Gary A. Braunbeck - Cages and Those Who Hold the Keys

Here in the Midnight Museum, moments became the real becoming dreams becoming now and in a blink were gone: then .

The liquid in the case stilled.

As-Was’s bobbing head lolled forward, chin resting against its chest.

The nightclouds retreated, allowing the moonlight to spill through the skylight and grow brighter against the baby’s pallid features. Slanted shadows dissolved. No more sound, save for the soft, ragged rasp of Martin’s breathing. No further movement. Death moving on to busy itself with the weaker living who did not understand the aesthetic of its efforts.

Martin stepped back, readying himself to raise the crowbar and do what he’d come here to do, but froze when all the video monitors surrounding him simultaneously flickered back to life.

Each screen displayed the same image: Bob, as he was right now, as he was at this very second , lying on his shabby bed in his even shabbier room, struggling for every breath. The image was silent and chilly and ashen and dead, save for the diffuse light that shone down from the icy edge of a dispassionate Heaven.

“Oh, Christ,” said Martin, the words emerging somewhere between a nauseous choke and strangled sob.

He watched on-screen as Bob involuntarily opened his mouth, gasping for air; even though there was no sound, Martin thought he could hear Bob’s scream, silent and gnarled and endless: Do it, for chrissakes! In the Midnight Museum, the baby’s mouth opened, releasing a bubble of air that had not been in its lungs a moment before. Bob’s right hand twitched. As did the baby’s.

Bob’s eyelids quivered, then stilled as he released another breath, sinking further into himself and the living death of his affliction.

The baby’s eyelids also quivered, but then snapped open, revealing the burnished, obsidian-black marbles that had been used to replace its eyes. It smiled up at Martin, revealing starched, toothless gums.

“Now or never,” it whispered in a voice clogged with thick liquid age.

Before Martin could react, As-Was reached behind its head with one fishbelly-flesh arm and yanked the hook from the catch in the back of its skull—

—and with unexpected force kicked its feet against the glass, spiderwebbing a crack from which liquid squittered outward as it pressed its arms against the sides of the case to gain more balance before kicking again and then screaming—

—but Martin was ready now, stepping sideways and gripping the crowbar in both hands, swinging it farther back and higher, determined to come down with all the power he had, do it all in one or two massive blows, he could do it, he knew he could, he had to—

—As-Was slammed his feet against the glass once more, heels-first this time, the crack widening as small chunks of glass spit outward, the front of the case pissing an arc of formaldehyde that hit Martin in the belly, soaking his shirt and pants, pooling at his feet, and with one quick last look at Bob’s dying face on the monitors, he swung the crowbar with all he had, connecting with the crack and shattering the front of the case, the liquid vomiting out, soaking him, running in rivulets down the heap of bodies upon which he was standing—

—As-Was tumbled forward, spitting up, then caterwauling at the top of his lungs just like any baby would when it woke up at three in the morning and Mommy and Daddy weren’t there in the dark and it was hungry—

—and Martin squatted down like a baseball catcher and scooped As-Was into the crook of his free arm, his other hand still gripping the crowbar, and this little son-of-a-bitch was slick, slippery, and would not hold still, would not stop kicking, would not give it a rest with the spitting-up but that wasn’t going to stop him, no way, because he’d done it he’d actually for the first time in his life done something that he thought mattered and no squalling little black-eyed flat-top monstrosity was going to screw this up for him—

—and just as he spun around and began to slide down the heap ass-first like a kid with a sled on a snowy hill he saw something from the corner of his eye that kicked his anxiety right in the parts and turned it into outright terror—

—the tarpaulin in the far corner lay flat on the floor.

Not just flat— neatly folded .

You son-of-a-bitch! thought Martin.

He’d been tricked.

Gash had never been asleep, he’d only wanted Martin to think he was asleep, had probably been chuckling to himself while folding the tarpaulin as Martin smashed the case and fought against the rush of formaldehyde and As-Was kicking his chest and screaming and spitting up . . .

Martin hit the floor and slid forward a few yards, propelled not only by the angle of the descent from the body-heap but because the liquid from the case had continued running forward, creating a slick little river across the floor, and by the time he was able to stop scuttling and sliding around and finally get to his feet, two enormous, heavy thumps caused everything above, below, and around him to shudder just as an equally enormous shadow rose up to block out most of the light.

(Don’t look, don’t look, for the love of God whatever you do, don’t look)

Martin hunched forward and ran toward the entrance, As-Was still kicking and clawing and screaming against his chest, and then the floor shook again as Gash took two more

(Simon says take two)

giant steps, only now he was stomping because the bookshelves began to wobble and tilt, raining down dozens of heavy volumes, one of them coming so close to crushing Martin’s skull the corner of its cover tore a small section from the top of his ear, but he kept running, and there it was, there was the entrance, and then he was through and moving forward to where he could see a circle of light spilling down from—

—“Oh, shit! ” said Martin—

—from the hole above , from the hole above that it had taken him fifteen seconds to fall through, from the hole above that there was no goddamn way he could reach, even if he didn’t suck at basketball no way could he jump that high, smooth move, Einstein, you got this far and God knows we’re all more than a little shocked by that, warn us next time, will you, but you know what, here’s a question, a real brain-teaser, a little mental exercise for all you over-the-hill glorified janitors out there: why do you always start waxing the floor in the toilet stall?

Everything was shaking apart as Gash continued stomping forward.

(don’tlookdon’tlookdon’tdon’tlook)

Give up?

Answer: because you don’t want to wax yourself into a corner . The difference between a good plan and a not-so-good plan is that a good plan usually includes a way out . Martin looked up and saw all the faces from the painting encircling the way out, peering down. “I don’t suppose any of you have something like a rope?” Their faces told him everything he needed to know.

Martin looked down at the floor and released his breath. If I had a razor, I’d probably open a vein right about —

—then it hit him.

A vein .

The ceiling sac.

Not giving himself time for second thoughts, he turned, hunched down, and ran back into the museum, his eyes focused on the veins running down from the sac and not, repeat not on the foot the size of a couch that had just slammed down on the floor a few yards away from him, and when Martin reached the nearest vein he swung up and out with the crowbar, severing it near floor and loosing a spray of bright blood that geysered in all directions as the vein snapped and whipped around like a live electrical wire, and he had maybe five seconds to grab hold of it and hope he could pull it loose from the sac and that meant either dropping As-Was or the crowbar, and it really wasn’t much of a choice, so it was good-bye crowbar, and he dropped it, grabbed the whip-curling end of the severed vein and somehow managed to twist it around his wrist, grabbing onto it and pulling with everything he had.