Stephen King - A Good Marriage

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A Good Marriage: краткое содержание, описание и аннотация

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Now a major motion picture, Stephen King’s brilliant and terrifying story of a marriage with truly deadly secrets.
Darcy Anderson’s husband of more than twenty years is away on one of his routine business trips when the unsuspecting Darcy looks for batteries in the garage. Her toe knocks up against a hidden box under a worktable and in it she discovers a trove of horrific evidence that her husband is two men—one, the benign father of her children, the other, a raging rapist and murderer. It’s a horrifying discovery, rendered with bristling intensity, and it definitively ends “A Good Marriage.”
Stephen King is the author of more than fifty books, all of them worldwide bestsellers. His recent work includes
and
, now a major TV miniseries on CBS. His novel
was named a top ten book of 2011 by
and won the
Book Prize for Mystery/Thriller as well as the Best Hardcover Book Award from the International Thriller Writers Association. He is the recipient of the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King. About the Author

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My son made no reply to this, but what I could see of his shadowed face made the Conniving Man rejoice.

She turned to Henry, grasped his arm, and spilled wine on his wrist. Ignoring his little mew of distaste, looking into his face with sudden grimness, she said: “Just make sure that when you’re lying down with her in the corn or behind the barn, you’re a no -poke.” She made her free hand into a fist, poked out the middle finger, then used it to tap a circle around her crotch: left thigh, right thigh, right belly, navel, left belly, back again to the left thigh. “Explore all you like, and rub around it with your Johnny Mac until he feels good and spits up, but stay out of the home place lest you find yourself locked in for life, just like your mummer and daddy.”

He got up and left, still without a word, and I don’t blame him. Even for Arlette, this was a performance of extreme vulgarity. He must have seen her change before his eyes from his mother—a difficult woman but sometimes loving—to a smelly whorehouse madam instructing a green young customer. All bad enough, but he was sweet on the Cotterie girl, and that made it worse. Very young men cannot help but put their first loves on pedestals, and should someone come along and spit on the paragon… even if it happens to be one’s mother…

Faintly, I heard his door slam. And faint but audible sobbing.

“You’ve hurt his feelings,” I said.

She expressed the opinion that feelings, like fairness, were also the last resort of weaklings. Then she held out her glass. I filled it, knowing she would remember none of what she’d said in the morning (always supposing she was still there to greet the morning), and would deny it—vehemently—if I told her. I had seen her in this state of drunkenness before, but not for years.

We finished the second bottle ( she did) and half of the third before her chin dropped onto her wine-stained bosom and she began to snore. Coming through her thus constricted throat, those snores sounded like the growling of an ill-tempered dog.

I put my arm around her shoulders, hooked my hand into her armpit, and hauled her to her feet. She muttered protests and slapped weakly at me with one stinking hand. “Lea’ me ’lone. Want to go to slee’.”

“And you will,” I said. “But in your bed, not out here on the porch.”

I led her—stumbling and snoring, one eye shut and the other open in a bleary glare—across the sitting room. Henry’s door opened. He stood in it, his face expressionless and much older than his years. He nodded at me. Just one single dip of the head, but it told me all I needed to know.

I got her on the bed, took off her shoes, and left her there to snore with her legs spread and one hand dangling off the mattress. I went back into the sitting room and found Henry standing beside the radio Arlette had hounded me into buying the year before.

“She can’t say those things about Shannon,” he whispered.

“But she will,” I said. “It’s how she is, how the Lord made her.”

“And she can’t take me away from Shannon.”

“She’ll do that, too,” I said. “If we let her.”

“Couldn’t you… Poppa, couldn’t you get your own lawyer?”

“Do you think any lawyer whose services I could buy with the little bit of money I have in the bank could stand up to the lawyers Farrington would throw at us? They swing weight in Hemingford County; I swing nothing but a sickle when I want to cut hay. They want that 100 acres and she means for them to have it. This is the only way, but you have to help me. Will you?”

For a long time he said nothing. He lowered his head, and I could see tears dropping from his eyes to the hooked rug. Then he whispered, “Yes. But if I have to watch it… I’m not sure I can…”

“There’s a way you can help and still not have to watch. Go into the shed and fetch a burlap sack.”

He did as I asked. I went into the kitchen and got her sharpest butcher knife. When he came back with the sack and saw it, his face paled. “Does it have to be that ? Can’t you… with a pillow…”

“It would be too slow and too painful,” I said. “She’d struggle.” He accepted that as if I had killed a dozen women before my wife and thus knew. But I didn’t. All I knew was that in all my half-plans—my daydreams of being rid of her, in other words—I had always seen the knife I now held in my hand. And so the knife it would be. The knife or nothing.

We stood there in the glow of the kerosene lamps—there’d be no electricity except for generators in Hemingford Home until 1928—looking at each other, the great night-silence that exists out there in the middle of things broken only by the unlovely sound of her snores. Yet there was a third presence in that room: her ineluctable will, which existed separate of the woman herself (I thought I sensed it then; these 8 years later I am sure). This is a ghost story, but the ghost was there even before the woman it belonged to died.

“All right, Poppa. We’ll… we’ll send her to Heaven.” Henry’s face brightened at the thought. How hideous that seems to me now, especially when I think of how he finished up.

“It will be quick,” I said. Man and boy I’ve slit nine-score hogs’ throats, and I thought it would be. But I was wrong.

* * *

Let it be told quickly. On the nights when I can’t sleep—and there are many—it plays over and over again, every thrash and cough and drop of blood in exquisite slowness, so let it be told quickly.

We went into the bedroom, me in the lead with the butcher knife in my hand, my son with the burlap sack. We went on tiptoe, but we could have come in clashing cymbals without waking her up. I motioned Henry to stand to my right, by her head. Now we could hear the Big Ben alarm clock ticking on her nightstand as well as her snores, and a curious thought came to me: we were like physicians attending the deathbed of an important patient. But I think physicians at deathbeds do not as a rule tremble with guilt and fear.

Please let there not be too much blood, I thought. Let the bag catch it. Even better, let him cry off now, at the last minute.

But he didn’t. Perhaps he thought I’d hate him if he did; perhaps he had resigned her to Heaven; perhaps he was remembering that obscene middle finger, poking a circle around her crotch. I don’t know. I only know he whispered, “Good-bye, Mama,” and drew the bag down over her head.

She snorted and tried to twist away. I had meant to reach under the bag to do my business, but he had to push down tightly on it to hold her, and I couldn’t. I saw her nose making a shape like a shark’s fin in the burlap. I saw the look of panic dawning on his face, too, and knew he wouldn’t hold on for long.

I put one knee on the bed and one hand on her shoulder. Then I slashed through the burlap and the throat beneath. She screamed and began to thrash in earnest. Blood welled through the slit in the burlap. Her hands came up and beat the air. Henry stumbled away from the bed with a screech. I tried to hold her. She pulled at the gushing bag with her hands and I slashed at them, cutting three of her fingers to the bone. She shrieked again—a sound as thin and sharp as a sliver of ice—and the hand fell away to twitch on the counterpane. I slashed another bleeding slit in the burlap, and another, and another. Five cuts in all I made before she pushed me away with her unwounded hand and then tore the burlap sack up from her face. She couldn’t get it all the way off her head—it caught in her hair—and so she wore it like a snood.

I had cut her throat with the first two slashes, the first time deep enough to show the gristle of her wind-pipe. With the last two I had carved her cheek and her mouth, the latter so deeply that she wore a clown’s grin. It stretched all the way to her ears and showed her teeth. She let loose a gutteral, choked roar, the sound a lion might make at feeding-time. Blood flew from her throat all the way to the foot of the counterpane. I remember thinking it looked like the wine when she held her glass up to the last of the daylight.

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