. The expressions on their faces said enough. Mitch was from a different world.

“Well,” Mitch continued, “the Spratling has always been a pretty popular attraction. Not just with tourists, either. They do weddings and stuff onboard, too. So there are a lot of people that have tromped through here over the years. When people come aboard this thing, they want to experience exactly what it was like for the men who served. They’d board via the gangplank, just like we did. Then, the tour guide would take them around above deck and show them everything. Answer all their questions. Then they’d go below, down the original stairways—except on a ship they’re called ladders—just like the crew would. And just like any other museum, there’d be stuff all around on the tour: old photos, the captain’s log, shit like that. And of course, they’d keep the racks made up just as they would have been when the Spratling was still on active duty.”

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