Koji Suzuki - Edge

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Edge: краткое содержание, описание и аннотация

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Edge Koji Suzuki returns to the genre he’s most famous for after many years of “not wanting to write any more horror.” As expected from Suzuki, the chills are of a more cerebral, psychological sort, arguably more unsettling and scary than the slice-and-dice gore fests that horror has become known in the U.S. Never content to simply do “Suzuki” — as it were — but rather push the envelope on what…

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“I see. But couldn’t it be possible that one or two of the family members could already have been missing at that point?” Hashiba pressed.

“It’s possible. But it’s hard to imagine that anything abnormal was going on at that point based on the impression Haruko’s friend had when she called.”

“What did they talk about?” Oki asked.

“Haruko and her friend, you mean?”

“Yes.”

“The two of them were friends from high school, and a mutual friend was returning to Japan from the U.S., so they discussed the three of them getting together for a drink.”

“When was their friend going to return to Japan?”

“January 24th.”

“Two days after the family’s disappearance. It’s hard to imagine someone disappearing of their own volition the same night she’d made plans to go drinking with friends two days later,” Hashiba murmured, seemingly to himself. He had a habit of tapping the tip of his ballpoint pen against his notepad while he thought.

“That’s right. At least, I couldn’t uncover a single reason why Haruko would want to disappear,” Saeko confirmed.

“All right. Now, can you tell us how you know the family had gone missing by 7 a.m. the next morning?” Oki prompted, bringing them back to the timeframe issue.

“Another phone call. Haruko’s older sister Junko called at that hour, and there was no answer. Normally, someone would definitely have been home to answer the phone on a weekday morning at seven. Kota left for work at nine-thirty, the children left for school just a little before eight, and Haruko left for work earliest, at seven-thirty.”

“Who was the first person to notice that something unusual was going on with the Fujimuras?”

“Keisuke’s homeroom teacher at Takato Junior High.”

“Because he didn’t show up at school?”

“Right. The teacher called the Fujimuras immediately, but there was no answer. Given that Haruko was a fellow teacher, Keisuke’s teacher obtained her contact details through a mutual friend and tried her workplace, but her coworkers informed him that she hadn’t shown up. That afternoon, the teacher called a relative of the Fujimuras and explained the circumstances.”

“And who was the first person to check their home?”

“Junko, Haruko’s older sister.”

“The woman who had phoned that morning.”

“Yes.”

“And what did Junko find?”

“Basically, the house looked as if the Fujimuras had just popped out momentarily and then never returned.” Saeko stopped here, and she somehow felt compelled to look each of the six men in the face.

But how could that be? their eyes seemed to say.

“Specifically, what did she find?” Kagayama asked, speaking up for the first time. The whole group was listening intently, but Kagayama alone betrayed a hint of fear in his expression.

“It was like any other day at the Fujimura house. The bathtub was full of water … Of course, it was cold by the time they found it. But there were signs that the children had already bathed; they may have been in their pajamas when they disappeared. In the kitchen, the dishes had been washed, and on the living room table there were two tea cups with tea still in them, plus an empty beer can next to a glass still half-full of beer. There were a few tissues and a banana peel in the wastebasket, and the radio was on in one of the children’s rooms.”

“And the lights?”

“They were on.”

“Did Junko go in through the front door?”

“No. It was locked, so she went around the back and came in through the kitchen.”

“I see. And she discovered the house looking as if everything was wrapped up for the day and the family was ready for bed, hmm? Yet, for some reason, the family was gone. Tell me, Ms. Kuriyama, what was the first explanation that came to mind? Did you have any theories as to how the Fujimuras vanished?”

“I went through the standard scenarios and ruled them out one by one. As I noted in my report, the majority of missing persons incidents in Japan involve debt. So that was the first possibility I examined. There are innumerable examples in which the missing party gave the appearance of leading a perfectly stable life despite actually being deeply in debt.”

“So you looked into their finances.”

“Thorougly.”

“And there was no debt?”

“Let me give you the specific numbers. Their bank accounts held 25 million yen in Kota’s name and 9.5 million in Haruko’s. The children aside, that’s a total of almost 35 million yen. On top of that, their house was all paid off — no mortgage. The only thing they owed was their auto loan, with a balance of less than a million yen. The Fujimuras owned other real estate as well, but it wasn’t under mortgage either. In other words, the family was essentially debt-free, with nearly 35 million yen in the bank. And not a drop of that money has been withdrawn since they’ve gone missing.”

“In other words, we can rule out debt as the reason for their disappearance.”

“Right. It’s just not possible.”

With specific numbers provided, the group had to agree with Saeko’s conclusion. The Fujimuras definitely hadn’t run off in the night to escape their debtors.

“So what does that leave?”

“Beyond debt, the next most likely possibility is a crime of passion. Kota was clean as a whistle, with no shadow of any rumors of adultery. He was never very social and he didn’t have a lot of friends. Haruko, on the other hand, was a very attractive woman, and there was some talk of a possible relationship between her and another man.”

“Ah-ha! Did the husband know?” Oki asked quickly. He seemed to be already imagining the set-up: husband learns of wife’s affair and in a blind rage kills his family before taking his own life. Naturally, Saeko had entertained the same possibility.

“I looked into it, but it seems the rumors about Haruko hadn’t reached Kota. They were baseless to begin with and never went any further than Haruko’s workplace. For that reason, the jealous husband scenario doesn’t seem like a possibility, either.”

In a sweeping motion, Oki the producer reclined in his seat and leaned back all the way. “Mm-hmm. So I guess that only leaves one possibility.”

“Abduction, you mean?”

“Yes. What’s your take?”

“I think the possibility of a foreign government being involved is slim, but the most likely remaining explanation is that they were abducted.”

“Ah-ha!” Oki’s reaction seemed vaguely excited as he sat back up in his chair, leaning forwards across the table.

“Nothing else fits. The chances that a group of criminals broke into the Fujimuras’ home and kidnapped them is basically nil. There was no evidence whatsoever of a struggle. The family’s car is still parked in their garage, so we know they didn’t go for a drive and get into an accident. The only possible explanation is that someone very close to the Fujimuras lured the whole family out of the house and that they were taken away in a van or similar vehicle.”

“I see. Does anyone else have any ideas?” Oki turned to the other members of the group.

“Well, perhaps we should consider the possibility of a UFO abduction,” suggested writer Satoyama with a wide-eyed expression. Immediately the tension in the room slackened, and a few members of the group let out guffaws. Saeko wasn’t sure whether Satoyama was kidding or not. He looked like a typical occult-obsessed reclusive type, and it seemed possible that he genuinely believed aliens might be involved.

Saeko smiled and refrained from commenting. Then she revealed the hypothesis she’d left out of her report.

“Between you and me, when I began my investigation, I suspected Koji’s older brother Seiji.” Without clear evidence, Saeko could have been sued for slander if she’d publicly implicated a specific individual in her report. It wasn’t the sort of thing a writer could publish without any proof.

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