Gary A. Braunbeck - Cages and Those Who Hold the Keys

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In the Midnight Museum - Bram Stoker Award-nominated for Superior Achievement in Long Fiction, 2005 Martin Tyler is a 44-year-old janitor whose life has come to a sputtering halt; he has no friends, no family, and no promise of better days ahead. In the grip of blackest depression, he attempts to take his own life, only to find himself waking up in a local mental health facility where he has been placed for observation. But something more has happened to Martin than just a failed suicide attempt; certain doors of perception have been unlocked in his mind, allowing him to see fantastic creatures that lurk outside on the streets of Cedar Hill - creatures only he can perceive. Over the next 48 hours, Martin will discover what these creatures are, who controls them, and why he must enter The Midnight Museum, a place with no doors or windows, but many entrances and exits; a place just outside the perception of everyday life; a place where Martin will discover how and why he inadvertently holds the fate of the world in his hands. The Ballad of Road Mama and Daddy BlissIn the novella The Ballad of Road Mama and Daddy Bliss, a man assigned community service duty with the city morgue after a DUI arrest is offered a simple deal: transport an old woman's body back to her hometown, and his record will be wiped clean. But this is no typical old woman, and -- as he soon discovers -- he is taking her to a town that is on no map. The old woman's identity, as well as the reasons behind the town's secret existence, will be revealed to him over the course of a few nightmarish hours between midnight and dawn -- the time when The Road demands its sacrifices.Kiss of the MudmanInternational Horror Guild Award for Long Fiction, 2007 A haunting story behind the lyrics of a rock song from the 70s. It is a story of music, stardom, death, and the combination of notes that brings dirty destruction to the Cedar Hill halfway house. Along the way, a visit from the "ulcerations" of Jim Morrison, Jimi Hendrix, John Entwistle and Keith Moon, Kurt Cobain, and Billie Holiday enlighten the legend of just why the greatest guitar player that ever lived was a woman. Music fans will love it, and Braunbeck's fans should not miss it. It has all the things that make his work special: the pain, the despair, and the fear, all combined but with each one allowed its own moment in the sun, each one getting its own time with your nerves before they all come crashing down, leaving you with just enough energy to turn the page.TessellationsA haunted, young actress returns home after the death of her father to discover that her brother has seemingly gone insane. Over the course of one unnerving night she first witnesses — and then becomes a part of — a Halloween nightmare that, piece by piece, physically brings back the past, rips a hole in her consensual reality, and allows demons, monsters, and even a miracle or two to shamble into this world and transform it into the darkest of fairy tales...The Sisterhood of Plain-Faced Women'The Sisterhood of Plain-Faced Women' is the story of Amanda, who gains beauty but at a terrible price as her new physical attributes are torn from other people, the tale never less than compelling and with a heartfelt moral at its core.

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“Thank you. You’re going to race Fairlane.”

I remembered Daddy Bliss’s words from earlier— Some of us have been able to be Repaired almost immediately, while others—like myself and Fairlane, who you’ll be meeting later on—have to make due with more… primitive results —and felt myself shudder. If Fairlane had to make do with results even worse than Daddy Bliss’s, I wasn’t sure I wanted to meet him at all…so sayeth the King of Understatement. “A race?” She nodded. “The Road decided long ago that a race was the most direct and just way to settle a matter.” “What happens if I win?” She almost giggled. “Silly—you get to leave and go home.” “And if I lose?”

She stared at me for a moment, and then threw her arms around my neck and planted a kiss on me that would have killed a kid half my age; as it was, it left me weak in the knees.

“Then,” she said, “you and I can be together.”

So it was that simple; win, and I could leave; lose, and here I’d remain. It seemed almost too simple, but at the time I didn’t dwell on it. I was only interested in getting the hell out. In one piece, if possible.

She took hold of my hand and led me from the holding room, through the offices, and to the front doors. I looked out the windows and saw a long, dark limousine parked at the curb, engine purring. Ciera opened the door and out we went. As we neared the limo I saw, at last, how it was that Sheriff Hummer’s car was able to drive itself; a deep groove ran all along the center of both street lanes: the whole city was built on a gigantic HO track.

Ciera opened the back door of the limo and held my hand until I was seated inside.

“This is as far as I go,” she said. “I have to do a couple of things to get ready, but don’t worry, I’ll see you there in a few minutes.” She started to let go of my hand and I did something that surprised both of us: I tightened my grip and put my free hand on top of hers. “What is it?” she asked. “I…I don’t want to…let go just yet.” She gave me a tender smile and nodded her head. “I can hang for a minute.” “Good.”

I sat there trying to steady both my breathing and the beating of my heart. Ciera neither moved nor spoke, just kept hold of my hand until I was ready to let go. “Thank you,” I said. “You’re welcome. Tell you something weird—I kinda hope you win, but I also hope you don’t, you know?” An idea came to me. “You could come with me.”

What?

“You and me. We get the meat wagon and hightail it out of here.”

She pulled in a breath, held it, then released it with a soft little moan as she leaned in and kissed me again. “Do you have any idea how tempting that is?”

I sure hoped so. Shame on me.

“But you know I can’t. I couldn’t do that to my family and friends. But thank you for asking.” She pulled her hand from my grip and closed the door, which locked automatically.

The limo pulled away, and I looked through the back window, watching her stand there in the street until the car turned a corner and she was gone.

Strange as it might sound, I missed her.

I looked up front to see that the divider window was up; it was tinted, so I couldn’t make out anything about the person driving. I looked around until I found the intercom button, pressed it, and said: “Can you lower the window, please?”

There was a soft click, followed by a low, steady hum, and the window glided downward. There was no one driving. I should have known.

There was, however, a small television mounted on the dashboard, and as the window finished lowering, the screen flickered to life and I was looking at Daddy Bliss’s face.

“This is a pre-recorded message, Driver, so please don’t do anything so pointless and predictable as talking back to the screen. They lock people up for that sort of behavior.

“I’m fairly certain that you’ve by now managed to charm some information from our dear Ciera—I was, in fact, counting on it. So let’s proceed on that assumption, shall we?

“You are being driven to the only stretch of road in our fair metropolis that is smooth blacktop from beginning to end. A three-mile straightaway that my children long ago named ‘Daddy’s Dead Run’. A bit over-the-top, I know, but their hearts were in the right place and I’ve never been able to bring myself to tell them that I think it’s a silly, melodramatic name, but what is one to do?

“Once this limousine—and isn’t it a lovely vehicle? You should help yourself to some snacks and the wet bar, both are well-stocked. Now, where was I? Ah, yes.

“Once this limousine comes to a stop, you will be taken to your vehicle for this evening’s contest. You will be driving a car that I personally chose for you. I call it ‘The Ogre.’ Yes, I know—I have the gall to make fun of ‘Daddy’s Dead Run’ and then name a car ‘The Ogre’? It’s the little contradictions in one’s character that makes one fascinating to others. An enigma, so to speak.

“‘The Ogre’ was a1964 Triumph Spitfire in its previous life. Allow me to gloat a bit of its history—after all, I designed and supervised its metamorphosis myself, so I think I’ve earned the right to boast.

“I began with a Spitfire frame that was made ready for a Chevy V-8 engine, Muncie transmission, and modified Corvette rear suspension. When the chassis was complete—with engine, transmission, rear suspension and third member, brake lines, front suspension with stock rack and pinion steering, as well as new body-mounts—the body from the stock Spitfire was prepared and set on the frame. The electrical systems were re-established and the bonnet added. Its present engine is a 383 Stroker. On the Dyno, she checked out at 470 horsepower and 500 ft-lbs of torque. This a small but very powerful car you’ll be climbing into, Driver. It has a maximum speed of 180 miles per hour, and goes from 0 to 90 in just under ten seconds.

“For the first ten seconds of the race, both The Ogre and Fairlane’s vehicle will be under the sole control of The Road. Once you have passed from the sight of the crowd, control of the vehicles will be given over to you. I trust you can drive a shift. If not—well, then, this could be a short but spectacular contest.

“You have a few minutes before you reach your destination, dear boy. Why not raid the refrigerator and wet bar? Godspeed, Driver. No pun intended.”

And with that, the screen snapped off.

I looked out the window and saw the lights reflecting from the massive car-cubes along Levegh Lane in the distance, and realized that these dead piles rose so high they could be probably be seen from any place in the city.

I wondered if, very soon, the smashed corpse of the Ogre would be added to them for future Repair material.

12

FADE IN: a seemingly endless stretch of smooth two-lane blacktop emptying into shadows. Crowds of people line both sides of the road, the men looking tough while clutching at their bottles of beer, the women looking anxious while clutching at the filtered tips of their cigarettes, and the kids—especially the really young ones—looking like they aren’t sure how they should be feeling while they clutch at the hands or coats of the tough beer drinkers and anxious cigarette smokers.

…and this is where we came, isn’t it?

I climbed out of the limo and saw the Ogre parked in the left lane up ahead, Sheriff Hummer leaning against the driver’s-side door. He saw me, gave a little wave, and gestured for me to join him.

I kept glancing at the crowd as I approached him, but after a few seconds of that realized it wasn’t the best idea; the people who comprised this crowd—men, women, children ( God, the children…)—were all Repaired to varying degrees, and the fusion of flesh and metal, rather than repulse me as it had before, now seemed to possess an organic correctness that I was suddenly all too willing to accept as being normal…or what passed for normal, here. One little girl who couldn’t have been more than seven years old smiled at me, displaying a mouthful of spark plug tips that took the place of her teeth. She seemed so proud of that smile, like she was showing off. I smiled back at her, and she blushed.

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