Gary A. Braunbeck - Cages and Those Who Hold the Keys

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In the Midnight Museum - Bram Stoker Award-nominated for Superior Achievement in Long Fiction, 2005 Martin Tyler is a 44-year-old janitor whose life has come to a sputtering halt; he has no friends, no family, and no promise of better days ahead. In the grip of blackest depression, he attempts to take his own life, only to find himself waking up in a local mental health facility where he has been placed for observation. But something more has happened to Martin than just a failed suicide attempt; certain doors of perception have been unlocked in his mind, allowing him to see fantastic creatures that lurk outside on the streets of Cedar Hill - creatures only he can perceive. Over the next 48 hours, Martin will discover what these creatures are, who controls them, and why he must enter The Midnight Museum, a place with no doors or windows, but many entrances and exits; a place just outside the perception of everyday life; a place where Martin will discover how and why he inadvertently holds the fate of the world in his hands. The Ballad of Road Mama and Daddy BlissIn the novella The Ballad of Road Mama and Daddy Bliss, a man assigned community service duty with the city morgue after a DUI arrest is offered a simple deal: transport an old woman's body back to her hometown, and his record will be wiped clean. But this is no typical old woman, and -- as he soon discovers -- he is taking her to a town that is on no map. The old woman's identity, as well as the reasons behind the town's secret existence, will be revealed to him over the course of a few nightmarish hours between midnight and dawn -- the time when The Road demands its sacrifices.Kiss of the MudmanInternational Horror Guild Award for Long Fiction, 2007 A haunting story behind the lyrics of a rock song from the 70s. It is a story of music, stardom, death, and the combination of notes that brings dirty destruction to the Cedar Hill halfway house. Along the way, a visit from the "ulcerations" of Jim Morrison, Jimi Hendrix, John Entwistle and Keith Moon, Kurt Cobain, and Billie Holiday enlighten the legend of just why the greatest guitar player that ever lived was a woman. Music fans will love it, and Braunbeck's fans should not miss it. It has all the things that make his work special: the pain, the despair, and the fear, all combined but with each one allowed its own moment in the sun, each one getting its own time with your nerves before they all come crashing down, leaving you with just enough energy to turn the page.TessellationsA haunted, young actress returns home after the death of her father to discover that her brother has seemingly gone insane. Over the course of one unnerving night she first witnesses — and then becomes a part of — a Halloween nightmare that, piece by piece, physically brings back the past, rips a hole in her consensual reality, and allows demons, monsters, and even a miracle or two to shamble into this world and transform it into the darkest of fairy tales...The Sisterhood of Plain-Faced Women'The Sisterhood of Plain-Faced Women' is the story of Amanda, who gains beauty but at a terrible price as her new physical attributes are torn from other people, the tale never less than compelling and with a heartfelt moral at its core.

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“The icons, not the people.”

He nodded. “You might buy the farm, but your legend never does…and as long as the legend remains, even if it’s just in the mind of one person, then you’re tied to him and his desires. It sucks. If you’re born with any kind of creative talent, you’re on his hit list from the beginning. They’re all here because I dug their music. I’m one of the ulcerations that keeps them alive.”

“So why not…why not just not play the notes?”

“You think it’s just as simple as that? Dude, it doesn’t have to be me who plays them. The notes, they’re out there. They’re everywhere. A bird, the sound of the wind, a car backfiring…the notes are all over the place. And every so often, enough of them come together in the same place, at the same, and in the right tempo, that the doorway opens and he comes shambling in. And there’s not a goddamn thing you can do to stop it.” There was a knock on the door and I rose to see who it was. “It’s me,” said the Reverend. I let him in. He took one look at Knight, sniffed the air, and said, “Hawaiian seedless?” “A man of the cloth who knows his weed,” replied Knight. “Will wonders never cease?” “Not anytime soon, from the looks of thing.”

Knight stared at him. “ Please don’t tell me Elvis just showed up.” “I think he’d feel a little out of place with this crowd.” “Is Billie Holiday really there?” “She is.” Knight shook his head. “Damn. I finally rate Billie. Wow.” The Reverend closed the door. “Is it always the same bunch?” “Some of them change. Depends on who I’ve thinking about or listening to before the Mudman finds me.”

The Reverend did not ask who or what the Mudman was. One look at him, and I knew that he knew. Don’t ask me how, but the Reverend…knows things. Most of the time it’s pretty cool, but sometimes…sometimes it’s just creepy.

“What are we supposed to do?” he asked Knight.

“Damned if I know, but if I had to guess, I don’t think it’s up to you to do anything. Whatever’s gonna happen…it’s my call.” He rose from the cot, finished his brandy, and patted down his hair. “And what I’m gonna do, if it’s all right with you, is play in front of an audience one more time.”

The Reverend considered this for moment. “I think that would be wonderful.”

And Byron Knight smiled the last genuine smile of his life.

8

Everyone gathered around the center of the room as Knight situated himself on a stool. Even Morrison and the others looked on him with a sad kind of respect. “Any requests?” asked Knight.

It was Grant McCullers who spoke up. “I’ve always been partial to Bach’s ‘Sheep May Safely Graze.’ It’s kind of a Christmas tune, don’t you think?”

“I do.”

And Knight began to play it, smoothly, hauntingly. It was majestic and sad and melancholy and glorious, and yet there was something hesitant about the way Knight played the song; the notes brushed you once, softly, like a cattail or a ghost, then fell shyly toward the ground in some inner contemplation too sad to be touched by a tender thought or the delicate brush of another’s care.

It was perhaps the most beautiful thing I’d ever heard.

And then someone screamed from the basement.

Timmy was the first to respond, snapping his head in the direction of the scream and muttering, “Terrible, just terrible,” as he ran across the room and down the stairs. Linus hopped up on his cart and made a beeline across the floor, then pushed himself off and took the stairs with his hands as Beth, Lump, and the still-damp Kyle followed after him.

That’s when I realized that it had been the little girl, Missy, who’d screamed.

I reached the top of the stairs just as Timmy came around the corner, carrying Missy in his arms, her small, shuddering body wrapped in a towel.

He was pale and shaking. “Terrible, just terrible .”

He sounded horrified.

A few moments later Lump gave out with a snarl and a bark, then came charging up the stairs, Beth and Kyle right behind him.

“I saw the Bumble ,” cried Missy. “he w-w-was…he was in the wall!”

Beth took Missy from Timmy’s arm and began stroking the back of her daughter’s head. “Shhh, hon, there-there, c’mon, it’s all right…c’mon, you just got a fright, that’s all. The Bumble scares you and you just imagined it.”

She might have just imagined it, but Lump had seen or sensed something that was making him crazy; his legs were locked in place, his lips curled back, eyes unblinking as he stared at the bottom of the steps and growled.

“Where’s Linus?” asked the Reverend, coming up beside me.

“He’s still down there.”

Ted Jackson joined us. He’d unstrapped the top of his holster and was touching the butt of his gun, ready to pull it. “Jesus Christ in a Chrysler, I about jumped out of my shorts.” “Probably nothing,” said the Reverend. “The little girl got spooked, that’s all.” I could tell from the tone of his voice that he didn’t believe it any more than I did. Knight was standing now, holding his guitar like a child, his eyes closed, his face almost peaceful. Morrison and the others were gone. And from somewhere in the basement, something moved. Something big. “What the hell?” said Jackson, gripping his gun but not pulling it from the holster.

Timmy came up to the reverend and grabbed his arm, saying, “Terrible, just terrible,” over and over, getting louder and more excited.

“Timmy,” said the Reverend, gripping both of Timmy’s arms, “I need you to calm down, c’mon. There you go, deep breaths, all right. Good. Now…did you see something down there?”

Timmy nodded.

“Are you sure you actually saw something that was there, or was it—”

Timmy pointed at his eyes and shook his head: no, it wasn’t one of his visual hallucinations, he knew the difference, thank you very much. “ Terrible…terrible…just terrible.

Beth was rocking Missy back and forth, whispering comfort in her ear, kissing her cheek, while Kyle sat on the floor beside them, holding his little sister’s hand.

Whatever was in the basement moved again, and this time with enough force to shake the foundation of the building.

A few second later, Linus came barreling out on his hands, covered in sweat and shaking, his face even paler than Timmy’s had been.

“You’re gonna think I’m crazy,” he said as he took the stairs two at a time, “but I just saw goddamned Godzilla down there!” He hopped onto his cart and sped over to Missy, Beth, and Kyle. Lump still stood at the top of the stairs, ready to attack. “Okay, that’s it,” said Jackson, removing his weapon and clicking off the safety. “I’m going down there.” “Not alone, you’re not,” said the Reverend.

Grant McCullers joined us. He was holding a wooden rolling pin. “Hey, it’s the most dangerous thing I could find in that kitchen.”

“Hang on,” said the Reverend, running back to his office.

He was gone maybe thirty seconds, just long enough for the whole building to shake once more. The chandelier began to swing, rattling. Everyone was gathering in the farthest corner of the room, watching that chandelier. Then the lights flickered once, twice, and went out. The emergency generator kicked in a few seconds later, and the Reverend was standing next to me, handing out weapons. “Goddammit,” said Jackson. “Do you have permits for these things?” “Bet your ass I do.” He handed Grant a pump-action shotgun, then stuck a .22 in my hands. The Reverend had opted for a 9mm.

“Look at us,” said Grant. “The poor man’s Wild Bunch .”

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