What is in the casket that everyone is so afraid of? What is the tragic secret of the veiled Red Countess who travels with them? Why is their fellow passenger the army brigadier so feared by his own men? And what exactly is the devilish secret of the Arkangel itself?
Bizarre creatures, satanic rites, terrified passengers and the romance of travelling by train, all in a classically styled horror novel.
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‘Loss of Separation’ by Conrad Williams
Pilot Paul Roan is in command of a Boeing 777 involved in a near miss. Nerves shot, he opts for a new life running a B&B in a coastal village with his girlfriend, Tamara. Not long after they arrive, Paul is involved in a serious accident.
Emerging six months later from a coma, Paul discovers that Tamara is gone and a child killer is haunting the beaches. The villagers, appalled by Paul’s cheating of death, treat him as a sin-eater. They bring him items to dispose of, secrets far too awful to deal with themselves. At least he has local nurse, Ruth, to look after him. And Amy, a damaged soul with a special gift. She befriends Paul and together they unearth clues that might explain the shocking history of the village, and suggest the murders are anything but.
Meanwhile, Paul begins to suspect there is more to Tamara’s disappeareance than meets the eye…
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Gary McMahon’s fiction has appeared in magazines and anthologies in the UK and US and has been reprinted in both The Mammoth Book of Best New Horror and The Year’s Best Fantasy and Horror . He is the British-Fantasy-Award-nominated author of Rough Cut , All Your Gods Are Dead , Dirty Prayers , How to Make Monsters , Rain Dogs , Different Skins , Pieces of Midnight , The Harm , Hungry Hearts , and has edited an anthology of original novelettes titled We Fade to Grey .
His most recent novel is Pretty Little Dead Things from Angry Robot Books.
Author website: www.garymcmahon.com
“ The Concrete Grove is a tense, ghoulish, creeping horror guaranteed to give you recurring nightmares! Brilliant characterisation, economic prose and with genius control of building tension, the climax of The Concrete Grove will leave you reeling! There’s a new wave of brilliant horror writers — and McMahon’s right there at the top of them.”
— Andy Remic, author of
Kell’s Legend
“Gary McMahon is one of the finest of a new breed of horror writers. His work combines spare, elegant writing with an acute sense of the growing desperation felt by those having to deal with the crime and crumbling infrastructure of our urban centers. Illuminating these themes with a visionary’s sense of the supernatural makes The Concrete Grove one exciting read.”
— Steve Rasnic Tem, author of
Deadfall Hotel
“Gary McMahon is a spellbinding storyteller. The Concrete Grove is as feverish and unnerving as it is gripping: a bleak orchard of humanity where you hardly dare to look at what dark things hang gleaming and winking in the branches of the trees.”
— Graham Joyce, author of
The Silent Land
“ The Concrete Grove is an outstanding mix of urban horror and dark fantasy, hints of King’s The Dark Tower series, hints of Holdstock’s pagan fantasy but above all the realisation of McMahon’s talents as the outstanding British horror writer of our times.”
— The Black Abyss
First published 2012 by Solaris
an imprint of Rebellion Publishing Ltd,
Riverside House, Osney Mead,
Oxford, OX2 0ES, UK
www.solarisbooks.com
ISBN: (epub) 978-1-84997-351-9
ISBN: (mobi) 978-1-84997-352-6
Copyright © Gary McMahon 2012
Cover Art by Vincent Chong
Map by Gary McMahon and Pye Parr
The right of the author to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of he copyright owners.
This is a work of fiction. All the characters and events portrayed in this book are fictional, and any resemblance to real people or incidents is purely coincidental.