Anne Rice - Merrick

I could never quite take for granted the lush flowers of New Orleans.

Indeed, they filled me with happiness whenever I stopped to really look at them and to surrender to their fragrance, as though I still had the right to do so, as though I still were part of nature, as though I were still a mortal man.

Louis was carefully and thoughtfully dressed, as he had been the night before. He wore a black linen suit of exquisite cut around the waist and the hips, an unusual thing with linen, and another pristine white shirt and dark silk tie. His hair was the usual mass of waves and curls, and his green eyes were uncommonly bright.

He had fed already this evening, it was plain. And his pale skin was once more suffused with the carnal color of blood.

I wondered at all this seductive attention to detail, but I liked it. It seemed to betoken some sort of inner peace, this fastidious dressing, or at least the cessation of inner despair.

"Sit down there on the couch, if you will," I said.

I took the chair which had been his last night.

The little parlor surrounded us with its antique glass lamps, the vivid red of its Kirman carpet, and the glinting polish of its floor. I was vaguely aware of its fine French paintings. It seemed the smallest details were a solace.

It struck me that this was the very room in which Claudia had tried to murder Lestat well over a century ago. But Lestat himself had recently reclaimed this space, and for several years we were wont to gather here, and so it did not seem to matter so very much.

Quite suddenly I realized that I had to tell Louis that Merrick had gone to England. I had to tell him that which made me most uncomfortable, that the Talamasca, in the 18oos, had gathered his possessions from the Hotel Saint-Gabriel in Paris, which he himself had abandoned, as he'd described last night.

"You knew of our presence in Paris?" he asked. I saw the blood flash in his cheeks.

I reflected for a long moment before answering.

"We didn't really know," I said. "Oh, we knew of the Theaeatre des Vampires, yes, and we knew that the players weren't human. As for you and Claudia, it was more or less the supposition of a lone investigator that you were connected. And when you abandoned everything in your hotel, when you were seen leaving Paris one evening in the company of another vampire, we moved in cautiously to purchase all that you'd left behind."

He accepted this quietly. Then he spoke up.

"Why did you never try to harm or expose the vampires of the theater?" he asked.

"We would have been laughed at if we'd tried to expose them," I said. "Besides, that is simply not what we do. Louis, we've never really talked of the Talamasca. For me, it's like speaking of a country to which I've become a traitor. But surely you must understand, the Talamasca watches, truly watches, and counts its own survival over the centuries as its primary goal."

There was a brief pause. His face was composed and appeared only a little sad.

"So Claudia's clothing, well, Merrick will have it when she returns."

"Insofar as we took ownership of it, yes. I myself am not certain what's in the vault." I stopped. I had once brought Lestat a present from the vault. But I'd been a man then. I could not conceive of trying to rob the Talamasca of anything just now.

"I've often wondered about those archives," Louis said. Then again in the most tender voice: "I've never wanted to ask. It's Claudia I want to see, not those things which we left behind."

"I understand your meaning."

"But it counts for magic, doesn't it?" he asked.

"Yes. You'll understand that better perhaps when I tell you about Merrick."

"What do you want me to know about Merrick?" he asked earnestly. "I'm eager to hear it. You told me last night about your first meeting. You told me how she'd showed you the daguerreotypes—."

"Yes, that was the very first encounter. But there is much, much more. Remember what I said last night. Merrick is a magician of sorts, a witch, a veritable Medea, and we can be as overwhelmed by magic as any earthly creature can."

"My desires are singular and pure," Louis said. "I only want to see Claudia's ghost."

I couldn't help but smile. I think I wounded him. I was immediately sorry.

"Surely you must recognize some danger is opening the way to the supernatural," I insisted. "But let me tell you what I know of Merrick, what I feel I can tell."

I began to recount to him my recollections in order.

Only a few days after Merrick had come to Oak Haven, some twenty years ago, Aaron and I had set out with Merrick to drive to New Orleans and to visit Merrick's Great Nananne.

My memories were vivid.

The last cool days of spring had passed and we were plunged into a hot and damp weather, which, loving the tropics as I did, and do, had been very pleasing to me. I had no regrets about having left London at all.

Merrick still had not revealed to us the day of Great Nananne's death as it had been confided to her by the old woman. And Aaron, though he'd been the personage in the dream who gave the fatal date to Great Nananne, had no knowledge whatever of this dream.

Though Aaron had prepared me for the old section of New Orleans to which we were going, I had nevertheless been astonished to see the neighborhood of tumbledown houses of all different sizes and styles, steeped in its overgrown oleander, which bloomed profusely in the moist heat, and most surprised of all to come upon the old raised cottage of a house which belonged to Great Nananne.

The day, as I've said, was close and warm, with violent and sudden showers of rain, and though I have been a vampire now for five years, I can vividly remember the sunshine coming through the rain to strike the narrow broken pavements, and everywhere the weeds rising out of gutters which were in fact no more than open ditches, and the snarls of oak and rain tree, and cottonwood, which sprang up all around us as we made our way to the residence which Merrick was now to leave behind.

At last we came to a high iron picket fence, and a house much larger than those around it, and of much earlier date.

It was one of those Louisiana houses which stands upon brick foundation post pillars of about five feet in height, with a central wooden stair rising to its front porch. A row of simple square pillars held up its Greek Revival porch roof, and the central door was not unlike the grander doors of Oak Haven in that it had a small fanlight intact above.

Long windows went from floor to ceiling on the front of the house, but these were all pasted over with newspaper, which made the house look derelict and uninhabited. The yew trees, stretching their scrawny limbs to Heaven on either side of the front porch, added a note of grimness, and the front hall into which we entered was empty and shadowy, though it went clear through to an open door at the back. There were no stairs to the attic, and an attic there must have been, I conjectured, for the main body of the house had a deeply pitched roof. Beyond that rear open door all was tangled and green.

The house was three rooms in depth from front to back, giving it six rooms in all on the main floor, and in the first of these, to the left of the hallway, we found Great Nananne, under a layer of handsewn quilts in an old plantation four-poster, without a canopy, of simple mahogany design. I say plantation bed when I refer to this species of furniture because the pieces are so huge, and so often crammed into small city rooms that one immediately envisions more space in the country for which this kind of furnishing must have been designed. Also, the mahogany posts, though artfully tapered, were otherwise plain.

As I looked at the little woman, dried-up upon the heavily stained pillow, her frame completely invisible beneath the worn quilts, I thought for a moment she was dead.