Gravity snatched it away.
Maggie grabbed the next — it was warm in her hands, wriggling — and she turned on the spot to throw it harder, farther. “Fly!” she said, and watched it drop.
The crash of the first one landing was followed by the wailing repetition of a car alarm. She didn’t hear the second one.
Maggie put her hands on the third sibling, pinning its wings, and raised it to chest height. It snapped at her breasts and her head so she held it straight-armed and turned her face away from its beak. She walked it to the wall and let it go.
“There,” she said, facing the remaining egg. “Just us.” She stepped into the nest with all its filth. She crouched, put her palms on the egg, and caressed the smooth coolness of its shell. Nothing pulsed inside. Nothing moved. It was cold. It may as well have been stone for all the life it had. She tapped at it with her knuckles—“Hey!”—then knocked her fist against it, “Wake up!” She held it by the top and rocked it to and fro, pulling the base free from a caked mound of bird shit. The broken pieces of her coffee mug lay nearby. She retrieved a section that was mostly handle, dirtied with smears of black and white, and tossed it aside. Another fragment, cleaner, was a sharp triangle of ceramic. It fit snug in her hand.
She drove it down hard against the egg.
The egg cracked. Another hit, and a network of fissures flattened the crown. The cup shard broke its way inside. She pulled it out and threw it away, hooked her fingers into the egg, and pulled at the shell. It came away easily, a viscous fluid spilling over her hands and into her lap, releasing a stench as thick as the albumen or yolk or whatever it was that coated her, a bloody sepia slime that stank like snotty menses.
There was a dead bird inside.
It lay against a concave wall of shell as if sleeping, head burrowed into its partially feathered chest. Maggie cupped the beak under one hand and gently raised the face. It was mostly pink puckered skin, slick with fluid, a patch of feathers wet against its head. Its eyes were wide black domes without lids, sightless pupils dark as blindness. Dark like oil. Dark like tar. Maggie saw herself reflected there, distorted.
“Poor thing.”
She unzipped her jacket, took it off, and lay it on the ground. She slipped both hands into the remains of the egg and gently withdrew the bird from inside. It was much lighter than the others, all loose bone, sagging skin, and limp feathers. Its talons had been tucked beneath its body but now they dangled, flaccid grey-ringed toes curled with the weight of hard claws. Maggie lay the creature on her jacket and folded both halves over it, tucked in the top and bottom, made a neat parcel of what she’d found.
“You’ll be okay now.”
She took the cigarettes from the pocket of her jeans, withdrew the lighter, and lay them on top of the jacketed bird before settling herself into the nest. She fidgeted, clearing a space amongst the papers and food boxes. Flies buzzed at the motorcycle helmet but she kicked it away and the dark cloud dispersed after it, reforming once it had stopped rolling. Her backside slid on a cushion of thick droppings, and she put her hand down into something bloody, but she no longer cared about things like that.
She waited.
She didn’t have to wait long. The car alarm was still repeating, but over that came the whump!.. whump! … whump! of beating wings. Maggie looked up and, yes, there it was, swooping down at her, bigger than before, diving with urgent speed and the scream of an eagle in descent, talons outstretched.
Maggie tipped her head back. She closed her eyes.
The claws did not come. She was buffeted by a wing-made wind, but not struck. She felt the nest-litter stir as the dark bird hovered, smelled the damp feathers beating near her face. She heard the scrape of metal on bricks and knew that it had settled upon its scaffold roost.
Maggie opened her mouth.
The bird screamed for her and thrust its beak in hard. The suddenness of it surprised her but her cry was strangled before it could become sound. She squeezed her eyes closed tighter and grabbed at the scruff of its feathers, all spiny and coarse and thick as starless night, impossible to wrench free no matter how hard she pulled in pain. And still the beak came, filling her throat, stretching her lips around it so that the corners of her mouth split. A mass of feathers smothered her as the point of its beak rooted deeper until finally it found what it wanted. Maggie opened her eyes then. Something inside was wrenched free and her eyes were suddenly wide, hands falling limp to her sides as she gagged around whatever it was that came up her throat, thick and moist and ravelling out of her. She convulsed, gasped, retched. With a flick of its head the bird tossed it aside and Maggie saw twin black sacks fold open like tiny wings before they fell away. When the bird’s beak entered her a second time, rummaging, she barely felt it. The third time she felt even less, saw all that was black and bloody coming out of her — black heart, black feathers — and was only dimly aware that the jacket beside her stirred. With her arms by her side, fists clenched, she leaned back as the dark bird emptied her, twitching like the jacket as the big bird broke her bones and scooped her hollow, scattering her insides like ashes to be borne on the wind.
When all that remained of her was a vacant sack of skin and clothes, Maggie collapsed in upon herself, mouth open as if hungry for all she had lost.
Her jacket burst open with a sudden flurry of fledgling energy, and a long shrill cry that might have been pain, might have been joy.
INTRODUCTION TO THE BODY IN FAIRY TALES
Jeannine Hall Gailey
The body is a place of violence. Wolf teeth, amputated hands. Cover yourself with a cloak of leaves, a coat of a thousand furs, a paper dress. The dark forest has a code. The witch sometimes dispenses advice, sometimes eats you for dinner, sometimes turns your brother to stone.
You will become a canary in a castle, but you’ll learn plenty of songs. Little girl, watch out for old women and young men. If you don’t stay in your tower you’re bound for trouble. This too is code. Your body is the tower you long to escape, and all the rotted fruit your babies. The bones in the forest your memories. The little birds bring you berries. The pebbles on the trail glow ghostly white.
THE TIN HOUSE
Simon Clark
The young detective looked out of the window. The killing happened right there in front of him. He watched the stoat chase the rabbit across the meadow — the gold-coloured predator appeared tiny in comparison to what seemed almost a behemoth of a rabbit. The stoat ran alongside its fleeing prey before burying its teeth into the rabbit’s neck. From here, in the Chief’s office, the young detective heard the agonised scream of the rabbit as it fell to the ground, kicking and dying.
The Chief studied a computer screen so Mark Newton had ample time to consider this undeniable fact: life and death battles are constantly being fought just a few yards away from us: whether it’s the stoat slaying the rabbit, or a neighbour struggling with terminal illness, or entire armies of bacteria waging war beneath a single fingernail. Life vs. Death. Forever and ever, amen .
After closing the computer file, the Chief took a swallow of coffee, and said, “The Tin House. Heard of it?”
“It’s before my time with this squad, but I remember it from the news. The owner of the Tin House went missing.” Too light on detail , Newton warned himself; he still wanted to impress his new boss, so he dug deeper into his memory. “A man in his seventies by the name of Lord Alfred Kirkwood lived alone at the house. His neighbour found the lights out, a rear door open, and a bowl of tomato soup on the kitchen table. It was still warm.”
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