Ellen Datlow - The Best Horror of the Year. Volume 6

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“The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.”
— H. P. Lovecraft
This statement was true when H. P. Lovecraft first wrote it at the beginning of the twentieth century, and it remains true at the beginning of the twenty-first century. The only thing that has changed is what is unknown.
With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this “light” creates its own shadows. The Best Horror of the Year, edited by Ellen Datlow, chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness, as articulated by today’s most challenging and exciting writers.
The best horror writers of today do the same thing that horror writers of a hundred years ago did. They tell good stories — stories that scare us. And when these writers tell really good stories that really scare us, Ellen Datlow notices. She’s been noticing for more than a quarter century. For twenty-one years, she coedited The Year’s Best Fantasy and Horror, and for the last six years, she’s edited this series. In addition to this monumental cataloging of the best, she has edited hundreds of other horror anthologies and won numerous awards, including the Hugo, Bram Stoker, and World Fantasy awards.
More than any other editor or critic, Ellen Datlow has charted the shadowy abyss of horror fiction. Join her on this journey into the dark parts of the human heart. either for the first time. or once again.

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Just like that. It felt as if she were being fired. She hadn’t even delivered. She’d not told them anything they didn’t already know about. She’d only confirmed it. What had made that unearthly noise, what the Innsmouth prisoners were waiting for — that’s what they were really after.

“We’re only just getting started. You can’t rush something like this. There are sixty-two more of them over there, one of them is sure to—”

He cut her off with a slash of his hand. “Sixty-two of them who are in an uproar now. They didn’t see what happened to Marsh, but they’ve got the general idea.”

“Then maybe you shouldn’t have been so quick to order his execution.”

“That was for you. I thought we were protecting you.” He held up his hands then, appeasement, time-out. “I appreciate your willingness to continue. I do. But even if they were still in what passes for a good mood with them, we’ve still reached an impasse here. You can’t get through to them on our turf, and I can’t risk sending you back out with another of them onto theirs. It doesn’t matter that Marsh didn’t actually attack you. I can’t risk another of them doing what he did to make me think he had.”

“I don’t follow you.” It had been uncomfortable, yes, and she had no desire to experience it again, but it was hardly fatal.

“I’ve been doing a lot of thinking about what that sound he made meant,” Escovedo said. “What I keep coming back to is that he was sending a distress call.”

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She wished she could’ve left the island sooner. That the moment the colonel told her they were finished, he’d already had the helicopter waiting. However late they got her home again, surely by now she would be in her own bed, holding her daughter close because she needed her even more than Tabby needed her.

Awake part of the time and a toss-up the rest, asleep but dreaming, she was still trying to get there. Caught between midnight and dawn, the weather turning for the worse again, the crack and boom of thunder like artillery, with bullets of rain strafing the roof.

She had to be sleeping some of the time, though, and dreaming of something other than insomnia. She knew perfectly well she was in a bed, but there were times in the night when it felt as if she were still below, deeper than she’d gone this morning, in the cold of the depths far beyond the reach of the sun, drifting beside leviathan walls lit by a phosphorescence whose source she couldn’t pin down. The walls themselves were tricky to navigate, like being on the outside of a maze, yet still lost within it, finding herself turning strange corners that seemed to jut outward, only to find that they turned in. She was going to drown down here, swamped by a sudden thrashing panic over her air tank going empty, only to realize …

She’d never strapped one on to begin with.

She belonged here, in this place that was everything that made her recoil.

Marsh , she thought, once she could tell ceiling from sea. Although he was dead, Marsh was still with her, in an overlapping echo of whispers. Dead, but still dreaming.

When she woke for good, though, it was as abruptly as could be, jolted by the sound of a siren so loud it promised nothing less than a cataclysm. It rose and fell like the howling of a feral god. She supposed soldiers knew how to react, but she wasn’t one of them. Every instinct told her to hug the mattress and melt beneath the covers and hope it all went away.

But that was a strategy for people prone to dying in their beds.

She was dressed and out the door in two minutes, and though she had to squint against the cold sting of the rain, she looked immediately to the prison. Everything on the island, alive or motorized, seemed to be moving in that direction, and for a moment she wondered if she should too — safety in numbers, and what if something was driving them that way, from the east end?

But the searchlights along the parapet told a different story, three beams stabbing out over the open water, shafts of brilliant white shimmering with rain and sweeping to and fro against the black of night. A distress call , Escovedo had said — had it been answered? Was the island under attack, an invasion by Innsmouth’s cousins who’d come swarming onto the beach? No, that didn’t seem right either. The spotlights were not aimed down, but out. Straight out.

She stood rooted to the spot, pelted by rain, lashed by wind, frozen with dread that something terrible was on its way. The island had never felt so small. Even the prison looked tiny now, a vulnerable citadel standing alone against the three co-conspirators of ocean, night, and sky.

Ahead of the roving spotlights, the rain was a curtain separating the island from the sea, then it parted, silently at first, the prow of a ship spearing into view, emerging from the blackness as though born from it. No lights, no one visible on board, not even any engine noise that she could hear — just a dead ship propelled by the night or something in it. The sound came next, a tortured grinding of steel across rock so loud it made the siren seem weak and thin. The ship’s prow heaved higher as it was driven up onto the island, the rest of it coming into view, the body of the shark behind the cone of its snout.

And she’d thought the thunder was loud. When the freighter plowed into the prison, the ground shuddered beneath her, the building cracking apart as though riven by an axe, one of the spotlights tumbling down along with an avalanche of bricks and masonry before winking out for good. She watched men struggle, watched men fall, and at last the ship’s momentum was spent. For a breathless moment it was perfectly still. Then, with another grinding protest of metal on stone, the ship began to list, like twisting a knife after sticking it in. The entire right side of the prison buckled and collapsed outward, and with it went the siren and another of the searchlights. The last of the lights reeled upward, aimed back at the building’s own roofline.

Only now could she hear men shouting, only now could she hear the gunfire.

Only now could she hear men scream.

And still the ground seemed to shudder beneath her feet.

It seemed as if that should’ve been the end of it, accident and aftermath, but soon more of the prison began to fall, as if deliberately wrenched apart. She saw another cascade of bricks tumble to the left, light now flickering and spilling from within the prison on both sides.

Something rose into view from the other side, thick as the trunk of the tallest oak that had ever grown, but flexible, glistening in the searing light. It wrapped around another section of wall and pulled it down as easily as peeling wood from rotten wood. She thought it some kind of serpent at first, until, through the wreckage of the building, she saw the suggestion of more, coiling and uncoiling, and a body — or head — behind those.

And still the ground seemed to shudder beneath her feet.

It was nothing seismic — she understood that now. She recalled being in the majestic company of elephants once, and how the ground sometimes quivered in their vicinity as they called to one another from miles away, booming out frequencies so deep they were below the threshold of human hearing, a rumble that only their own kind could decipher.

This was the beast’s voice .

And if they heard it in New York, in Barrow, Alaska, and in the Sea of Cortez, she would not have been surprised.

It filled her, reverberating through rock and earth, up past her shoes, juddering the soles of her feet, radiating through her bones and every fiber of muscle, every cell of fat, until her vision scrambled and she feared every organ would liquefy. At last it rose into the range of her feeble ears, a groan that a glacier might make. As the sound climbed higher, she clapped both hands over her ears, and if she could have turtled her head into her body, she would’ve done that too, as its voice became a roar became a bellow became a blaring onslaught like the trumpets of Judgment Day, a fanfare to split the sky for the coming of God.

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