Edward Lee - Quest for Sex, Truth & Reality

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"The three stories in this chapbook are among my favorites of my stuff," Lee says. The stories are the intellectualized b-movie-like "The Seeker" and the Lieberesque "The Goddess of the New Dark Age," plus the potent existential porn piece, "Sex, Truth, & Reality" aka "Pay Me." The latter has never been reprinted, and was originally accepted in the early '80s by HUSTLER magazine, even to the point that Lee's manuscript was copy-edited and sent to the typesetter. "Jut my luck," Lee recalls. "Right before they were going to pay me something like 800 bucks," the fiction editor left the company and the story was rejected by his successor, said HUSTLER was no place for philosophical fiction. It's the only time I'm ever gotten a manuscript returned with copy-edit marks."

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Seek, he thought, and ye shall find.

“Welcome to Crossroads, stranger,” greeted the rube barkeep. The writer mused over the allegorical possibilities of the bar’s name. The keep had a basketball beer belly and teeth that would compel an oral hygienist to consider other career options. “What can I get ya?” he asked.

“Alcohol. Impress me with your mixological prowess, sir.”

Only three others graced these eloquent confines. A sad-faced guy in a white shirt sat beside a short, bosomed redhead. They seemed to be arguing. Closer up sat an absolutely obese woman with long blond hair, drinking dark beer and eating an extra-large pizza. Her weight caused the stool’s legs to visibly bend.

You’re here to seek, the writer reminded himself. So seek.

“May I join you?”

The blonde swallowed, nodding. “You ain’t from around here.”

“No,” the writer said, and sat. Then the keep slapped a shooter down. It was yellow. “House special, stranger.”

It looked like urine. “What is it?”

“We call it the Piss Shooter.”

The writer’s brow rose. “It’s not, uh… piss, is it?”

The keep laughed. “‘Course not! It’s vodka and Galliano.”

The writer sniffed. Smells all right. “Okay, here’s to — what? Ah, yes. Here’s to formalism.” He drank it down.

“Well?”

“Not bad. Very good, actually.” He reached for his wallet.

“Uh-uh, stranger. That there’s a tin roof.”

“What?”

The keep rolled his eyes. “It’s on the house.”

“What’cha want in a dull’s-shit town like this?” inquired the fat blonde, chewing. Her breasts were literally large as human heads. “Ain’t nothin’ around for fifty miles in any direction.”

Isolatus proximus. “I’m a writer,” the writer said. “I travel all over the country. I need to see different things, different people. I need to see life in its different temporal stratas.”

“Stratas,” the fat blonde said, nodding.

“I come to remote towns like this because they’re variegated. They exist separately from the rest of the country’s societal mainstream. Towns like this are more real. I’m a writer, but in a more esoteric sense… I’m…” He thought about this. He thought hard. He lit a cigarette and finished. “I’m a seeker.”

“You’ve got to be shitting me!” the guy in the white shirt shouted to the short red-haired girl. “You’ve slept with FIVE OTHER GUYS this week? Jeeeeesus CHRIST!”

She sipped her Tequila Moonrise reflectively, then corrected, “Sorry. Not five. Six. I forgot about Craig.” She grinned. “His nickname’s Mr. Meat Missile.”

“Jeeeeesus CHRIST!” White shirt exploded.

“He must be in love with her,” the writer remarked.

“He don’t get her pussy off,” the fat blonde said.

The keep was polishing a glass. “What’s that you were sayin’? You’re a seeker?

“Well, that’s an abstraction, of course. What I mean is I’m on a quest. I’m searching for some elusive uncommon denominator to perpetuate my aesthetic ideologies. For a work of fiction to exist within any infrastructure of resolute meaning, its peripheries must reflect certain elements of truth. I don’t mean objective truths. I’m talking about ephemeral things: unconscious impulses, psychological propensities, etc. — the underside of what we think of as the human experience.”

“I’ve never heard such shit in my life!” White Shirt was still yelling at the redhead. “Those other guys don’t love you! I love you!”

The redhead doodled indifferently on a napkin. “But I don’t want to be loved,” she said. Then she grinned as intensely as an indian devil mask. “I just want to be fucked.”

Jeeeeeeesus Chriiiiiiiiiiiiist!”

“You gotta tune ’em out,” advised the fat blonde, now halfway done with the pizza and starting her third dark beer. Grease glossed her lips and chin.

“The seeker,” said the keep. “I like that.”

“But what exactly do you write about?” asked the blonde.

What I write about isn’t the point, it’s how I write about it.” And then, with no warning, the thought returned: How powerful is the power of truth? The writer smoked his cigarette deep. “Honesty is the vehicle of my aesthete. The truth of fiction can only exist in its bare words. Pardon my obtuseness, but it’s the mode, the application of the vision which must transcend the overall tangibilities. Prose mechanics, I mean — the structural manipulation of syntactical nomenclatures in order to affect particularized transpositions of imagery.”

“Oh,” said the fat blonde. “I thought you meant, like, fucking’n shit like that.”

The writer frowned.

He swigged another Piss Shooter, another tin roof. The fat blonde’s pizza lay thick with extra cheese, anchovies, and big chunks of sausage beneath a sheen of grease. Her stomach made fish tank noises as she voraciously ate and drank.

“Why, why, why?” White Shirt looked close to tears, or a schizoaffective episode, staring at the redhead. “At least tell me why I’m not good enough anymore?”

“You don’t want to know,” she nonchalantly replied.

White Shirt hopped off his stool to stalk around her. Anger made his face appear corrugated. “Go ahead! Tell me! Spit it out! I WANT TO KNOW!”

The redhead shrugged. “Your dick’s not big enough.”

Oh, dear, thought the writer.

White Shirt’s low moan issued out like that of a just-gelded walrus. He stumbled away crosseyed, and staggered out of the bar.

The keep and fat blonde ignored the outburst. The redhead looked at the writer, smiled, and said, “Hey, he wanted the truth, so I gave it to him.”

Truth, thought the writer. Suddenly, he felt empty, desolate.

“But if you’re a seeker,” posed the keep, “What’cha seekin’?”

“Ah, the universal question.” The writer raised a finger, as if to preamble a scintillating wisdom. “And the answer is this. The true seeker never knows what he’s seeking until he finds it.”

The fat blonde’s wet eating noises ceased; she’d finished the entire pizza. “Here’s something for you to write about,” she said. She leaned over and kissed the writer on the mouth.

Her lips tasted of grease and cheese. But actually the kiss inspired him. Her mouth opened and closed over his, tongue probing unabashed. The writer found himself growing aroused. Truth, he thought frivolously. Ephemeral reality. This was it, wasn’t it? Spontaneous human interface, inexplicably complex yet baldly simple. Synaptic and chemical impulses of the brain meshed with someone’s lifetime of learned behavior. It was these simple truths that he lived for. They nourished him. Human truth is my sustenance, he thought, and remembered the voice he’d heard. Yes, sustenance.

The fat blonde’s kiss grew ravenous. Then—

urrrrrrp

She threw up directly into the writer’s mouth.

It had come in a single, heaving gust. He tasted everything: warm beer, lumps of half digested sausage and pizza dough, and bile — lots of bile. Utter disgust bulged his eyes and seized his joints. Then came a second, and larger, gust, which she projected right into his lap.

The writer fell off his stool.

“There,” said the blonde. “Write about that.”

“Ooooo-eee!” remarked the keep. “That one was a doozy, huh?”

The writer, flat on his back and in shock, could only groan, staring up. The heavy, hot blanket of vomit lay thick from chin to crotch; it oozed down his legs slow as lava when he got up. He spat immediately, of course, and incessantly, and out flew several chunks of sausage and strings of flecked slime. Almost blind, he staggered for the door.

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