Gary A. Braunbeck - Cages and Those Who Hold the Keys

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In the Midnight Museum - Bram Stoker Award-nominated for Superior Achievement in Long Fiction, 2005 Martin Tyler is a 44-year-old janitor whose life has come to a sputtering halt; he has no friends, no family, and no promise of better days ahead. In the grip of blackest depression, he attempts to take his own life, only to find himself waking up in a local mental health facility where he has been placed for observation. But something more has happened to Martin than just a failed suicide attempt; certain doors of perception have been unlocked in his mind, allowing him to see fantastic creatures that lurk outside on the streets of Cedar Hill - creatures only he can perceive. Over the next 48 hours, Martin will discover what these creatures are, who controls them, and why he must enter The Midnight Museum, a place with no doors or windows, but many entrances and exits; a place just outside the perception of everyday life; a place where Martin will discover how and why he inadvertently holds the fate of the world in his hands. The Ballad of Road Mama and Daddy BlissIn the novella The Ballad of Road Mama and Daddy Bliss, a man assigned community service duty with the city morgue after a DUI arrest is offered a simple deal: transport an old woman's body back to her hometown, and his record will be wiped clean. But this is no typical old woman, and -- as he soon discovers -- he is taking her to a town that is on no map. The old woman's identity, as well as the reasons behind the town's secret existence, will be revealed to him over the course of a few nightmarish hours between midnight and dawn -- the time when The Road demands its sacrifices.Kiss of the MudmanInternational Horror Guild Award for Long Fiction, 2007 A haunting story behind the lyrics of a rock song from the 70s. It is a story of music, stardom, death, and the combination of notes that brings dirty destruction to the Cedar Hill halfway house. Along the way, a visit from the "ulcerations" of Jim Morrison, Jimi Hendrix, John Entwistle and Keith Moon, Kurt Cobain, and Billie Holiday enlighten the legend of just why the greatest guitar player that ever lived was a woman. Music fans will love it, and Braunbeck's fans should not miss it. It has all the things that make his work special: the pain, the despair, and the fear, all combined but with each one allowed its own moment in the sun, each one getting its own time with your nerves before they all come crashing down, leaving you with just enough energy to turn the page.TessellationsA haunted, young actress returns home after the death of her father to discover that her brother has seemingly gone insane. Over the course of one unnerving night she first witnesses — and then becomes a part of — a Halloween nightmare that, piece by piece, physically brings back the past, rips a hole in her consensual reality, and allows demons, monsters, and even a miracle or two to shamble into this world and transform it into the darkest of fairy tales...The Sisterhood of Plain-Faced Women'The Sisterhood of Plain-Faced Women' is the story of Amanda, who gains beauty but at a terrible price as her new physical attributes are torn from other people, the tale never less than compelling and with a heartfelt moral at its core.

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“You mean about Miss Driscoll?” He shrugged. “I dunno, it’s just something I do on jobs like this. Seems like, since I’m gonna be the last human contact their bodies will ever know outside of a funeral home, I ought to know a little something about them. It’s a terrible thing, to have your last human contact be with a total stranger. Just seems right somehow, knowing a few things.” Another shrug. “Or maybe I’m just a nib-shit.”

I laughed, but not too loudly.

Dobbs inserted and turned the key, pressed the button, and the freight elevator doors opened. We maneuvered the gurney into the too-wide, too-deep, too brightly-lit compartment and Dobbs pressed 7. The doors closed with a thump! that seemed so loud I actually started.

“Easy there, Rambo,” said Dobbs. “This ain’t the time to get a case of the willies. You just follow my lead once we’re up there, okay? Let me do the talking with the officer, and once we get inside, don’t do a thing unless I say so, okay?”

“Okay.” I sounded just as anxious as I felt.

“Hey, look at me. The first time I had to go along on one of these, I was so scared I thought I was either gonna piss my pants or throw up. I surprised myself by doing both.”

“If that was meant to make me feel better, it needs a little work.”

“I’m just saying that it’s okay to be nervous. Do yourself a favor and don’t fight it. Fighting it’s what makes it worse. If it’ll help, just pretend that you’re moving a piece of antique furniture. I know that sounds cold-hearted as all get-out, but if you can put yourself into that frame of mind—that you’re moving a thing, not a person—it’ll go easier. Besides, when you get right down to it, that is all we’re doing, moving a thing . It’s not really a person, it’s just something they once walked around in.”

“Then why bother asking all those questions like you did?”

“We’re not talking about me , Einstein, we’re talking about how you can handle this. I’ve been doing this a helluva lot longer, and asking questions is how I deal with it so I can get to sleep at night and not feel so soul-sick and sad when I wake up the next morning that I can’t get out of bed.”

“I didn’t mean to offend you, Fred.”

“I know. And I apologize if my tone was a bit harsh. But that’s my advice for you ; if worse comes to worst, just think of them as being a piece of furniture, got it?”

I swallowed—a bit too loudly for my nerves—and nodded. “Thanks.”

“Look, on an average month the Coroner’s office only gets maybe one or two calls like this. Mostly what you and me will be doing is hauling bodies from the morgue to whatever funeral home they’re going to. We might have to maybe drive a body over to another county, or go to another county to bring a body back here, but mostly what we do is fill out paperwork and sit around waiting for Doc to call us with a job.”

“Filling out paperwork sounds delightful right about now.”

Dobbs reached across and patted my arm. “You’ll be fine. Just do me a favor—you feel anything coming up or your bladder starting to do the Watusi, you make a beeline for the toilet. Oh, I forgot to mention—the first two things you locate once we’re inside are, 1) the body, and, 2) the toilet. Long as you know where both of them are at all times, you should be okay.”

The elevator came to a groaning stop and the doors opened. We rolled everything out into a concrete corridor, following the signs past custodian closets and storage rooms until we came to a set of heavy swinging metal doors that led into another warmly-lighted hallway with gold carpeting. Its design and decor was an almost exact replica of the lobby.

According to the wall-mounted signs, 716 (Miss Driscoll’s room) was to our left. We rounded the corner (making almost no noise whatsoever; Dobbs was right, this gurney was quiet ) and the police officer sitting watch outside the room rose from her chair and gave us a nod.

“Been waiting long?” asked Dobbs when we got there.

“About forty-five minutes,” said the officer, whose nametag identified her as Carol Seiler. She pushed some blonde hair back from her almost-cherubic face (the only thing marring the “cherubic” image being the heat she was packing) and said, “I guess I have to earn my salary now and ask you if you’ve got some official-type paperwork to show me.”

Dobbs handed her the forms. She looked them over, nodded, initialed the bottom of each, took her copies, then gave back everything else.

“You’ve got quite the show waiting for you in there,” she said.

Dobbs looked at me with an expression that was, for him, wide-eyed: Maybe we’re gonna need the sci-fi gear, after all?

“Is it bad?” he asked.

“The body is fine, but the rest of it is…well, a little strange.”

“‘A little strange’?” said Dobbs. “I don’t like starting my Mondays with ‘strange’. Doc didn’t say anything to me about ‘strange.’ But then, he didn’t say much of anything to me. Don’t suppose you’d care to elaborate on this ‘strange’?”

Officer Seiler shook her head. “And ruin the surprise?”

By now, I was getting a serious case of the jitters; maybe these two dealt with stuff like this frequently enough that they could afford to be flippant, but my composure was just about at the breaking point.

“Could you just tell us, please ?” I said, a bit more loudly than was probably called for. Officer Seiler looked at me, then back at Dobbs. “Let me guess, your new CS sidekick?” “He’s a bit uneasy.” “Think maybe he’s wound too tight?” “Could be, but he seems like an okay guy.” Don’t you just love having people talk about you like you’re not there? Does wonders for the old self-esteem.

The two of them continued chatting about this and that—how the department was still trying to track down family members, the weather, the accident in Columbus that was all over the news, the recent budget cuts ( Damn the budget cuts!)—so I turned around to lean against the wall and nearly jumped out of my shorts when I found myself face to face with a small, slightly hunched, bespectacled man who immediately reminded me of the drawings of Mole from The Wind and the Willows. “She was an odd’n,” he said, nodding toward room 716. “Hello,” I said, nothing if not quick on my feet. “I’ll not speak ill of the dead,” said Mole, “but I have to tell you, I’m not going to miss the power outages.” I looked toward 716, then back at him. “Okay…?”

He gave out with one of those exasperated sighs that suggests the listener should have been able to figure out the rest for themselves already, if they had half a brain and were paying attention, which obviously I had not been so he was going to explain it to me very slowly, taking pity on my lack of common sense. “Them packages she was always getting. Every time she got a delivery, you could count on the power on this floor going out sometime that night. Got so bad that the management company had the custodians install a breaker box down by the laundry room so they wouldn’t have to keep going to the basement. Thought it was damned considerate of them, myself. Power goes out, one of us’d just grab a flashlight, go down to the laundry room, flip a switch. Still, you couldn’t stay mad at her, not hearing the way she cried some nights.”

I didn’t want to know this. One of my greatest fears is that I’ll end up old, sick, alone, and forgotten, living out the remainder of my shabby days in some dim little room with no one to talk to or care whether or not I wake every day to the promise of more loneliness, feeling like my whole life has meant nothing.

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