Gary A. Braunbeck - Cages and Those Who Hold the Keys

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In the Midnight Museum - Bram Stoker Award-nominated for Superior Achievement in Long Fiction, 2005 Martin Tyler is a 44-year-old janitor whose life has come to a sputtering halt; he has no friends, no family, and no promise of better days ahead. In the grip of blackest depression, he attempts to take his own life, only to find himself waking up in a local mental health facility where he has been placed for observation. But something more has happened to Martin than just a failed suicide attempt; certain doors of perception have been unlocked in his mind, allowing him to see fantastic creatures that lurk outside on the streets of Cedar Hill - creatures only he can perceive. Over the next 48 hours, Martin will discover what these creatures are, who controls them, and why he must enter The Midnight Museum, a place with no doors or windows, but many entrances and exits; a place just outside the perception of everyday life; a place where Martin will discover how and why he inadvertently holds the fate of the world in his hands. The Ballad of Road Mama and Daddy BlissIn the novella The Ballad of Road Mama and Daddy Bliss, a man assigned community service duty with the city morgue after a DUI arrest is offered a simple deal: transport an old woman's body back to her hometown, and his record will be wiped clean. But this is no typical old woman, and -- as he soon discovers -- he is taking her to a town that is on no map. The old woman's identity, as well as the reasons behind the town's secret existence, will be revealed to him over the course of a few nightmarish hours between midnight and dawn -- the time when The Road demands its sacrifices.Kiss of the MudmanInternational Horror Guild Award for Long Fiction, 2007 A haunting story behind the lyrics of a rock song from the 70s. It is a story of music, stardom, death, and the combination of notes that brings dirty destruction to the Cedar Hill halfway house. Along the way, a visit from the "ulcerations" of Jim Morrison, Jimi Hendrix, John Entwistle and Keith Moon, Kurt Cobain, and Billie Holiday enlighten the legend of just why the greatest guitar player that ever lived was a woman. Music fans will love it, and Braunbeck's fans should not miss it. It has all the things that make his work special: the pain, the despair, and the fear, all combined but with each one allowed its own moment in the sun, each one getting its own time with your nerves before they all come crashing down, leaving you with just enough energy to turn the page.TessellationsA haunted, young actress returns home after the death of her father to discover that her brother has seemingly gone insane. Over the course of one unnerving night she first witnesses — and then becomes a part of — a Halloween nightmare that, piece by piece, physically brings back the past, rips a hole in her consensual reality, and allows demons, monsters, and even a miracle or two to shamble into this world and transform it into the darkest of fairy tales...The Sisterhood of Plain-Faced Women'The Sisterhood of Plain-Faced Women' is the story of Amanda, who gains beauty but at a terrible price as her new physical attributes are torn from other people, the tale never less than compelling and with a heartfelt moral at its core.

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“‘Never being one who thinks clearly when in the grip of panic, an old magic man grabs the first thing he sees that looks like it might do the trick—the drain plug from his sink. It does very nicely, but now his room is overflowing with bits and pieces of his magic; bobbing in the air as it eats his cookies, scurrying on multiple legs as it looks through the books on his shelves, unfurling massive rainbow wings as it smokes his cigarettes, dropping ashes onto the sofa. He asks it to stop behaving so inconsiderately, but it ignores him and eats all his groceries and makes rude noises and in general makes the morning quite unpleasant. An old magic man screams and shouts at the magic to sit down and for goodness’ sake behave itself. It doesn’t listen to him; it’s been cooped up in his head for so long that all this extra room is just too tempting to resist.

“‘Down in the street, a young boy hears an old magic man’s cries and, fearing that the odd fellow might be in some sort of trouble, rushes into the building and up to an old magic man’s cluttered room. He flings open the door with such force that all the escaped magic—except for the wooden soldier mask, which manages to hide beneath the sofa—is squashed into one enormous blob and bursts.

“‘Hours later they are still trying to scrub it off the young boy, but to no avail; it has soaked into the boy’s skin. “Well,” says an old magic man, looking down at the young boy who is very short, “it appears we have a problem.” “I’ve never felt magic before,” says the young boy, looking up at an old magic man, who is a giant. “Is it supposed to itch like this?” “You’ll get used to it,” says an old magic man, scratching under one of his arms, then: “Say, you’re not by chance looking for a job, are you?”

“‘And that is how an old magic man found his apprentice.’”

The actor in the bed tried to sit up but found his body was too weak, and in a moment that knocked the breath from his lungs and the strength from his arms, Martin realized that it wasn’t any well-known familiar actor, it was him . “Why are you reading this to me?” his on-screen self asked the large black man. The large black man winked. “Patience never was one of your strong points, was it?” Once again Martin-on-the-screen tried to move, but his limbs were useless. “I can’t seem to . . . Jesus! Help me, will you?” “That’s the idea,” said the large black man, wetting his thumb and turning the page. “By the way, Martin . . .”

. . . Martin . . .

“. . . Martin . . .”

Martin!

He blinked his eyes and saw Dr. Hayes standing over him, her hand still on his shoulder from having shaken him.

“I see you took your morning medications,” she said, smiling at him as she turned off the television, then sat down in the easy chair opposite his. “They pack a bit of a punch, don’t they?”

“Uh . . . yeah . . . yeah, they do.” He pulled himself up, stretched his back, and leaned forward. “Sorry about that. Was I asleep?”

“I couldn’t tell, but after you didn’t respond to me saying your name, I just assumed . . . .”

“I don’t remember falling asleep . . . I mean, it feels like I was maybe asleep, but

. . .” he sighed. “I’m babbling. Sorry.”

“It’s okay. The first day or two we have to go through a sort of trail-and-error with the medications, see which ones you best respond to. Most clients are fairly numb the first thirty-six hours or so. Some of the combinations do a real number on people. Are you okay now? You up for this?”

Martin shrugged. “I’d kill for a cup of real coffee right about now. That was a figure of speech, by the way, the ‘kill for’ part.” “I figured.” Martin stared at a large carry-out cup of coffee that Dr. Hayes had brought in with her. “I see that you covet my café mocha.” He looked up at her. “If I got an empty cup, could I have just a little bit?” “Caffeine is against the rules, Martin.” “Please? I promise you I’m not going to flip out or start bouncing off the walls or take hostages.”

“Actually, Martin, I’m a fairly selfish person—comes from growing up as the youngest child with three older brothers who never left my stuff alone. I don’t like sharing. However—” She reached behind her and picked up another cup of carry-out coffee. “—I’m also not inconsiderate.” She handed the cup to Martin. “Anyone asks, that’s decaffeinated, got it?”

“You’re the boss. By the way, I love you and want to have your babies.” He pulled back the tab on the plastic lid and took a slow, deep swallow. Nothing had ever tasted so wonderful. “ Oh, yes . . . you know, I always suspected that the ‘manna from Heaven’ in the Bible was actually slow-brewed coffee. With whipped cream and chocolate sprinkles.”

Dr. Hayes smiled. “I figured that you’d be a little wonky from the medications, and I’d prefer that you not conk out on me in the middle of this.” “Thank you.” Already the dream—if that’s what it had been—was fading away . . . just not completely.

Don’t dwell on it, pal; dwelling on things is what put you here, remember? “How are you getting along so far?” asked Dr. Hayes. “Okay, I guess. I’ve already caused another client to blow a gasket and I didn’t have to say a word.” “Yes . . . Ethel mentioned something about Wendy. Do you want to talk about it?” “No, I don’t think so. I guess we’ll find out as we go along, huh?”

Dr. Hayes stared at him for a moment, then opened the file lying on her lap. “All right. I’ve spoken to your doctor, and he was good enough to fax me your records—you signed a form granting him permission to share them with any other doctor treating you—”

“I remember. I sign that same form every year.”

“I am required to tell you that.” She flipped through a couple of pages, then back again. “You’ve had trouble with depression for a very long time, haven’t you? Even before your parents’ deaths, you were being treated for it.”

“One hundred milligrams of Zoloft twice a day—mornings and afternoons; thirty milligrams of Remeron at night.”

“That’s pretty hefty, putting Remeron on top of the Zoloft. I take it you have trouble falling asleep?”

Staying asleep, actually.”

“You wake up after a few hours, then toss and turn, go in and out for brief periods, maybe fall back asleep about an hour before the alarm goes off?”

Martin nodded. “Give that lady a cigar.” He took another glorious swallow of the large café mocha.

Still flipping back and forth between the faxed pages and various forms, Dr. Hayes asked: “I see that the Zoloft dosage was increased right around the time your father completed his last round of radiation treatments.”

“Things were . . . kind of tense. He had trouble controlling his bowels, and anytime he didn’t make it to the bathroom in time, he’d lose his temper or start crying like a baby; Mom and I would switch around—one of us would take care of Dad, wipe him off, clean him up, calm him down; the other would mop up whatever kind of . . . trail he left along the way. It was bad, and I was getting more and more shaky, and I was the only person they had to depend on, so my doctor increased the dosage and that helped a little.”

“Look, Martin,” said Dr. Hayes, closing the folder on whose cover she would continuously write notes for the rest of the session. “I realize that a large part of your recent depression was centered around your parents’ illnesses and deaths, that’s only natural. But their dying wasn’t what pushed you into planning your own death, was it?”

“It might have nudged things a little.” He exhaled, shook his head, and wasn’t surprised to feel a few stray tears dribble from his eyes and slide down his face. “One morning after Mom’s funeral I woke up, showered, got dressed, had breakfast, and was starting out the door when it suddenly hit me that . . . I had nowhere to go. I wouldn’t be taking Dad to and from his treatments or his doctor, I wouldn’t be taking Mom to her cardiologist or running errands for her, I didn’t need to separate their medications for the week and put everything in the dispensers, I didn’t need to do anything around the house because nobody . . . nobody was home anymore . . . all I had to do was go into work at five p.m. and do my job until midnight. That was it. And it scared the shit out of me.”

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