Ellen Datlow - The Best Horror of the Year. Volume 6

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“The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.”
— H. P. Lovecraft
This statement was true when H. P. Lovecraft first wrote it at the beginning of the twentieth century, and it remains true at the beginning of the twenty-first century. The only thing that has changed is what is unknown.
With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this “light” creates its own shadows. The Best Horror of the Year, edited by Ellen Datlow, chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness, as articulated by today’s most challenging and exciting writers.
The best horror writers of today do the same thing that horror writers of a hundred years ago did. They tell good stories — stories that scare us. And when these writers tell really good stories that really scare us, Ellen Datlow notices. She’s been noticing for more than a quarter century. For twenty-one years, she coedited The Year’s Best Fantasy and Horror, and for the last six years, she’s edited this series. In addition to this monumental cataloging of the best, she has edited hundreds of other horror anthologies and won numerous awards, including the Hugo, Bram Stoker, and World Fantasy awards.
More than any other editor or critic, Ellen Datlow has charted the shadowy abyss of horror fiction. Join her on this journey into the dark parts of the human heart. either for the first time. or once again.

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Chaswick deposited Lindsome in front of a room on the second floor. As soon as he had withdrawn down the grand staircase, Lindsome set her things inside and made a survey of the rest of the level. The aforementioned library was spacious and well stocked but poorly kept, with uneven layers of dust and book bindings faded by sun. Many volumes had been reshelved unevenly, incorrectly, or even upside-down, if at all.

Most of the other rooms were unused, their furniture wholly absent or in deep slumber beneath moth-eaten sheets. Two of the rooms were locked, or perhaps even rusted shut, including one next to what she assumed were her great-uncle’s personal quarters, since they were the largest and, she could only surmise, at one time, the grandest. Now, like all else in Apsis House, their colors and details had darkened with soot and neglect, and Lindsome wondered how, if Dr. Dandridge were so brilliant, he could fail to control such misery and decay.

While exploring the first floor more thoroughly, she came across a squat, surly man in overalls who was pasting paper over a broken window in the Piano Room. He introduced himself as Thomlin, the Housemaster. Lindsome politely asked how did he do. Thomlin said he did fine, as long as he took his medicine and, as an illustration produced a silver flask, from which he took a hearty pull.

“May I ask you something, Mister Thomlin? What’s at the end of the little hallway? In the yellow room?”

The house’m scowled as he lifted his paste brush from the bucket and slapped it desultorily over the glass. “Nothin’,” he said. “Nothin’ that a good girl should stick’er nose in. How a man wants to grieve, that’s his business. No, no, I’ve said too much already.” Juggling flask and brush, he took another medicinal dose. “I know everything that happens and ever did happen in these walls, you understand, inside and out. Wish I didn’t, but I do. Housemaster, that’s me. All these poor bastards — oops, pardon my language, young miss — I mean all these poor folks walk around in a fog a’ their own problems, but a Housemaster sees everything as The Ghost sees it: absolute and clear as finest crystal, as not a soul else can ever understand. But good men tell no tales anyway. An’ a gooder man you won’t find either side of this whole blasphemous Long Hill heap. Why don’t you go play outside? But don’t never interrupt the gardener. Hear?”

Lindsome did not want to explore the grounds, but she told herself, I must be brave, because I am a young lady , and went outside with her head held high. Nonetheless, she did not get far. The weeds and brambles of the neglected lawn had long since matured into an impenetrable thicket, and Lindsome could barely see the rooftops of the nearby outbuildings above the wild creepers, dying leaves, needle-thin thorns, and drab, stenchful flowers. The late autumnal blossoms stank of carrion and sulfur, mingled with the ghastly sickly sweetness of mothballs. Lindsome pulled one sleeve over her hand and held it to her wrinkled nose as she picked her way along a downward-sloping animal trail that ran near the main house, the closest navigational relief in this unrelenting jungle, but she could get no corresponding relief from the smell.

She rounded a barberry bush. A little scream squeezed from behind her hand.

The stench wasn’t the flowers. It was vivifieds.

In her path, blocking it completely, stood a white billy goat. He did not breathe or move. His peculiar, tipped-over eyes were motionless, his sideways pupils like twin cracks to the Abyss.

His belly had burst, and flies looped around his gaping bowels in humming droves.

Heart pounding, Lindsome backed away. The goat did nothing. Its gaze remained fixed at some point beyond her shoulder. As she watched, bits of its flesh grew misty, then resolidified. It’s all right , Lindsome told herself. It’s just an old vivified, rotten enough for the soul to start coming loose. It’s so old it doesn’t know what it is or how to act. See? It’s staying right there .

Push past it. It will never notice .

Lindsome shuddered. But she was a young lady, and young ladies were always calm and regal and never afraid.

So Lindsome lifted the hem of her dress, as if preparing to step through a mud puddle, and inched her way toward and around the burst-open creature.

Its foul-smelling fur, tacky with ichor, brushed the whiteness of her garment. Lindsome closed her eyes and bit her lip, enough to bring pain, and a fly buzzed greedily in her ear. I am not afraid. I am not afraid .

She passed the goat.

At the first possible moment, she dropped her hem and sprinted down the path. The thicket thinned out into a place where the trail wasn’t as clear, but she kept going, crashing through brittle twigs and dead undergrowth, prompting vivified birds to take wing. The corpses were poor fliers, dropping as swiftly as they’d risen. One splatted onto a boulder at the edge of the path, hard enough for the stitched-on soul to be shaken loose entirely in a shimmer of mist; the physical shell, without anything to vivify it, shrank in volume like a dried-up fruit.

The faint trail turned abruptly into a long, empty clearing that stretched back toward the house. The vista had been created with brisk violence: every stubborn plant, whether still verdant or dormant for the season, had been uprooted and lay in careless, half-dried piles, revealing tough, rocky soil. A second path connecting to this space had been widened and its vegetation thoroughly trampled. Lindsome silently blessed the unseen gardener’s vigorous but futile work ethic and, slowing to a breathless, nervous walk, crossed the clearing. Despite the portending stink, there were no vivifieds in sight.

But as the path resumed, the stench grew stronger yet. Rot and cloying sweetness clogged Lindsome’s nose so badly that her eyes watered and she breathed through her mouth. Young ladies remained calm and regal, Lindsome supposed, but they were also not stupid. Perhaps it was time to turn back.

The path ended at a set of heavy double doors.

To be truthful, a number of paths ended at these doors, with at least four distinct trails converging at the edges of the small, filth-caked patio. Lindsome imagined that her great-uncle, along with the unpleasant Chaswick, exited from these doors when making expeditions into the haunted thicket for the few live specimens that must remain. Do they only catch the old and injured , she wondered, or do they murder creatures in their prime, only to sew their souls right back on again?

Lindsome tried the doors. They opened with ease.

The revealed space was not some dingy mudroom or rear hall, as Lind-some had expected, but a room so wide, it could have served as a stable were it not for its low ceiling and unfinished back. Instead of meeting a rear wall, the flagstone floor disintegrated into irregular fragments and piled up onto a slope of earth.

Three long tables ran down the center of the room to Lindsome’s right, the final one disappearing into the total blackness of the room’s far end. The tables were stone, their surfaces carved with deep grooves that terminated at the edges, above stained and waiting buckets.

Melted candles spattered the tables’ surfaces. There were no windows.

The stench of the place flowed outward like an icy draft. Lindsome left a door open behind her, held her nose, and took a step inside. Even when breathing through her mouth, the vivified odor was a soup of putrification that clotted at the back of her throat, thick enough to drip into her belly. The sensation was unendurable. Surely that was a stone staircase leading up over the unfinished back wall, into less offensive parts of the house?

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