Ellen Datlow - The Best Horror of the Year. Volume 6

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“The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.”
— H. P. Lovecraft
This statement was true when H. P. Lovecraft first wrote it at the beginning of the twentieth century, and it remains true at the beginning of the twenty-first century. The only thing that has changed is what is unknown.
With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this “light” creates its own shadows. The Best Horror of the Year, edited by Ellen Datlow, chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness, as articulated by today’s most challenging and exciting writers.
The best horror writers of today do the same thing that horror writers of a hundred years ago did. They tell good stories — stories that scare us. And when these writers tell really good stories that really scare us, Ellen Datlow notices. She’s been noticing for more than a quarter century. For twenty-one years, she coedited The Year’s Best Fantasy and Horror, and for the last six years, she’s edited this series. In addition to this monumental cataloging of the best, she has edited hundreds of other horror anthologies and won numerous awards, including the Hugo, Bram Stoker, and World Fantasy awards.
More than any other editor or critic, Ellen Datlow has charted the shadowy abyss of horror fiction. Join her on this journey into the dark parts of the human heart. either for the first time. or once again.

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Inside the lift, the smell of piss was just as strong. He used the glass shard to press the number 9 on the panel. A furry patch of mould stained the floor and a lower section of the compartment. Cowan stood as far away as possible from it as the lift bounced its ascent. The red LED above the panel flickered aggressively. Presently the door opened and he stepped out onto the ninth floor, taking time to carefully deposit the glass in the corner where he might later retrieve it.

A narrow corridor led into the heart of the building. Cowan wandered down it, glancing at the door numbers to check he was headed in the right direction. The light was meagre. Shadows scuttled in the corners. Windows at evenly spaced intervals looked down into the quadrangle, accentuating his dizzying height. From further down the landing, he heard the sound of someone singing in a foreign language, the staccato rhythm of the words suggesting a football chant. Cowan hurried along until he reached an intersection, heading to the left according to the door numbers.

He could feel his heart pounding as he drew close. The bag in his pocket felt like it was getting heavier. He stopped outside a door and stared at the plastic numbers screwed to the wood, licking his lips to alleviate the dryness. A quick glance both ways up the corridor eased his nerves. He pressed his ear to the door and listened.

Indistinct music was playing inside. Somewhere beyond the sound, a child was crying. Cowan considered the two bullets loaded in the pistol; for the first time worried that he ought to have requested more. The original intention had been for one bullet for Fisk and one for himself. The bloke in the pub had warned that it was difficult to silence this type of weapon; he’d need to make every shot count. He took a deep breath and tried the door handle.

He peered into a deserted hallway. The music was now recognisable — The Style Council — and he slipped inside the flat and closed the door.

From this angle, he had a narrow vantage point into the living room. He could see the crown of someone’s head as they sprawled on the sofa. The weeping child now sounded like it was coming from next door. He crept closer. As he drew near, he could see that the prone figure was indeed Fisk. But not as he’d remembered him.

The man had his eyes closed tight, his face screwed up like a wrinkled cloth. His forehead looked unnaturally pock-marked. Sallow. The skin was pale and gaunt, stretched over the bones like tissue. His thinning hair barely covered the skull. His hands clutched the side of his head, accentuating the tendons in his rail-thin arms. He looked depleted.

Cowan swept a quick glance around, noting the signs of disarray. Empty beer bottles and cans littered the floor. Discarded pizza boxes and the misshapen trays from microwave-ready meals. Boxes were stacked in the corners, filled with brightly coloured objects. Light was pouring through the curtainless window. There was a powerful odour of stale sweat and booze. Relief surged. The pokey flat seemed otherwise empty. Cowan’s fingers curled around the handle of the gun.

“Fisk.” He stood over the emaciated wreck of a man, staring, daring him to look.

Fisk’s eyes opened slowly. They looked blurred and bloodshot. He widened them, trying to focus, shuffling into an upright position.

“Remember me?” Cowan tried to keep his voice low and threatening, but he was afraid it just sounded weak.

Fisk blinked slowly. He appeared to be under the influence of something; probably drink, by the smell. He pulled a sour face.

“I’ve come to kill you,” Cowan said quietly. He shuffled his feet.

Fisk smiled wanly and rolled onto his side, moved to a sitting position. “You were Rosie’s bit on the side. I remember you.” His voice sounded dead. Listless.

“I wasn’t a bit on the side . I tried to help her after you two split up.”

“So you say.” Fisk laughed hollowly. “How’d you find me?”

Cowan made a fist. “I made a promise to Rose before she died.”

Fisk shrugged. It was an unsightly gesture. Cowan marvelled again at the man’s appearance. He looked ravaged. Close to death.

“Go on then.” He sat up and put his head in his hands. “You’ll be doing me a favour.”

Cowan stared at him, clenching his teeth. He fought to suppress the rage that ached inside. “You piece of shit. He was six years old, for fuck’s sake. A good kid.”

“Should I tell you something … what’s your name?”

“Cowan.”

“Cowan, that’s right. Cowan.” He rolled the word around his mouth. “Let me tell you something — he’s not a good kid anymore.”

“You selfish bastard. Why couldn’t you just kill yourself and leave him with his mum?”

“With you and Rosie, you mean? That would’ve been nice.” His breath hitched. A change seemed to come over him. He looked detached. “Don’t you think I’m sorry for what I done? Don’t you think I wished I’d died that day? I’d end it tomorrow if I thought it would all stop.”

“This place is a shithole. Why’d you move here?”

Fisk shrugged. “Why not? I lived ’round here as a kid. Till we moved to Sheffield when I left school.”

Shit. Jimenez must have known about the lies. He must have known Fisk hadn’t attended school in Sheffield .

Cowan glanced around. There was a cushion on the sofa. He could hold the gun against it and shoot through. It should muffle the shot. The crying kid nextdoor might mask the noise. It could give him sufficient time to get away.

Fisk looked up, wrongly interpreting the pause. “You can hear him too, can’t you?”

“That kid?”

Fisk nodded and grimaced, revealing yellow teeth. His next words chilled Cowan to the core. “That’s Alex.”

Cowan peered in the direction of the sound. He’d assumed it had been from the neighbouring flat, but he realised it was coming from the next room. Heart hammering in his throat, he approached the door and pushed it open.

The sound stopped instantly. He could see similar signs of disorder in the room — an unmade bed, clothes strewn on the floor, boxes of things stored in the corner.

“It’s not so bad in the day,” Fisk said. “The nights are worst. I can’t get away. He’s changed. He doesn’t love his dad no more.”

Cowan turned back.

“You should see his face at night. Fucking terrifying.” Fisk stood with a groan and switched off the music. “That’s why I have that on — drowns him out a bit.” His foot knocked an empty can of Tennent’s Super across the floor. He slumped back onto the sofa, the movement causing a hole in the upholstery to gape like a hungry mouth. He stared at a spot in the corner of the ceiling.

“Sometimes at night I see him watching me from up there.” He motioned with his hand.

Despite himself, Cowan glanced into the empty, mildew-stained corner.

“He grows spindly legs like a spider. He creeps around quiet, daring me to watch. If I close my eyes, he’ll pounce. It’s just a game to him. Without the booze, I can’t sleep.”

Cowan rolled his eyes. “Maybe the booze makes you imagine things.”

“The fuck it does.” He suddenly lifted the sleeve of his t-shirt, revealing a pattern of angry scabs. “Trouble is, I’m so out of it, I can’t feel him slashing me.”

Cowan winced at the rawness of the wounds.

“Stanley knife,” Fisk said. “Fucker likes to have his fun.”

Cowan studied the boxes for the first time. They were stuffed with children’s toys, videos, wooden jigsaws. “You need help.”

Fisk laughed again, that horrible sound. “I’m past help.” He slumped back onto the sofa. “I need to drink —that’s what keeps me from seeing him. That or the gear.” He ran his fingers through his hair and belched. Cowan could see the forearm was scarred with circular marks like burns. The man looked wrecked with exhaustion.

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