Elizabeth Hand - Black Light

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Black Light: краткое содержание, описание и аннотация

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One of Elizabeth Hand’s most critically acclaimed novels,
reveals a vision of ancient cults, gods, and fetishes—and a world where everyone loves an apocalyptic party
Lit Moylan lives what she thinks is an ordinary life. Sure, her town has a few eccentric theater types, but that’s all. That is until her Warholian godfather, Axel Kern, moves into the big house on the hill. He throws infamously depraved parties, full of drinks, drugs, and sex. But they also have a much more sinister purpose. At one of these parties, Lit touches a statue, and learns she has much more of a role to play in this world than she ever thought possible.
Ornate and decadent,
visits an irresistible world of ancient gods and secret societies as enthralling as it is dangerous.
This ebook features an illustrated biography of Elizabeth Hand including rare images and never-before-seen documents from the author’s personal collection.
The privileged daughter of famous television actors, Charlotte, “Lit,” Moylan is ready to enjoy one last wild fling before college and adulthood. In fact, the whole idyllic hamlet of Kamensic, New York, is ready to party, for legendary avant-garde film director—and Lit’s godfather—Alex Kern is coming back to reopen his fabulous mansion, Bolerium. But it won’t be just any party. It’ll be the event of all time.
The whole town is invited, young and old, famous and obscure. But other, more disturbing guests are arriving, too—seen at the edges of the forest, at the margins of the night. Kern’s connections extend far beyond Hollywood, beyond even the modern age… and in Bolerium’s echoing halls a fearsome confrontation is gathering, between ancient powers of the darkness and those sworn to stop them at any cost, no matter what—or who—the sacrifice… even an innocent girl.
Hand does for upstate New York what Stephen King has done for rural Maine in this well-written but decidedly creepy dark fantasy about a Bohemian bedroom community and artists’ colony located about an hour from Manhattan by train. Seventeen-year-old Charlotte “Lit” Moylan, the daughter of two successful but second-rate TV actors, has never thought much about the oddities of her home town of KamensicAthe strangely decorated Congregational Church, for example, or the community’s unusual Halloween tradition, or the high number of suicides among the area’s younger citizens. Although she looks forward to going away to college next year, she’s basically content with her life. Then Kamensic’s most notorious citizen returns to his roots. Alex Kern, the successful avant-garde film director, brings with him a reputation for scandalous, extravagant and decadent parties, replete with perverse sexuality and heavy drug use. His mazelike mansion, Bolerium, sits on the hill overlooking Kamensic like some dangerous predatory beast. Eventually Lit and, indeed, everyone in town receives an invitation to a party, a gala event that, Hand hints, may be nothing less than a prelude to the Apocalypse. Something of a latter-day Aubrey Beardsley in prose, Hand has a talent for portraying forbidding millennial settings brimming with perverse antiheroes, suffering innocents and sadistic demigods. This book, although not quite the equal of her last two novels, Waking the Moon and Glimmering, should strongly appeal to aficionados of sophisticated horror.
Copyright 1999 Reed Business Information, Inc.
Amazon.com Review
From
Although Charlotte Moylan thinks she lives a rather ordinary and oftentimes dull life, the reality is far different. Her father is best known as the famous TV personality Uncle Cosmo, and her mother is a 20-year veteran of the daytime drama
. They live in the New York community of Kamensic, an artistic enclave where the church is rarely used for religious ceremonies and where death is an “occupational hazard” for the young. The town is also home to Bolerium, a dark manor of indeterminate origin where the enigmatic and somewhat sinister film director Axel Kern lives when he’s not making movies.
Axel is Charlotte’s godfather, but he’s one guardian who may not be looking out for her best interests. Aside from making questionable films, Axel is also in cahoots with the old gods, and is interested in bringing a couple of them along with him to Kamensic. This puts the town—and Charlotte—at the center of an age-old struggle between two Illuminati-style groups, the more-or-less benign Benandanti (seen in Hand’s Tiptree Award-winning
) and their rivals, the Malandanti witches. As has become Hand’s modus operandi, she tells this story with a luxurious prose that’s at once beautiful and also somehow intellectually decadent. Although the book may be a bit slow-paced for some, those who enjoy a smart novel that’s rich in style and substance won’t want to miss it. —Craig E. Engler

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“Oh—!”

I shrieked and backed up against the inner wall. On the floor beneath the window lay a twisted piece of wreckage. It stirred wildly in the wind, and at first I thought it was alive, struggling amidst the glitter of rain and broken glass. But then I saw it was a branch, ten or twelve feet long, rain-blackened and so thick with lichen it resembled a piece of coral dredged up from the sea. I stared at it, then stood on tiptoe to peer through the shattered dormer.

There were no trees. Far, far below, Bolerium’s ragged lawns gave way to the black swathe of old-growth forest. Oaks and hemlocks tossed angrily in the wind, and skeins of dead leaves like a net thrown up against the sky.

But between here and the first trunks rearing up from the mountainside was a good quarter-mile. There was no way any branch could be hurled such a distance, not with enough force to reach Bolerium’s upper stories. I stepped back and nudged the tree-limb with my boot. A slab of bark fell to the floor, revealing a soft white pith like marrow. I stooped to examine it more closely when the dormer above me shook. There was a dull roar, a violet flash that left skeletal afterimages burning in the air around me. Something bit at my neck. I clapped my hand there, saw my fingers gloved in red. Glass and wood flew everywhere; acorns rattled down like hail. The window’s lead muntins buckled as a massive branch ripped through them. With a cry I fled, stumbling blindly until I found the door just past the window—an arched wooden door made from a single board, furrowed with dry-rot and scabs of grayish moss.

But there was no knob, no handle; nothing that would serve as a means of opening it. Behind me echoed the steady crash of glass, and worse. When I glanced back, I saw tree-limbs thrusting through the ruined dormer. The corridor was impassable, a black thicket of glass and broken tree-limbs; but when I looked desperately in the other direction I saw only darkness, with not even a seam of light to show where I might escape. The wind rose to a howl, the wall of tree-limbs shook as though something moved within them—

And then it seemed that something did move there. Something black, its head crowned by spars of lightning, its forelimbs jagged as the dead branches. I could hear it breathing and measure its approach by the sound of glass and wood splintering beneath its tread. Frantically I pounded at the door, kicked and pushed until with a grinding sound it gave way. An explosion of rotten wood, and there was a hole big enough for me to pass through. I forced my way in, the splintered panels scraping my arms. Cold air rushed by, the floor felt rough but I saw nothing save the pall of dust swirling around me. Only when I straightened, wiping grit from my eyes and coughing, did I see where I was.

“Jesus…”

I stood upon a vast plain, a dead white sky burning overhead and stands of birches scattered everywhere like standing stones. Wind beat relentlessly against me, a wind that had beaten down the trees as well—they all grew leaning in the same direction, branches rippling as though trapped in a dark current. Tiny midges swarmed everywhere, evil things with rust-colored wings and red eyes. I slapped at them but it did no good. They bit at my flesh and clustered so persistently around my face that I began to run, half-crazed.

“Get away, get away !” I could scarcely hear my own voice for the wind. I stumbled on, my boots crushing the undergrowth; then stepped into a hole and fell, wrenching my ankle. “Ow—”

Underfoot was a springy mat of moss and some coarse shrubby plant, clouds of lichen and small gray stones. The midges were even worse down here, but I refused to get up. I was bleeding from scores of tiny cuts, my dress torn and blotched with dirt. I felt numb, no longer frightened but completely blank, as though I’d just come out of some beer-stoked blackout. I lay there as the midges crawled across my hands, watching as crimson beads welled up behind them and the insects lifted back into the air. The wind wailed, my fingers grew white with cold. I knew I could freeze to death but I didn’t care. I buried my face in my arms and cried, wishing I were home in bed; wishing I were asleep, or dead: anything but here.

I must have fallen asleep then, and dreamed. Not a dream of home, or even of Bolerium’s damned chambers, but a dream in which the wind became the sound of my own name.

“Lit…Lit…Lit…”

I was dimly aware of the cold and thorny underbrush, the ripple of insects across my face. But gradually the voice became as irrevocable as those other things, persistent as water falling on my face. I stirred, blinking painfully. Dried blood adhered to my eyelids; when I licked my lips they felt cracked and raw.

“Lit.”

I lifted my head. Overhead the sky had gone from deathly white to a violet dark and rich as claret. The horizon was slashed with red so brilliant I had to shade my eyes. It took me a full minute to make out anything in the unearthly light.

“Lit…”

A figure was moving across the plain. I whimpered, thinking of shadows taking shape within fallen trees; but as the figure drew nearer I saw that it was not some awful spectre but a man in an ultramarine suit jacket, his long hair a bright corona around his face. He had his hands in his pockets, and walked matter-of-factly to where I had fallen, as though this were the most normal thing in the world.

“Hey,” he said, and stopped. For a moment he stood looking down at me, face glowing in the carnival light. His expression was tender, tinged with what might have been regret or just exhaustion. A halo of midges formed around his face. He waved his hand absently; the insects flashed bright as embers, then in a burst of white ash disappeared. “Are you all right, Lit?”

He crouched in front of me, smoothing the hair from my face, ran a finger along my eyelid and winced. “You’re hurt,” he said. “Come on—”

I held my breath, fighting tears; then nodded and let him help me to my feet. My fingers and toes throbbed, but Ralph seemed immune to the cold. He shrugged out of his jacket and I put it on, its warmth enveloping me as though it had been a down parka.

“B-b-b-but you’ll f-f-freeze,” I protested.

Ralph laughed. “Neither rain nor snow nor hellfire can touch me, kiddo.” He lay one hand against my cheek, and yes, it was warm—not merely warm but hot.

“H-h-how—”

“Something I learned at college. Feel better? Yeah? Think you can walk? I want to show you something…”

We walked, me huddled in his jacket, Ralph with one arm slung over my shoulder. Reindeer moss crackled beneath our feet, and while the midges buzzed everywhere, they now stayed away from us.

“Where is this place?” I asked when several minutes had passed.

“The Land of the Dead.” Ralph’s voice was flat, his arm around me the only comforting thing in that vastness. “The charred forest. The taiga—”

He extended his free arm, indicating the endless steppe, bowed birch trees like the ribs of fallen giants and lichen covering the earth like mist. The wind was a wall crashing down; the sunset the world behind the wall, nightmarish yet inescapable. There were no stars, no moon. A few yards in front of us stood a single large birch tree, its bark tinged pink from the sunset, its leaves blade-shaped and yellow as buttercups. Behind it the sky glowed like a furnace, black edged with purple, the horizon riven with crimson and a single brilliant ribbon of gold that spewed from the earth like a flame. It was so beautiful it made me shiver; but it was a beauty composed mostly of terror. I could imagine no people living there, nor even animals; nothing save those bloodthirsty midges.

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