Gary A. Braunbeck - Cages and Those Who Hold the Keys

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In the Midnight Museum - Bram Stoker Award-nominated for Superior Achievement in Long Fiction, 2005 Martin Tyler is a 44-year-old janitor whose life has come to a sputtering halt; he has no friends, no family, and no promise of better days ahead. In the grip of blackest depression, he attempts to take his own life, only to find himself waking up in a local mental health facility where he has been placed for observation. But something more has happened to Martin than just a failed suicide attempt; certain doors of perception have been unlocked in his mind, allowing him to see fantastic creatures that lurk outside on the streets of Cedar Hill - creatures only he can perceive. Over the next 48 hours, Martin will discover what these creatures are, who controls them, and why he must enter The Midnight Museum, a place with no doors or windows, but many entrances and exits; a place just outside the perception of everyday life; a place where Martin will discover how and why he inadvertently holds the fate of the world in his hands. The Ballad of Road Mama and Daddy BlissIn the novella The Ballad of Road Mama and Daddy Bliss, a man assigned community service duty with the city morgue after a DUI arrest is offered a simple deal: transport an old woman's body back to her hometown, and his record will be wiped clean. But this is no typical old woman, and -- as he soon discovers -- he is taking her to a town that is on no map. The old woman's identity, as well as the reasons behind the town's secret existence, will be revealed to him over the course of a few nightmarish hours between midnight and dawn -- the time when The Road demands its sacrifices.Kiss of the MudmanInternational Horror Guild Award for Long Fiction, 2007 A haunting story behind the lyrics of a rock song from the 70s. It is a story of music, stardom, death, and the combination of notes that brings dirty destruction to the Cedar Hill halfway house. Along the way, a visit from the "ulcerations" of Jim Morrison, Jimi Hendrix, John Entwistle and Keith Moon, Kurt Cobain, and Billie Holiday enlighten the legend of just why the greatest guitar player that ever lived was a woman. Music fans will love it, and Braunbeck's fans should not miss it. It has all the things that make his work special: the pain, the despair, and the fear, all combined but with each one allowed its own moment in the sun, each one getting its own time with your nerves before they all come crashing down, leaving you with just enough energy to turn the page.TessellationsA haunted, young actress returns home after the death of her father to discover that her brother has seemingly gone insane. Over the course of one unnerving night she first witnesses — and then becomes a part of — a Halloween nightmare that, piece by piece, physically brings back the past, rips a hole in her consensual reality, and allows demons, monsters, and even a miracle or two to shamble into this world and transform it into the darkest of fairy tales...The Sisterhood of Plain-Faced Women'The Sisterhood of Plain-Faced Women' is the story of Amanda, who gains beauty but at a terrible price as her new physical attributes are torn from other people, the tale never less than compelling and with a heartfelt moral at its core.

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(Now more than ever it seems rich to die . . .) learn.

What had he been thinking, anyway, coming in here like this? This would throw off the schedule. Postpone the pudding. Delay the spoons.

( . . . cease upon the midnight with no pain . . .)

That wouldn’t do; wouldn’t do one little bit.

“Sir,” said the other woman, now standing beside the receptionist. “Are you all right?”

Martin looked up, one hand covering his mouth, wanting to shrug, to give her some sort of physical response, but he couldn’t think of anything to do or say.

The other woman came around, slowly opening the small waist-level door that separated the reception office from where Martin was standing. Moving toward him, she carefully raised her hands to her sides as if preparing to either catch something or grab him. Maybe she wanted to dance a waltz; who knew? “What’s in the bag?” she asked.

“Huh? Oh . . . stuff. Pudding cups. Medicine.” He realized that the watercolor was still tucked under his arm, and set about slipping it back into the bag.

“What kind of medicine?” asked the woman.

“Just . . . y’know, medicine. Doctors gave it to me. I mean, some of it was Mom’s, some of it was Dad’s. Most of it was stuff the doctors gave to me after my folks died. To help me sleep, calm me down, blah-blah-blah, cha-cha-cha, so on and so forth.” The woman stopped a few feet away from him. “What’s your name?” “Martin Tyler.” “My name’s Barbara Hayes, Martin.” Why couldn’t he stop sweating? Crying. Whatever. “Nice to meet you.” “Can you tell me what you’ve taken, and how much of it?”

“Not really. I’d have to check . . . check the schedule.” The watercolor safely back in place, he tucked the grocery bag under his arm and searched through his pockets for the piece of paper on which he’d written down everything. He located it at last, unfolded it, and found that he couldn’t get his eyes to focus; something was making his vision blurry, like he was underwater.

Why was it so damned hot in here? He’d never sweated—

not sweating, pal; try to keep up — —like this before. “I can’t seem to . . . to read my own handwriting.” He offered the paper to Barbara Hayes. “Can you give it a try?” “Yes,” she said, taking it from him.

“I’m a custodian,” he said, suddenly feeling as if he needed to explain himself to this woman. “But I’m really good at it. I wanted to be a writer once, I even studied English and American Literature for a couple of years at OSU, but I dropped out . . . can’t remember why, not just now. I figured that I could always go back to school but then . . . things happen, you know? Dad died last June and then Mom died this April and I thought I was doing okay, all things considered, I mean, considering what a hoo-ha blue-ribbon year-or-so it’d been, and I kept thinking that it wasn’t so bad, y’know, they’d both been really sick for a while and I was expecting them to die—Dad had cancer that spread from his prostate to his liver to his stomach and finally to his brain . . . Mom’s bad heart just gave up the fight, which wasn’t a big surprise after spending so much time helping me take care of Dad, so it wasn’t like I wasn’t ready for it, understand? I was doing okay, really, I was, but each time one of them died I’d have to gather up all their stuff and I wound up with all this medicine and couldn’t sleep for shit and I was nervous and shaky and it seemed like every time I turned around some doctor was giving me a prescription for this kind of sleeping pill or that kind of tranquilizer or some other kind of goddamn anti-depressant happy-happy-joy-joy pill and I woke up this morning and couldn’t remember if I’d turned the ringer off on my phone, so I checked it and the ringer was on but I checked my voicemail, anyway—it’d been five days, after all—and there weren’t any messages and I just got to wondering about how long I’d be missing before someone noticed and . . . .”

He stopped, bored with the incessant droning monotone of his voice, but the woman standing across from him, Barbara Hayes, Dr. Barbara Hayes, a practicing psychiatrist who volunteered at the Crisis Center two nights every month, did not hear a droning monotone; what she heard was a man speaking in a rapid, deadly cadence, whose voice was so tight with hysteria that the words tumbling out of his mouth hit the floor like shards of shattered glass.

She read what was written on the paper, then looked back up at him. “This is very organized, Martin. Extremely well-researched and well-planned.”

“Thank you.”

“How long have you been planning this?”

A shrug. “Three, four months. Off and on.”

She nodded. “And all this medication was either leftover from your parents’ treatments or prescribed to you by other physicians?”

“I bought some of it off the Internet. It was easier than I’d thought it’d be. Expensive , but easy.” “Martin?” “Yes?” “Why do you want to die?”

The unexpected directness of her question seemed to jar something loose inside him; he blinked, wiped his eyes, then pulled in a slow, hard, snot-filled breath, considering his reply. While he was doing this, Dr. Hayes looked at the receptionist, who nodded her understanding and hit the speed-dial button.

Martin was peripherally aware of the receptionist whispering to someone on the phone—maybe she was calling her boyfriend, making arrangements to meet for a late dinner or a snack or something when her shift ended (that was nice that she had someone to call, he bet they were a cute couple), but mostly he wanted to give the correct answer to the other woman’s question.

“I don’t know that it’s . . . it’s so much I want to die,” he said. “It’s just that I really don’t think I’ve been alive for a while, just sort of . . . breathing and taking up space, so . . . if there’s a third alternative that I’ve . . . overlooked, I’m all ears.” “Why do you feel this way, Martin?”

Nibby, isn’t she? He looked down at his hands. Where was the grocery bag?

He looked up again. Barbara Hayes was holding it. When had he given it to her? He should have given her the spoons. She couldn’t chow down on the pudding without the spoons. Well, he supposed she could , but it’d be kind of messy, and she didn’t look like the messy type and . . . hadn’t she asked him something?

“. . . were both sick for so long,” he heard himself saying. “If I wasn’t at work, then I was driving one of them to or from their doctors or treatments, straightening up the house—did I tell you that I’m a custodian? And a pretty good one. I always kept their house clean, their medicines organized—got some of those pill containers so I could put each day’s dosages into separate compartments in case one of them lost track of what they were supposed to take and when and . . .” He looked directly into her eyes for the first time. “You know, if you’re looking for a reason, just one, some Holy Grail of reasons . . . I can’t give it to you.” “There usually isn’t just one reason, Martin.” “Barbara?” said the receptionist; then, to Martin: “I apologize for interrupting you.” “. . . s’okay . . .” The receptionist turned back to Dr. Hayes. “They’re expecting you.” “Thanks. Martin?”

Woozy . . . damn but he was getting woozy. “Yes?”

“Did you drive yourself here?”

“Sort of . . . I mean, yes. I mean, I wasn’t really driving here , I was gonna go to . . . piss on it—my car’s outside. I left it parked over by the light.” “May I have the keys, please?” He handed them to her without question or argument. “Do you mind if I take you someplace, Martin? Someplace where there are people who can help?”

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