Ellen Datlow - The Best Horror of the Year. Volume 6

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“The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.”
— H. P. Lovecraft
This statement was true when H. P. Lovecraft first wrote it at the beginning of the twentieth century, and it remains true at the beginning of the twenty-first century. The only thing that has changed is what is unknown.
With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this “light” creates its own shadows. The Best Horror of the Year, edited by Ellen Datlow, chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness, as articulated by today’s most challenging and exciting writers.
The best horror writers of today do the same thing that horror writers of a hundred years ago did. They tell good stories — stories that scare us. And when these writers tell really good stories that really scare us, Ellen Datlow notices. She’s been noticing for more than a quarter century. For twenty-one years, she coedited The Year’s Best Fantasy and Horror, and for the last six years, she’s edited this series. In addition to this monumental cataloging of the best, she has edited hundreds of other horror anthologies and won numerous awards, including the Hugo, Bram Stoker, and World Fantasy awards.
More than any other editor or critic, Ellen Datlow has charted the shadowy abyss of horror fiction. Join her on this journey into the dark parts of the human heart. either for the first time. or once again.

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On the first night, he’d been tired from travel. On the second, from sightseeing. On the third night, Karen told her husband that there were certain manly duties he was expected to perform. Her father was wanting a grandson; for her part, she wanted lots of daughters. Julian said he would do his very best, and drank half a bottle of claret to give him courage. She stripped off, and he found her body interesting, and even attractive, but not in the least arousing. He stripped off too.

“Oh!” she said. “But you have hardly any hair! I’ve got more hair than you!” And it was true, there was a faint buzz of fur over her skin, and over his next to nothing — just the odd clump where Nature had started work, rethought the matter, given up. Karen laughed, but it was not unkind. She ran her fingers over his body. “It’s so smooth , how did you get it so smooth?

“Wait a moment,” she then said, and hurried to the bathroom. She was excited. Julian had never seen his wife excited. She returned with a razor. “Let’s make you perfect,” she said.

She soaped him down, and shaved his body bald. She only cut him twice, and that wasn’t her fault, that was because he’d moved. She left him only the hairs on his head. And even there, she plucked the eyebrows, and trimmed his fine wavy hair into a neat bob.

“There,” she said, and looked over her handiwork proudly, and ran her hands all over him, and this time there was nothing that got in their way.

And at that, he tried to kiss her, and she laughed again, and pushed him away.

“No, no,” she said. “Your duties can wait until we’re in England. We’re on holiday.”

So he started going out at night as well, with her blessing. He saw how romantic Venice could be by moonlight. He didn’t know Italian well, and so could barely understand what the ragazzi said to him, but it didn’t matter, they were very accommodating. And by the time he returned to his wife’s side, she was always asleep.

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The house in Chelsea had been done up for them, ready for their return. He asked her whether she’d like him to carry her over the threshold. She looked surprised at that, and said he could try. She lay back in his arms, and he was expecting her to be quite heavy, but it went all right really, and he got her through the doorway without doing anything to disgrace himself.

As far as he’d been aware, Karen had never been to the house before. But she knew exactly where to go, walking straight to the study, and to the wooden desk inside, and to the third drawer down. “I have a present for you,” she said, and from the drawer she took a gun.

“It was my brother’s,” she said.

“Oh. Really?”

“It may not have been his. But it’s what they gave us anyway.”

She handed it to Julian. Julian weighed it in his hands. Like his wife, it was lighter than he’d expected.

“You’re the man of the house now,” Karen said.

There was no nanny to fetch them dinner. Julian said he didn’t mind cooking. He fixed them some eggs. He liked eggs.

After they’d eaten, and Julian had rinsed the plates and left them to dry, Karen said that they should inspect the bedroom. And Julian agreed. They’d inspected the rest of the house; that room, quite deliberately, both had left as yet unexplored.

The first impression that Julian got as he pushed open the door was pink, that everything was pink; the bedroom was unapologetically feminine, that blazed out from the soft pink carpet and the wallpaper of pink rose on pink background, And there was a perfume to it too, the perfume of Karen herself, and he still didn’t much care for it.

That was before he saw the bed.

He was startled, and gasped, and then laughed at himself for gasping. The bed was covered with dolls. There were at least a dozen of them, all pale plastic skin and curls and lips that were ruby red, and some were wearing pretty little hats, and some carrying pretty little nosegays, all of them in pretty dresses. In the centre of them, in pride of place, was the doll Karen’s father had given as a wedding present — resplendent in her wedding dress, still fat, her facial features smoothed away beneath that fat, sitting amongst the others like a queen. And all of them were smiling. And all of them were looking at him, expectantly, as if they’d been waiting to see who it was they’d heard climb the stairs, as if they’d been waiting for him all this time.

Julian said, “Well! Well. Well, we won’t be able to get much sleep with that lot crowding about us!” He chuckled. “I mean, I won’t know which is which! Which one is just a doll, and which one my pretty wife!” He chuckled. “Well.”

Karen said, “Gifts from my father. I’ve had some since I was a little girl. Some of them have been hanging about for years.”

Julian nodded.

Karen said, “But I’m yours now.”

Julian nodded again. He wondered whether he should put his arms around her. He didn’t quite like to, not with all the dolls staring.

“I love you,” said Karen. “Or rather, I’m trying. I need you to know, I’m trying very hard.” And for a moment Julian thought she was going to cry, but then he saw her blink back the tears, her face was hard again. “But I can’t love you fully, not whilst I’m loving them. You have to get rid of them for me.”

“Well, yes,” said Julian. “I mean. If you’re sure that’s what you want.”

Karen nodded grimly. “It’s time. And long overdue.”

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She put on her woollen coat then, she said it would be cold out there in the dark. And she bundled up the dolls too, each and every one of them, and began putting them into Julian’s arms. “There’s too many,” he said, “I’ll drop them,” but Karen didn’t stop, and soon there were arms and legs poking into his chest, he felt the hair of his wife’s daughters scratching under his chin. Karen carried just one doll herself, her new doll. She also carried the gun.

It had been a warm summer’s evening, not quite yet dark. When they stepped outside, it was pitch, only the moonlight providing some small relief, and that grudging. The wind bit. And Chelsea, the city bustle, the pavements, the pedestrians, the traffic — Chelsea had gone, and all that was left was the house. Just the house, and the woods ahead of them.

Julian wanted to run then, but there was nowhere to run to. He tried to drop the dolls. But the dolls refused to let go, they clung on to him, he could feel their little plastic fingers tightening around his coat, his shirt buttons, his skin, his own skin.

“Follow me,” said Karen.

The branches stuck out at weird angles, impossible angles, Julian couldn’t see any way to climb through them. But Karen knew where to tread and where to duck, and she didn’t hesitate, she moved at speed — and Julian followed her every step, he struggled to catch up, he lost sight of her once or twice and thought he was lost for good, but the dolls, the dolls showed him the way.

The clearing was a perfect circle, and the moon shone down upon it like a spotlight on a stage.

“Put them down,” said Karen.

He did so.

She arranged the dolls on the browning grass, set them in one long neat line. Julian tried to help; he put the new doll in her wedding dress beside them, and Karen rescued her. “It’s not her time yet,” she said. “But she needs to see what will one day happen to her.”

“And what is going to happen?”

Her reply came as if the daughters themselves had asked. Her voice rang loud, with a confidence Julian had never heard from her before. “Chloe. Barbara. Mary-Sue. Mary-Jo. Suki. Delilah. Wendy. Prue. Annabelle. Mary-Ann. Natasha. Jill. You have been sentenced to death.”

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