Gary A. Braunbeck - Cages and Those Who Hold the Keys

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In the Midnight Museum - Bram Stoker Award-nominated for Superior Achievement in Long Fiction, 2005 Martin Tyler is a 44-year-old janitor whose life has come to a sputtering halt; he has no friends, no family, and no promise of better days ahead. In the grip of blackest depression, he attempts to take his own life, only to find himself waking up in a local mental health facility where he has been placed for observation. But something more has happened to Martin than just a failed suicide attempt; certain doors of perception have been unlocked in his mind, allowing him to see fantastic creatures that lurk outside on the streets of Cedar Hill - creatures only he can perceive. Over the next 48 hours, Martin will discover what these creatures are, who controls them, and why he must enter The Midnight Museum, a place with no doors or windows, but many entrances and exits; a place just outside the perception of everyday life; a place where Martin will discover how and why he inadvertently holds the fate of the world in his hands. The Ballad of Road Mama and Daddy BlissIn the novella The Ballad of Road Mama and Daddy Bliss, a man assigned community service duty with the city morgue after a DUI arrest is offered a simple deal: transport an old woman's body back to her hometown, and his record will be wiped clean. But this is no typical old woman, and -- as he soon discovers -- he is taking her to a town that is on no map. The old woman's identity, as well as the reasons behind the town's secret existence, will be revealed to him over the course of a few nightmarish hours between midnight and dawn -- the time when The Road demands its sacrifices.Kiss of the MudmanInternational Horror Guild Award for Long Fiction, 2007 A haunting story behind the lyrics of a rock song from the 70s. It is a story of music, stardom, death, and the combination of notes that brings dirty destruction to the Cedar Hill halfway house. Along the way, a visit from the "ulcerations" of Jim Morrison, Jimi Hendrix, John Entwistle and Keith Moon, Kurt Cobain, and Billie Holiday enlighten the legend of just why the greatest guitar player that ever lived was a woman. Music fans will love it, and Braunbeck's fans should not miss it. It has all the things that make his work special: the pain, the despair, and the fear, all combined but with each one allowed its own moment in the sun, each one getting its own time with your nerves before they all come crashing down, leaving you with just enough energy to turn the page.TessellationsA haunted, young actress returns home after the death of her father to discover that her brother has seemingly gone insane. Over the course of one unnerving night she first witnesses — and then becomes a part of — a Halloween nightmare that, piece by piece, physically brings back the past, rips a hole in her consensual reality, and allows demons, monsters, and even a miracle or two to shamble into this world and transform it into the darkest of fairy tales...The Sisterhood of Plain-Faced Women'The Sisterhood of Plain-Faced Women' is the story of Amanda, who gains beauty but at a terrible price as her new physical attributes are torn from other people, the tale never less than compelling and with a heartfelt moral at its core.

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Now imagine driving alone for well over a thousand miles with a corpse your only companion. A Hope & Crosby On The Road movie this was not.

I’d been traveling for almost 14 hours and it was getting seriously dark. I was tired, I was upset, I was hungry, the coffin and its passenger were creeping me out to the nth degree, I needed to stretch my cramping legs, I’d missed the rest-stop entrance a few miles back (I was busy trying to make out the TripTik printing under the dim glow of the dome light), my bladder was grumpy, and I was pretty sure that I’d gotten onto the wrong stretch of highway at the interchange, so I decided, fuck it , I was going to take the next exit and find an all-night gas station and ask for directions.

That’s right— ask for directions: I am not one these guys who feels genetically obligated to never admit that he’s lost. If I’m going somewhere I just want to get there, preferably not too far behind schedule, in one piece and with my sanity intact; if that means I have to endure some twenty-something kid behind the counter of a Sip & Piss laughing at me under his breath as he shows me the best way to get back to where I need to be, well…there are worse humiliations that can be suffered, even if I sometimes do feel like belting that kid one upside the head. (And I swear it seems like it’s always the same kid behind the counter, regardless of where you stop; personally, I think they’re being manufactured in some top-secret government facility dedicated to creating as many aggravations as possible for American drivers so we don’t notice that the gas prices always start to go up on Wednesday night, right about rush hour.)

According to my TripTik, the next exit—happy-happy-joy-joy—was twenty miles farther down the highway. If I was right and it turned out I should’ve taken the I-70 West ramp, then I was almost 25 miles away from where I should have taken the exit, which meant by the time I got back to where I needed to be I’d be about 50 miles in the hole.

I turned up the radio, which was tuned to a “classic rock” station, and was just in time to hear the DJ introduce The Who’s “Baba O’Riley” with the words: “Can you believe this song is older than I am?”

I wanted to reach through the radio waves and strangle the little fucker.

I don’t think of myself as being ancient (I’m only 44), but it still blows my mind that there are people out there who don’t remember when “Baba O’Riley”, “Won’t Get Fooled Again”, Zeppelin’s “Stairway To Heaven”, and even Deep Purple’s “Smoke On The Water” were brand-new. Hell, half the DJs working these “classic rock” stations probably have no idea that “Smoke On The Water” tanked in the U.S when it was released as a single from the Machine Head album; it was only when it released as a single from Made In Japan that it became the monster smash—not to mention the first riff every kid learns to play once they get a guitar—we all know and pretend to loathe.

Told you my mind starts sorting through useless trivia if I spend too much time on the road, so don’t start bitching about how this has nothing to do with anything.

I cranked up the volume and pressed down on the accelerator—almost anything from Who’s Next turns me into a speed king—and before Roger Daltrey was finished roaring about the teenage wasteland, the exit was in sight.

Or, rather, an exit.

I checked the odometer and saw that it had been just under five miles; there wasn’t supposed to be an exit for a while yet.

You know those moments in life that, when you talk about them later, you always preface with something like, “I should have known because …”? Well, there’s no “because” here; yeah, what happened a few moments later was odd, no question, and I wish to hell I could say that I knew or sensed that something in the world was about to wander off the highway permanently, but the truth is there was nothing that set off any serious alarms. By now, I was so tired and cramped and sore and hungry and all the rest of it that I didn’t care about the shadows that had broken into my apartment, or Miss Driscoll’s morbid hobby, or the two thousand dollars, or my date with redheaded Kimberly— nothing .

On the TripTik map or not, that next exit was mine. If I’d turned down the radio and listened carefully, I bet I could have heard my bladder cheering.

That said, I can tell you now that if I had decided to wait for the following (and TripTik- acknowledged ) exit farther down, all of this still would have happened—hell, I could have taken any exit from this point on and it wouldn’t have changed anything.

The sign said, simply: EXIT.Nothing more; no town name, no number, no white arrow pointing in the correct direction. All of this both registered with me and didn’t (like the total number of deaths from the I-71 accident); I saw it, knew something about it was odd, but just didn’t care. I wanted to feel solid ground and not pedals under my feet for a few minutes.

As soon as I merged onto the ramp the light above the EXITsign blinked twice, made a sputter-buzz kind of noise, then went out completely.

I wasn’t prepared for how damned black it became after that. Nowhere on either side of me was there another light, so all I had to see by were the meat wagon’s headlights. I clicked over to the brights and slowed down, just in case some possum, squirrel, dog, or deer decided to make a break for it and test my reflexes.

The first roadside memorial (a cross made of plastic flowers, sporting several ribbons) barely registered with me when it faded into the glow of the headlights. I drove on. The cross glided past. One of the ribbons snapped backwards and flapped in the breeze as if waving good-bye.

I thought of the miniature monuments Miss Driscoll had erected around her tracks.

Maybe it’s just me, but I find something creepy about these monuments (be they HO-scale or life-size). I understand that those left behind have to do whatever it takes to deal with their grief, but if it was me and someone I’d loved had died in a wreck (probably in bloody pieces and great pain) the last goddamned place I’d want to erect a monument to their memory was the spot where their final agonized breath had been drawn and expelled. And since the maintenance of these things is the responsibility of those who erect them, that means you have to make an at-least quarterly pilgrimage to the place—assuming that you don’t have to drive past it every day on your way to or from work. How can you pay suitable respect to someone’s memory when you’ve got semis and SUVs and busloads of screaming kids roaring by every few seconds? Cemeteries may not be the cheeriest places to visit, but at least it makes sense to mourn there. Grieving by the side of the road in front of a monument no one but you gives a shit about just strikes me as distasteful…but then, I’ve never had to confront that particular kind of grief, so it’s easy for me to pass judgment: Dianne—my ex-wife—always pointed that out to me—that it was easy for me to judgmental about these memorials; she found them to be deeply moving.

Dianne never brought up my shortcomings to try and make me feel small; she did it because they, in her words: “…keep the best of you hidden from me and everyone else. You’re not the cynic you want everyone to think you are.” I never saw it that way, nope; as far as I was concerned, it was her way of proving to me once again that my moral compass was fucked up and wouldn’t I just be the best person if I saw the world just like her .

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